The lives of two lovelorn spouses from separate marriages, a registered sex offender, and a disgraced ex-police officer intersect as they struggle to resist their vulnerabilities and temptations in suburban Massachusetts.
A case of mistaken identity lands Slevin into the middle of a war being plotted by two of the city's most rival crime bosses: The Rabbi and The Boss. Slevin is under constant surveillance by relentless Detective Brikowski as well as the infamous assassin Goodkat and finds himself having to hatch his own ingenious plot to get them before they get him.
When anti-death-penalty activist David Gale is convicted and condemned to death for the murder of a colleague, reporter Bitsey Bloom sets out to learn the story behind Gale's crime. What she finds challenges her belief in Gale's guilt and, finally, in the justice system. Written by
Jim Beaver <firstname.lastname@example.org>
The diner scene on the morning after Bloom and Stemmons arrive in Texas was originally shot at a different diner. During the original shooting, they were hit by a tornado and the cast and crew had to huddle together in the kitchen until the tornado passed overhead. See more »
Near the end of the film, when the protesters are outside David Gale's execution, there is a clear shot of a large banner hung across a barricade which reads "Mark 6:10 Murder does not stop Murder." Mark 6:10 actually reads "And He said to them, Wherever you enter a house, stay there until you leave town." (NASB), so the bible quote actually has nothing to do with murder at all. See more »
Fantasies have to be unrealistic because the moment, the second that you get what you seek, you don't, you can't want it anymore. In order to continue to exist, desire must have its objects perpetually absent. It's not the "it" that you want, it's the fantasy of "it." So, desire supports crazy fantasies. This is what Pascal means when he says that we are only truly happy when daydreaming about future happiness. Or why we say the hunt is sweeter than the kill. Or be careful what you wish for. ...
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Directed by the legendary Sir Alan Parker, this is the story of David Gale, a University of Texas professor of philosophy against capital punishment who is accused of murdering a fellow activist and is sent to death row.
Kevin Spacey and Laura Linney deliver great performances in the flashbacks. This movie is by far one of Spacey's strongest performances, he is always very subtle and insightful portraying David Gale. Laura Linney really makes a name for herself in this motion picture, she's as consistently complex and likable here as she is in "Primal Fear" and "You Can Count on Me". Kate Winslet, however, has problems in carefully crafting her character. She's called upon to cry about four or five times in this film and each time she does so, the action unfortunately rings more and more false. Other than that, she is average. Meanwhile, Gabriel Mann, Leon Rippy and Matt Craven also provide colorful backdrops to the story at hand with their credible supporting characters.
"The Life of David Gale" is a film that had a great opportunity to create controversy about the death penalty. Unfortunately, it is excessively underrated by critics, despite being nominated for the Human Rights Award from the Political Film Society and being present at the prestigious Berlin International Film Festival.
Sad and stunning. 8/10
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