| Juliet Stevenson | ... | Eve | |
| Richard Roxburgh | ... | Bill | |
| Katherine Slattery | ... | Jill | |
| Tim Guinee | ... | Alec | |
| John Howard | ... | Angus | |
| Alex Tomasetti | ... | Jill (age 11) | |
| Alexandra Galwey | ... | Jill (age 5) | |
| Bernard Curry | ... | Bob (adult) | |
| Sam Dunn | ... | Bob (age 16) | |
| Andrew Keating | ... | Bob (age 11) | |
| Sean Hall | ... | Barry (adult) | |
| Mitchell Firth | ... | Barry (age 14) | |
| Sebastian Lamour | ... | Barry (age 9) | |
| Raymond 'Jack' Crawford | ... | Jack Kelly | |
| Dempsey Knight | ... | Ron Kelly | |
| Harold Hopkins | ... | Rob McLennan | |
| Felix Williamson | ... | Milton | |
| Jenny Vuletic | ... | Marjorie Jacobs | |
| Bill Young | ... | John Brooks | |
| Kath Perry | ... | Miss Everett (as Kathryn Perry) | |
| Chris Pattinson | ... | Policeman (as Chris Scott) | |
| Christopher Baker | ... | Danny | |
| Ewen Leslie | ... | Reg | |
| Tim Page | ... | Bureaucrat | |
| Dan Forrester | ... | Gardener | |
| Stewart Armstrong | ... | Geoff Coglan |
Directed by | |||
| Brendan Maher | |||
Writing credits(in alphabetical order) | ||
| Jill Ker Conway | memoir | |
| Sue Smith | screenplay | |
Produced by | |||
| Penny Chapman | .... | producer | |
| Richard Clendinnen | .... | line producer | |
| Rebecca Eaton | .... | executive producer | |
| Tim Pye | .... | executive producer | |
Original Music by | |||
| Stephen Rae | |||
Cinematography by | |||
| Tristan Milani | (director of photography) | ||
Film Editing by | |||
| Suresh Ayyar | |||
Casting by | |||
| Nikki Barrett | |||
Production Design by | |||
| Josephine Ford | (as Jo Ford) | ||
Art Direction by | |||
| Tony Campbell | |||
Set Decoration by | |||
| Blossom Flint | |||
| Karen Harborow | |||
Costume Design by | |||
| Terry Ryan | |||
Makeup Department | |||
| Lindy MacLeod | .... | makeup artist | |
| Pam Murphy | .... | hair supervisor | |
| Kirsten Veysey | .... | makeup supervisor | |
Production Management | |||
| Djuro Bandur | .... | unit manager | |
| Michael Gill | .... | unit manager | |
| Colleen Kennedy-Gill | .... | unit manager (as Colleen Kennedy Gill) | |
| Helen Panckhurst | .... | post-production supervisor | |
| Fiona Schmidberger | .... | production manager | |
| Sarah Watts | .... | post-production supervisor: Frame, Set & Match | |
Second Unit Director or Assistant Director | |||
| Giovanni Pacialeo | .... | second assistant director (as Johnny Pacialeo) | |
| Tanya Phegan | .... | third assistant director | |
| Wade Savage | .... | first assistant director | |
Art Department | |||
| Cameron Arthur | .... | carpenter | |
| Phil Brown | .... | stand-by props | |
| Jacinta Hennessy | .... | set dresser (as Jacinta Hennessy) | |
| Dougal Linnett | .... | carpenter (as Dougal Linnet) | |
| Peter McNee | .... | construction manager | |
| Ross Murdoch | .... | carpenter | |
| Chris Tomkins | .... | set dresser | |
| Chris Vance | .... | carpenter | |
| Daniel Wheeler | .... | carpenter | |
| Brendan Zachariah | .... | carpenter | |
| Damien Drew | .... | set designer (uncredited) | |
| Joe Kiely | .... | set dresser (uncredited) | |
Sound Department | |||
| Helen Brown | .... | foley artist | |
| Ben Chesterman | .... | sound effects editor | |
| Bob Clayton | .... | sound recordist | |
| Les Fiddess | .... | foley artist (as Les 'Spider' Fiddess) | |
| Peter Graham | .... | sound assistant | |
| Jon Hemming | .... | dialogue editor (as John Hemming) | |
| Jon Hemming | .... | foley engineer (as John Hemming) | |
| Mauricio Hernandez | .... | adr engineer | |
| Mauricio Hernandez | .... | foley engineer | |
| Phil Judd | .... | sound mixer | |
| Scott Piper | .... | boom operator | |
| Liam Price | .... | sound editor: Atmos | |
| Liam Price | .... | sound effects editor | |
| Phil Winters | .... | adr editor | |
| Phil Winters | .... | dialogue editor | |
| Alex Wong | .... | sound editor: Atmos | |
Special Effects by | |||
| Jeff Little | .... | special effects coordinator (uncredited) | |
| Jeff Little | .... | special effects technician (uncredited) | |
