Agents of an oil tycoon vanish while exploring a swamp marked for drilling. The local sheriff investigates and faces a Seminole legend come to life: Man-Thing, a shambling swamp-monster whose touch burns those who feel fear.
Genetically-engineered Komodo dragons have become ginormous creatures hunting people on a remote tropical island. A small group of scientists must stop the dragons before they escape the island and destroy the rest of the world.
Set in a future-world vision of Tokyo where the police have been privatized and bitter self-mutilation is so casual that advertising is often specially geared to the "cutter" demographic, ... See full summary »
Alice awakes in Raccoon City, only to find it has become infested with zombies and monsters. With the help of Jill Valentine and Carlos Olivera, Alice must find a way out of the city before it is destroyed by a nuclear missile.
Bywater's native Seminole Indians believe the swamp will be bloodily revenged by its guardian spirit, a 'dark warrior', for its 'rape' by Frederic and son Jake Schist's oil-drilling, sold out by their own late chief Ted Sallis. The rig is illegally protested against by hot-head ecologists, who get blamed for vandalism on the site. New, outsider sheriff Kyle Williams suspects immediately local adolescent Billy James wasn't eaten during love-making there by a cayman but by a mysterious monster, which already made and soon makes new bloody victims in weird, inconsistent ways. Several people add to the danger. Written by
Although filming was originally intended to be done in New Orleans, budget realities forced the production to be relocated to Australia. They were the first production to use the new Kurnell studios, and enlisted regional actors for virtually every role. See more »
As a part time comic geek and a full time movie geek I was surprised that anyone would green-light a film based on the old Marvel comic "Man Thing." Obviously I had no expectations for this straight to DVD release when I saw it last week but all in all I was pleasantly surprised. Now don't get me wrong, "Man Thing" is by no definition the best comic book film ever made but it is at least true to it's origins unlike "Batman Forever" and "Batman & Robin." The basic story is pretty much a product of the "plot wheel" and you won't see any big name actors but if you treat it for what it is, a solid B-movie, there are worse ways to spend an hour and a half. The title creature looks as if the special effects and costume designers did their best to capture this little known character's appearance and movement. Not to say that this film doesn't have it's problems, bad annoying camera gimmicks and cartoonish supporting actors among them, however I don't believe that a reviewers job is to turn into a whinny nitpicker. If you really love the medium there aren't that many films that you can't find at least one good element in. "Man Thing" never stood a chance to be much more than a guilty pleasure but honestly you can't expect a first rate film adaptation of a third rate comic book. This is a film for B movie night and that's not necessarily a bad thing. Cut. Print.
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