A yakuza enforcer is ordered to secretly drive his beloved colleague to be assassinated. But when the colleague unceremoniously disappears en route, the trip that follows is a twisted, surreal and horrifying experience.
As sadomasochistic yakuza enforcer Kakihara searches for his missing boss he comes across Ichi, a repressed and psychotic killer who may be able to inflict levels of pain that Kakihara has only dreamed of.
In order to settle a business dispute, a mob leader murders one of his own teenage sons. The surviving son vows to avenge his brother's death, and organizes his own gang of teenage killers to destroy his father's organization.
The erotic novelist Taeko is writing a morbid story of a family destroyed by incest, murder and abuse. Her assistant, Yuji, sets on a mission to uncover the reality of this story, but the reality might be too much to bear.
A father, who is a failed former television reporter tries to mount a documentary about violence and sex among youths. He proceeds to have sex with his daughter who is now a prostitute and films his son being humiliated and hit by classmates. "Q", a perfect stranger somehow gets involved and enter the bizzare family who's son beats his mom, who in turn is also a prostitute and a heroin addict... Written by
Christian D <email@example.com>
(at around 24 mins) While Keiko is sitting at her desk, you can see other crew members and a boom mic in the left side mirror. See more »
[as the bullies throw fireworks at the house]
They're here! Everyone, can you see this? Can you see this?
[taping with camera]
This is my home! My home! Did you see that? The big strong bullies are here!
[pans to Keiko]
This is my wife! She's a lovely little wife! Dinner was delicious! This is...
[pans to the Visitor]
... I don't know who this is, we're not acquainted! Watch! It's amazing, truly amazing! What a scene! It's unbelievable!
[going back to the fireworks, panning to knife in floor]
[...] See more »
What is amazing with Miike Takashi's cinema is its ability to surprise you. This film is no exception.
Wery aware of its medium (a DV camera) Miike uses this cheap look to touch the viewer more deeply. The credibility comes from this disturbing proximity of the image (It looks like your holiday film). Recurrent use of subjective perspective, emphasis this. But, instead of falling into a dogma-like movie, Miike pushes the plot to its most unacceptable extremities, sometimes flirting with the fantastic genre.
Miike plays with multi point of views, particularly during the opening scene, in which the girl takes photographs of her father before they sleep together. Desorienting the spectator.
What astonished me when I saw that movie, is the amount of humor (noir)that grows up during the film. Here, shocking situations (necrophilia, humiliations...) become really funny. And from an awful family relationship, the plot evolves to an objectively even worst situation, but subjectively a much better situation for the characters.
Miike plays here with conventional Hollywood vision about family and gives a much cynical and humorist meaning to unity! A really enjoyable film I would advise to open minded mature people.
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