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Full Frontal (2002)

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A day in the life of a group of men and women in Hollywood, in the hours leading up to a friend's birthday party.

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1 nomination. See more awards »

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Cast

Cast overview, first billed only:
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Gus
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Lee
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Linda
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...
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Calvin / Nicholas
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Arty / Ed
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Lucy
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Heather
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Francesca's Assistant
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Harvey, probably
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Nicholas's Agent
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Man on Plane / Himself
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Woman on Plane
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Storyline

Arty film-within-a-film revolves around seven people with little in common whose lives collide. Written by Anonymous

Plot Summary | Add Synopsis

Taglines:

Chance Meetings. Steamy Interludes. Sizzling Secrets. See more »

Genres:

Comedy | Romance

Motion Picture Rating (MPAA)

Rated R for language and some sexual content | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

2 August 2002 (USA)  »

Also Known As:

How to Survive a Hotel Room Fire  »

Box Office

Budget:

$2,000,000 (estimated)

Opening Weekend:

$739,834 (USA) (2 August 2002)

Gross:

$2,506,446 (USA) (20 September 2002)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

According to David Duchovny, he was supposed to get a real erection in the scene where Mary McCormack's character gives him a massage. But he was unable to do so on command so a plastic dildo was used. See more »

Goofs

Catherine's black notebook and pen suddenly appear on the airplane armrest between shots, after her tape player clicks. See more »

Quotes

Arty: [on the set of Arty's play, "The Sound and the Fuhrer"] Great. Now I have three hours to find a new Ava Braun.
Hitler: You know what? Fuck her. And here's why.
Hitler: Number One - Anyone who's offended by drinking blood, obviously doesn't drink blood.
Hitler: Number Two - Anyone who drinks as much blood as I do knows it has no effect.
Hitler: Number Three - There is absolutely no scientific connection between drinking a shot of blood a day and being an extraordinary actor.
Hitler: And Number Four - it is impossible to prove Number ...
See more »

Crazy Credits

After the credits, there's a short scene in which we see Brad Pitt explaining a scene he's about to shoot for the movie-within, 'Rendezvous'. See more »

Connections

Follows Sex, Lies, and Videotape (1989) See more »

Soundtracks

La Mappemonde
Composed and Orchestrated by Jacques Davidovici
Published by Les Editions du Quartier (Administered by Marada USA/Criterion Music Corp.)
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Grow fame and...
29 March 2005 | by (Tucson, AZ) – See all my reviews

In Spanish there's a saying that translates: "Grow fame and go to sleep". I think this happened with S. Soderbergh, where he took advantage of his surprising win at the Oscars Best Director competition and the success of his movie Erin Brockovich along with his pal Julia Roberts and her high peak in the moment he made this movie. Without those 2 mega successes he wouldn't convince many studios to make this movie, and none of us would ever seen it. The box office barely went over the movie budget.

A mix of troubled characters related all to the movie business create a confused and complicated web of feelings, relationships, weird behaviors and "rendevouz" that are let to almost pure improvisation by the director, and in retrospective it sounds very interesting but we haven't seen many movies with such a proposal maybe not because nobody has thought about it but because it's very hard to make it successful and achieve a fine piece of work. In this case I don't think that the weight of Oscars and fresh success help that much in accomplishing that nice piece of work. A very good and daring idea where all the actors were abandon to their own choices in make up, dressing and craft supplies. Niece piece of work... for the actors and crew who make it, in their own private screening or party, not for us who felt it was a waste of time and my $1 that cost renting it. There is some arrogant smell in the air that I felt heavily since I saw for the first time Mr. Soderbergh old fashion sort of feminine style glasses frames and it was strongly confirmed by watching this movie.

I don't remember in recent years a movie where I start watching the running time as early as I started with this movie: when it ran for 15 min I was already impatient, and for a good 1 hour or so I felt uncomfortable for not knowing anything of what was happening and not connecting but a couple of dots in the whole plot. Maybe that was the precise goal of Soderbergh, don't know. I felt bored watching a huge bunch of nonsense which might have make sense but at the end it didn't. Brad Pitt was quite right at the end: I don't know who did it. We strongly hope there's better to come from Soderbergh.


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