5.4/10
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Au plus près du paradis (2002)

People and life can be cruel, and in their face, Fannette is cool: toward an old acquaintance, to her daughter, to colleagues. Beneath the surface, she roils with passion for a lost love, ... See full summary »

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(scenario and dialogue), (scenario and dialogue) | 1 more credit »
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Cast

Cast overview, first billed only:
...
...
Matt
Bernard Le Coq ...
Bernard
Hélène Fillières ...
Lucie
...
Alain
...
Brigitte
...
Jeune femme cinéma
...
Mary Rafelson
Noémie Godin-Vigneau ...
Carole
François Arnal ...
Himself
...
Pierre
Daniel Pommereulle ...
L'éditeur
Christian Cloarec ...
Videur cinéma
Ondine Desfosses ...
La petite fille
Thomas Beckett
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Storyline

People and life can be cruel, and in their face, Fannette is cool: toward an old acquaintance, to her daughter, to colleagues. Beneath the surface, she roils with passion for a lost love, Philippe. She watches "An Affair to Remember" again and again, and when she receives a letter from Philippe asking her to meet him atop the Empire State Building, she swoons. She's writing a book on an aged painter, so she organizes a trip to New York ostensibly to secure photographs of some of his pieces. The publisher assigns her a photographer, Matt, on the surface spontaneous and flip, but also aggressive about his attraction to her. Will she be with the one she loves? Will she smile? Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Genres:

Drama | Romance

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Details

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Language:

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Release Date:

20 November 2002 (France)  »

Also Known As:

Dem Paradies ganz nah  »

Filming Locations:


Company Credits

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Technical Specs

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Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Connections

References An Affair to Remember (1957) See more »

Soundtracks

Tu mi delirio
Written by César Portillo de la Luz
Performed by Étienne Daho
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User Reviews

 
Strange, dreamy, romantic
14 April 2005 | by (New York, New York) – See all my reviews

This will suit only some tastes: a dreamy, loosely plotted film about a (presumably divorced) Parisienne (Deneuve) grown very romantic in middle age - idealizing a man she spurned forty years before.

This viewer believes that the man has not gotten in touch with her again -that her longing imagination (spurred by repeated viewing of An Affair To Remember) has so taken over that she only fantasizes that he has left her (threw on the ground to a pursuing Deneuve an envelope containing) a note to meet him at the top of the Empire State Building on a particular day and time. The movie invites other viewers to instead believe that the man is simply cryptic and elusive, and has made such an appointment.

Fortunately for Deneuve's longing, she must go to New York for work (she is writing a book about a painter and must have three paintings currently in New York photographed for the book). While there, the photographer (Hurt playing a very goofy character) falls for her.

So, will she step into reality by taking up with Hurt who offers her love - or proceed further into the fantasy world by making her appointment at the Empire State Building? And if the latter, what will ensue? There are many inconsistencies in Deneuve's character - e.g., she has no sentiment about anything in her past - has just moved from her old home, has no desire to keep close relations with her daughter (and cleaned out her room), seldom attends reunions of the class where she knew the idealized Philippe - yet she aches with every couple she sees kiss and imagines Philippe everywhere.

Only reason to see this is for Deneuve -I'd never seen her play a character who can be rattled, silly, spontaneous - and she's wonderful. Hurt's character is however an idiot whom no woman would fall for - let alone both Paulina Porizkova (playing an art owner's wife involved with Hurt before her marriage) and Catherine Deneuve.

Finally, a warning to men: do not try Hurt's move with Deneuve at home. You will be injured.


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