| Photos (see all 3 | slideshow) |
| Kirk Douglas | ... | Donald Baines | |
| Michael A. Goorjian | ... | Christopher | |
| Karen Tucker | ... | Isabelle | |
| Bryan Cranston | ... | David | |
| Richmond Arquette | ... | Mortimer | |
| Ron Marasco | ... | Stan | |
| Ted Raimi | ... | Ian | |
| Kristen Clement | ... | Sara | |
| Kevin Weisman | ... | Kay | |
| Ronald Víctor García | ... | Andrew | |
| Michael Kemmerling | ... | Seymour | |
| Jules Bruff | ... | Renee | |
| Nancy Jeffries | ... | Anastasia | |
| Steve Chabon | ... | Bishop | |
| Gibson Frazier | ... | Interviewer | |
| Marco Sanchez | ... | Sanchez | |
| Maury Sterling | ... | Grant | |
| Amy Grant | ... | Carol | |
| Kevin Kent | ... | Gondolfa | |
| John Paul Goorjian | ... | Val | |
| Trina Oliver | ... | Marlo | |
| Evan Arnold | ... | Techie | |
| Sara Hauter | ... | Travel Agent | |
| Robin Dearden | ... | Diane | |
| Chris Ferreira | ... | Zeke | |
| Theresa Walsh | ... | Claire | |
| rest of cast listed alphabetically: | |||
| Clyde J. Bruff | ... | Law firm partner | |
| Danielle Clement | ... | Sexy Dancer | |
| Micah Cohen | ... | Cherub | |
| Shannon Dunn | ... | Hospice Nurse | |
| Ron Garcia | ... | Kal | |
| Scott Girish | ... | Joseph | |
| Brian Kite | ... | E.M.T. | |
| Jayne A. Larson | ... | Donna | |
| Willam A. Lassell | ... | Security Officer | |
| Steve Longmuir | ... | Frank | |
| Jeff Maynard | ... | Paramedic | |
| Norm O'Neill | ... | Young Donald Baines' Driver | |
Directed by | |||
| Michael A. Goorjian | |||
Writing credits(in alphabetical order) | ||
| Tressa DiFiglia | writer | |
| Michael A. Goorjian | writer | |
| Chris Horvath | writer | |
| Ron Marasco | writer | |
Produced by | |||
| Rick Bieber | .... | executive producer | |
| Jules Bruff | .... | associate producer | |
| James C.E. Burke | .... | executive producer | |
| James C.E. Burke | .... | producer | |
| Scott Disharoon | .... | executive producer | |
| Scott Disharoon | .... | producer | |
| Daniel Fried | .... | executive producer | |
| Chris Miller | .... | post-production producer: Visionbox Media Group | |
| Anahid Nazarian | .... | producer | |
| Kevin Weisman | .... | producer | |
Original Music by | |||
| Chris Ferreira | |||
Cinematography by | |||
| Robert Humphreys | |||
Film Editing by | |||
| Laurent Wassmer | |||
Production Design by | |||
| Lisa Clark | |||
Art Direction by | |||
| Peter Mayer | |||
| Joe Schlick | |||
Set Decoration by | |||
| Jim Edelhauser | |||
Costume Design by | |||
| Mellisa Glass | |||
Makeup Department | |||
| Francie Paull | .... | key makeup artist | |
Production Management | |||
| Suzanne Geiger | .... | production manager | |
| Christopher James Hall | .... | unit production manager | |
| Angela Mixan | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Kevin A. Freeman | .... | second assistant director | |
| Michael Jordan | .... | first assistant director (second block of episodes) | |
| Dan Studney | .... | first assistant director | |
Art Department | |||
| Peter Mayer | .... | property master | |
| Miré Molnar | .... | set dresser | |
| Gary-Paul Prince | .... | artist: Mortimer Malalatete's paintings | |
| Steven Radamaker | .... | construction coordinator | |
| Michael Westerman | .... | set dresser | |
Sound Department | |||
| Randy Babajtis | .... | sound effects editor | |
| Jeremy Balko | .... | foley recordist | |
| Evan T. Chen | .... | dialogue editor | |
| Brian Copenhagen | .... | production sound mixer | |
| Alan Freedman | .... | adr mixer | |
| Jerry Gilbert | .... | sound re-recording mixer | |
| Scott Hinkley | .... | post-production sound recordist | |
| Akritchalerm Kalayanamitr | .... | boom operator (as Akrit Chaya-ngam) | |
| Mark Lanza | .... | sound editor | |
| Jonathan Miller | .... | supervising sound editor | |
| Susan Pusateri | .... | foley artist (as Sue Pusateri) | |
| Jonathan Wales | .... | sound re-recording mixer | |
