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Mule Skinner Blues (2001)

R  |   |  Documentary  |  13 June 2001 (USA)
6.8
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Ratings: 6.8/10 from 126 users   Metascore: 68/100
Reviews: 9 user | 15 critic | 13 from Metacritic.com

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Title: Mule Skinner Blues (2001)

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Cast

Credited cast:
Beanie Andrew ...
Himself
Don Arrup ...
Satan Worshipper
Emily Brannen ...
Seductress (as Emily Brannon)
Holly Cavanaugh ...
Herself
Raymond Dagley ...
Himself
Matt Elefant ...
The Handsome Neck
Salvatore Froio ...
Suave Vampire
Lance Hallowell ...
Vampire Killer #2
Heidi Horst ...
Biting Vampiress
Miss Jeannie ...
Herself
Ray Lane ...
Himself
Roy Lane ...
Himself
Annabelle Lea Usher ...
Herself
Ricky Lix ...
Miss Jeannie's Doctor
Gleb Mikhalev ...
Young Boy
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Storyline

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Taglines:

All you need is a gorilla and a dream

Genres:

Documentary

Motion Picture Rating (MPAA)

Rated R for brief language and sexual content/nudity
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Details

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Release Date:

13 June 2001 (USA)  »

Filming Locations:

 »

Box Office

Opening Weekend:

$2,553 (USA) (12 April 2002)

Gross:

$10,106 (USA) (3 May 2002)
 »

Company Credits

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Did You Know?

Quotes

Beanie Andrew: If you fall in the mud, you might come back as a gorilla.
See more »

Crazy Credits

"No gorillas were harmed in the making of this documentary. All scenes depicting violence to gorillas were simulated." See more »

Connections

References The Bride of Frankenstein (1935) See more »

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User Reviews

 
inspirational film about getting your dreams forfilled in life
12 April 2002 | by (new york usa) – See all my reviews

I saw this movie at cinemavillage in New York and this is a great film about never giving up on your dreams and trying to put your personal mark on life. The characters in the film are at first funny and you laugh about the way they talk about becoming entertainers while they are surely not the most brilliant talents that ever lived.

But then their drive to keep going, even when the odds are against them captured me. That sure touched me as a struggling filmmaker who is also not that talented, but I know that if I keep trying maybe I will get some recognition. The film is also a very on-documentary kind of film because it uses all kinds of feature film elements like stylized interviews and dream sequences. The filmmakers clearly wanted to escape from the old fashioned institute that makes most docs so boring that you can't manipulate any thing in "reality". That's bull**** ofcourse because the minute you turn on a camera and decide to point it in a certain direction you are manipulating.


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