| Peter Stubbs | .... | special effects (uncredited) | |
Visual Effects by | |||
| Steve McGillen | .... | visual effects | |
| Phil Stuart-Jones | .... | visual effects | |
Stunts | |||
| Brittany Baldwin | .... | stunt double | |
| Danny Baldwin | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Graeme Cook | .... | best boy | |
| Brett Cooper | .... | electrician | |
| Rachel Fairfax | .... | clapper loader | |
| Brendan Gribble | .... | focus puller | |
| Paul Johnstone | .... | gaffer | |
| Laurie Kirkwood | .... | camera operator: "b" camera | |
| Jason McPhee | .... | best boy grip | |
| Hiroyuki Muizuno | .... | focus puller | |
| Greg Tidman | .... | key grip | |
| Lisa Tomasetti | .... | still photographer | |
| Mark Watson | .... | electrician | |
| Rob Wilkin | .... | grip | |
Casting Department | |||
| Nathan Beattie | .... | casting assistant | |
| Gabrielle Healy | .... | extras casting | |
| Natalie Wall | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Mel Dykes | .... | costume supervisor | |
| Julie Frankham | .... | cutter sewer | |
| Lucia Franze | .... | seamstress | |
| Amanda Irving | .... | stand-by costumer | |
| Elly Kamal | .... | costume buyer | |
| Robin Scully | .... | assistant stand-by costumer | |
| Judy Tanner | .... | costume buyer | |
| Suzette Waters | .... | costume workroom supervisor | |
Editorial Department | |||
| Ben Broad | .... | conform editor | |
| Al Hansen | .... | colorist (as Alan Hanson) | |
| Rebecca Murphy | .... | assistant editor | |
Music Department | |||
| Paul Brown | .... | arranger: dance hall music | |
| Graham Jesse | .... | musician: tenor saxophone (as Graham Jessie) | |
| David Pudney | .... | musician: bass | |
| Bill Risby | .... | musician: piano | |
| Gordon Rytmeister | .... | musician: drums | |
| Ian Shanahan | .... | musician: bass recorder | |
| Greg White | .... | music mixer | |
| Blain Whittaker | .... | musician: saxophone | |
Other crew | |||
| John Alsop | .... | script editor | |
| Angaline Atkins | .... | runner | |
| Elaine Boyd | .... | production accountant | |
| Anna Certoma | .... | runner | |
| Lou Cifuentes | .... | safety supervisor | |
| Robin Clifton | .... | location manager | |
| Merilyn Cook | .... | production secretary | |
| Vanessa Critchley | .... | production coordinator | |
| Lindy Davies | .... | voice-over coach | |
| Karen Mansfield | .... | continuity | |
| Victoria Mielewska | .... | dialogue coach: Ms. Stevenson | |
| Clare Mirabello | .... | legal services: Tress Cox and Maddox | |
| Amanda Russell | .... | legal services: Tress Cox and Maddox | |
| Kat Slowik | .... | assistant accountant | |
| Peter Thompson | .... | legal services: Tress Cox and Maddox | |
| Terry Lee | .... | aerial helicopter pilot (uncredited) | |
| Marguerite O'Sullivan | .... | unit nurse (uncredited) | |
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| Rabbit-Proof Fence | The Man from Snowy River: Arena Spectacular | Somersault | Love in Ambush | I Can Jump Puddles |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Australia section |
Unlike the person who described Jill Ker Conway as "a bossy feminist" who headed an "ivy league women's college," I actually know Jill Conway. She's soft-spoken, polite, and as far from bossy as it's possible to get. This description of her is nothing more than gender stereotyping because she's a woman who has held leadership positions, one of them at a single-sex college, and does her a great disservice.
As for the movie, it was beautifully done, and did a wonderful job of translating Conway's first memoir to the screen. The actress playing actually looked a fair bit like her, which is more than can be said for most biographical films, and did a good job capturing the essence of a girl who's being destroyed from within by a domineering mother and an intellectually barren environment. Great adaptation of a great book.
******* Oh yes. Smith College is not and never has "an ivy league women's college." The Ivy League is all male. Smith is part of the Seven Sisters. Thank you.