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Kopfrkingl enjoys his job at a crematorium in Czechoslovakia in the late 1930s. He likes reading the Tibetan book of the dead, and espouses the view that cremation relieves earthly ... See full summary »
A father, who is a failed former television reporter tries to mount a documentary about violence and sex among youths. He proceeds to have sex with his daughter who is now a prostitute and films his son being humiliated and hit by classmates. "Q", a perfect stranger somehow gets involved and enter the bizzare family who's son beats his mom, who in turn is also a prostitute and a heroin addict... Written by
Christian D <email@example.com>
When Keiko is tending to her wounds in front of the mirror. See more »
[as the bullies throw fireworks at the house]
They're here! Everyone, can you see this? Can you see this?
[taping with camera]
This is my home! My home! Did you see that? The big strong bullies are here!
[pans to Keiko]
This is my wife! She's a lovely little wife! Dinner was delicious! This is...
[pans to the Visitor]
... I don't know who this is, we're not acquainted! Watch! It's amazing, truly amazing! What a scene! It's unbelievable!
[going back to the fireworks, panning to knife in floor]
[...] See more »
What is amazing with Miike Takashi's cinema is its ability to surprise you. This film is no exception.
Wery aware of its medium (a DV camera) Miike uses this cheap look to touch the viewer more deeply. The credibility comes from this disturbing proximity of the image (It looks like your holiday film). Recurrent use of subjective perspective, emphasis this. But, instead of falling into a dogma-like movie, Miike pushes the plot to its most unacceptable extremities, sometimes flirting with the fantastic genre.
Miike plays with multi point of views, particularly during the opening scene, in which the girl takes photographs of her father before they sleep together. Desorienting the spectator.
What astonished me when I saw that movie, is the amount of humor (noir)that grows up during the film. Here, shocking situations (necrophilia, humiliations...) become really funny. And from an awful family relationship, the plot evolves to an objectively even worst situation, but subjectively a much better situation for the characters.
Miike plays here with conventional Hollywood vision about family and gives a much cynical and humorist meaning to unity! A really enjoyable film I would advise to open minded mature people.
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