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People and life can be cruel, and in their face, Fannette is cool: toward an old acquaintance, to her daughter, to colleagues. Beneath the surface, she roils with passion for a lost love, Philippe. She watches "An Affair to Remember" again and again, and when she receives a letter from Philippe asking her to meet him atop the Empire State Building, she swoons. She's writing a book on an aged painter, so she organizes a trip to New York ostensibly to secure photographs of some of his pieces. The publisher assigns her a photographer, Matt, on the surface spontaneous and flip, but also aggressive about his attraction to her. Will she be with the one she loves? Will she smile? Written by
This film has grown on me with each repeat viewing. Deneuve is in every scene, so it helps if you are a fan, but then how can you not be? The film demonstrates on one level the connection that people can have with the cinema. How it turns a visual image into a feeling, and how also we can live vicariously through it. The director Tonie Marshall wanted Deneuve for this film, and if she had said no, the film would not have been made, it was Deneuve or nobody. This was because Marshal felt, as I have come to over the years, that Deneuve belongs to cinema. She is a legend. When you find a connection it should be kept, whether it is through an actor/actress, character particular film etc. Deneuve on screen represents film and everything about it, how she conveys feelings etc. The film sees Fannette try to find Phillipe, the love of her life from 30 years ago. She is recreating her own scene from An Affair to Remember, where they meet at the top of the Empire State Building. The film is sad at the same time as hopeful. The repeat viewings allow you to see the different layers of the film that are not apparently obvious at the 1st viewing. It can be seen as a romcom sort of film if you wish. But it is so much more. I hope you enjoy it, I am.
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