Visual Effects by | |||
| Shelly Dutcher | .... | visual effects | |
Camera and Electrical Department | |||
| Rebecca Bauscher | .... | still photographer | |
| Scott Beardslee | .... | gaffer | |
| Joe Bourguignon | .... | electrician | |
| Ben Herlth | .... | grip | |
| Tim Kerns | .... | a camera/stedicam operator | |
| Andre Lascaris | .... | gaffer | |
| Art Matthews | .... | electrician | |
| Andrea Miraglia | .... | assistant camera | |
| Rob Muthamia | .... | first assistant camera | |
| John M. Perry | .... | best boy | |
| John Schweitzer | .... | chief lighting technician | |
| Carlo Silvio | .... | video assist operator | |
| Todd Stoneman | .... | key grip | |
| Deron Tse | .... | additional best boy electric | |
| Fante Zamora | .... | dolly grip | |
| Fante Zamora | .... | grip | |
Casting Department | |||
| Shannon Dunn | .... | extras casting | |
Costume and Wardrobe Department | |||
| Kerry Moynahan | .... | wardrobe | |
| Mark Saladino | .... | key costumer | |
Editorial Department | |||
| Chad Cole | .... | on-line editor | |
| Jonathan Miller | .... | post-production coordinator | |
| Bruno Racineux | .... | assistant editor | |
Music Department | |||
| Jonathan Wales | .... | scoring mixer | |
Other crew | |||
| Dawn Angel | .... | production assistant | |
| Gary DeGalla | .... | location manager (as Gary De Galla) | |
| Laura Evans | .... | executive: Entitled Entertainment (as Laura Citrano) | |
| Ray Felipe | .... | script analyst | |
| Robb Hedges | .... | production coordinator | |
| Heather Kilness | .... | key locations assistant | |
| Kerry Moynahan | .... | craft service | |
| Bill Newcomb | .... | assistant: Mr. Miller | |
| Steven Radamaker | .... | location manager | |
| Eric Remedios | .... | production assistant | |
| Maureen Tuohy | .... | script supervisor | |
| Randy Weiss | .... | assistant: Mr. Manulis | |
| Ami Zins | .... | film commissioner | |
Thanks | |||
| Markus G. Kaeppeli | .... | special thanks | |
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| The Kite Runner | Heathers | Ladyhawke | The Bad and the Beautiful | Sphere |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section | Add this title to MyMovies |
If you were disappointed with 'Pride and Prejudice', fell asleep during 'The New World' and tried to get your money back from watching 'Elizabethtown' then you will be very well entertained by illusion. I was hooked about seven minutes into it when Mr. Baines (Douglas) reveals his notion of what romance is in film and literature. 'Illusion' only continues deliver. There are nougats of wisdom spread throughout an aesthetically rich canvas. Whenever there is a brief moment where you feel a line is too cinematically familiar there will be this raw emotion spilling out and for the first time you believe the words, because you feel the pain. The film is thick with visual and auditory nuances that make this movie a must-see-again, (i. e. notice how Cristopher always carries that same wallet in the same pocket and his pants will always be more worn in the same corner). There are mini-movies inside the movie each so different from the other yet with reoccurring themes. Plus, the soundtrack was awesome, even though I didn't recognize any of the songs. Oh, and also Christopher aged seamlessly. Lately it seems as though American film has had yearning for the extreme. As if the only ones worthy of their story being told on screen are those uncommonly brave in extraordinarily difficult situations who decide to take the difficult route. This is a film about average people who are in coincidental but plausible circumstances and who take the easy way out most of the time. These are things we all do. This is a story we have all lived; what makes this story special is that it was told by a spectacular cast and overseen by an incredible director with a vision of where American Cinema should be heading.