A yakuza enforcer is ordered to secretly drive his beloved colleague to be assassinated. But when the colleague unceremoniously disappears en route, the trip that follows is a twisted, surreal and horrifying experience.
As sadomasochistic yakuza enforcer Kakihara searches for his missing boss he comes across Ichi, a repressed and psychotic killer who may be able to inflict levels of pain that Kakihara has only dreamed of.
An aging porn star agrees to participate in an "art film" in order to make a clean break from the business, only to discover that he has been drafted into making a pedophilia and necrophilia themed snuff film.
In order to settle a business dispute, a mob leader murders one of his own teenage sons. The surviving son vows to avenge his brother's death, and organizes his own gang of teenage killers to destroy his father's organization.
A father, who is a failed former television reporter tries to mount a documentary about violence and sex among youths. He proceeds to have sex with his daughter who is now a prostitute and films his son being humiliated and hit by classmates. "Q", a perfect stranger somehow gets involved and enter the bizzare family who's son beats his mom, who in turn is also a prostitute and a heroin addict... Written by
Christian D <firstname.lastname@example.org>
Even viewers familiar with Miike's other bizarre movies will be unprepared for this! I think in decades to come it will regarded as a milestone and spoken of in the same breath as Bunuel, Jodorowsky, Lynch a
I've seen over half a dozen Takashi Miike movies, so I'm aware of how bizarre his output can be, but nothing can quite prepare you for how extreme 'Visitor Q' is! In the last decade Miike has gone from straight to video crime thrillers to genre-busting arthouse cult favourites by following his own unique vision. He's also breathtakingly prolific, having completed around twenty projects since this, which was released only three years ago(!) Miike's best known movies in the last few years include the ultra-violent live action manga 'Ichi The Killer', the slow psychological thriller 'Audition', and the zany, feel good zombie musical 'The Happiness Of The Katakuris'. Those three movies alone prove he is the most exciting and innovative director working today, but 'Visitor Q' takes him to a whole new level. 'Pink Flamingos' meets 'Salo' meets reality TV on crack(?) However you try and describe this movie it just won't be adequate. When I say you just have to see it to believe it, I'm not just taking in cliches! 'Visitor Q' is shot on digital video in a pseudo-documentary style. In the opening scene we see a middle aged man (Kenicho Endo, who you might recognize from Miike's 'Dead Or Alive 2') inadvertently videotaping himself having sex with a teenage prostitute. They are in fact father and daughter. This is just the beginning of a very strange trip for the viewer! The father is a failed TV reporter who comes up with a new program idea about bullying using his own teenage son (Jun Muto), who is being victimized by his classmates and in turn abuses his own mother (Shungiku Uchida). She is secretly addicted to heroin and turns tricks to support her habit. Into this ultra-dysfunctional family comes a mysterious visitor (Kazushi Watanabe) who we are introduced to when we see him brain the father with a rock. Exactly who or what the visitor is is never explained, but his presence effects the family in various odd ways, strangely bringing them closer together. His character reminded me a bit of the messiah figures in Coffin Joe's 'Finis Hominis' or J.G. Ballard's 'The Unlimited Dream Company'. 'Visitor Q' slowly creeps up on you with images of abuse and abnormal behavior until around the three quarter mark when you are left staring slack jawed at the screen not quite believing what you are seeing! When the movie cuts between Father in the greenhouse and Mother in the kitchen with Visitor Q (I won't/can't go into details!) it's the most extraordinary sequence I've watched in any movie EVER! It goes with saying that 'Visitor Q' is not for most people, but if you appreciate the surreal and the confrontational, then this is one movie you MUST see. I think in decades to come it will regarded as a milestone and spoken of in the same breath as Bunuel, Jodorowsky, Lynch and Cronenberg.
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