Henry Roth is a man afraid of commitment up until he meets the beautiful Lucy. They hit it off and Henry think he's finally found the girl of his dreams, until he discovers she has short-term memory loss and forgets him the very next day.
John Beckwith and Jeremy Grey, a pair of committed womanizers who sneak into weddings to take advantage of the romantic tinge in the air, find themselves at odds with one another when John meets and falls for Claire Cleary.
Friendless Peter Klaven goes on a series of man-dates to find a Best Man for his wedding. But when his insta-bond with his new B.F.F. puts a strain on his relationship with his fiancée, can the trio learn to live happily ever after?
Having given permission to male nurse Greg Focker to marry his daughter, ex-CIA man Jack Byrnes and his wife travel to Miami to Greg's parents, who this time around are Mr. and Mrs. Focker, who are as different from them as can be. As asked in the first movie, what sort of people name their son Gaylord M. Focker? Written by
When visiting the Focker household, Pam is seen looking at a vinyl record. The album is "Make It Big", released by Wham! in 1984. See more »
When everyone discovers the baby with the bottle glued to his hand, Roz hold up the bottle of glue and it is completely clean and closed. See more »
Truth is, Jack, when Gay was born, I stopped practicing and became a stay-at-home dad.
So Roz was the primary breadwinner and you didn't have a job.
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During the credits, Jack is seen watching the tapings of his secret camera, this was also done in the first movie when he watched Greg, this time he sees all of the Fockers in the camera. Also, this time, Greg realizes he's on-camera, and he has some fun at Jack's expense before revealing he's onto the surveillance. See more »
Do not see this movie. Do not spoil the affable "Meet the Parents" with the thoroughly unpleasant "Meet the Fockers". Do not replace the memory of so many fine and respectable performances by these veteran actors over several decades with the vulgar and idiotic antics you will see in this movie. Let's not continue to perpetuate this kind of moronic movie making. The first film was very funny, along the lines of "Flirting with Disaster". It's not just that the bathroom humor is distasteful - it's distracting. You often wonder when seeing a sophomoric film what it would have been like without the crude humor. You don't have to wonder, in this case - the same film exists without the crassness of the sequel. These two films could be used in a writing class as examples of how a scene, or a whole movie, could be funnier without playing to the lowest common denominator. In America that denominator appears to be getting lower, year after year.
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