Agents of an oil tycoon vanish while exploring a swamp marked for drilling. The local sheriff investigates and faces a Seminole legend come to life: Man-Thing, a shambling swamp-monster whose touch burns those who feel fear.
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Bywater's native Seminole Indians believe the swamp will be bloodily revenged by its guardian spirit, a 'dark warrior', for its 'rape' by Frederic and son Jake Schist's oil-drilling, sold out by their own late chief Ted Sallis. The rig is illegally protested against by hot-head ecologists, who get blamed for vandalism on the site. New, outsider sheriff Kyle Williams suspects immediately local adolescent Billy James wasn't eaten during love-making there by a cayman but by a mysterious monster, which already made and soon makes new bloody victims in weird, inconsistent ways. Several people add to the danger. Written by
KGF Vissers
The characters of Steve Gerber (William Zappa) and Mike Ploog (Robert Mammone) are references to the comic creators by the same names. While they didn't create the Man-Thing, they worked together on the first ongoing series of the comic book character and developed it further (e.g. establishing the "nexus of all realities"). Steve Gerber is also known as creator of "Howard the Duck" and Mike Ploog is famous for his work on Marvel Comics' adaptations "Planet of the Apes" and "Monster of Frankenstein" and most recently for his work on "Abadazad" (CrossGen Comics) and "Stardust Kid" (Image Comics) with writer J.M. DeMatteis. See more »
The Man-thing is your average monster movie, which is likely to appeal to the die hard fans of the genre, leaving all others wondering just what was the point of making it in the first place.
Yet, a few things stand out, mainly the scenery and the monster itself. The swamp was captured on film in a very ambiguous way, it that it is both realistic and somewhat nightmarish and disturbing. We owe that to the excellent cinematography, responsible for delivering an uncanny goldish light and the impressive shots of oozing green vegetation.
Now, the monster. Apparently, it was based on some Marvel creature I have never heard of. Either way, for a B movie, it was a very competent display of half man, half plant beast, something that could have easily become ridiculous, especially since I doubt the FX team had a large budget to work with. Still, I believe we get to see a bit too much of the Man Thing, the more footage there is on the creature the less impact it usually manages to create on the viewer.
Another thing that surprised me about this flick were the deaths. They are gruesome and convincing, with roots and barks impaling people throughout the movie. Not extremely gory but still very graphic in terms of sheer violence.
What kills this movie is the usual...a terrible cast, abhorred acting and a plot that is too shallow to hold. Everything is highly predictable and we all know who will die and who will make it. All that is part of the genre's conventions, and since the Man-thing aims to be a monster flick, and clearly is mostly concerned with the most dedicated of fans, I can say it achieved all of its goals.
13 of 23 people found this review helpful.
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The Man-thing is your average monster movie, which is likely to appeal to the die hard fans of the genre, leaving all others wondering just what was the point of making it in the first place.
Yet, a few things stand out, mainly the scenery and the monster itself. The swamp was captured on film in a very ambiguous way, it that it is both realistic and somewhat nightmarish and disturbing. We owe that to the excellent cinematography, responsible for delivering an uncanny goldish light and the impressive shots of oozing green vegetation.
Now, the monster. Apparently, it was based on some Marvel creature I have never heard of. Either way, for a B movie, it was a very competent display of half man, half plant beast, something that could have easily become ridiculous, especially since I doubt the FX team had a large budget to work with. Still, I believe we get to see a bit too much of the Man Thing, the more footage there is on the creature the less impact it usually manages to create on the viewer.
Another thing that surprised me about this flick were the deaths. They are gruesome and convincing, with roots and barks impaling people throughout the movie. Not extremely gory but still very graphic in terms of sheer violence.
What kills this movie is the usual...a terrible cast, abhorred acting and a plot that is too shallow to hold. Everything is highly predictable and we all know who will die and who will make it. All that is part of the genre's conventions, and since the Man-thing aims to be a monster flick, and clearly is mostly concerned with the most dedicated of fans, I can say it achieved all of its goals.