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Gunki hatameku motoni (1972)

One woman's search to find the truth about her husband's death in World War II.

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Cast

Cast overview, first billed only:
...
Sergeant Katsuo Togashi
...
Sakie Togashi
Shinjirô Ebara ...
(as Shinjirô Ehara)
Sanae Nakahara ...
Mrs. Ochi
Yumiko Fujita ...
Sakie's daughter
Noboru Mitani ...
Pvt. Tsuguo Terajima
Taketoshi Naitô
Kôichi Yamamoto
Paul Maki
Mugihito
Shônosuke Ichikawa
Hachizô Fujikawa
Sakae Umezu
Harukazu Kitami
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Storyline

One woman's search to find the truth about her husband's death in World War II.

Plot Summary | Add Synopsis

Genres:

Drama | Mystery | War

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Details

Country:

Language:

Release Date:

12 March 1972 (Japan)  »

Also Known As:

Under the Fluttering Military Flag  »

Company Credits

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Technical Specs

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Director Kinji Fukasaku used his own money to buy the film rights to the novel. See more »

Quotes

Pvt. Tsuguo Terajima: I ate a man ... a man. But the world didn't change.
See more »

Connections

Referenced in Black Sunshine: Conversations with T.F. Mou (2011) See more »

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User Reviews

 
Incredibly honest portrait of homosapien behavior
15 November 2005 | by (Mountains of Madness) – See all my reviews

Searing indictment of war and the individuals discredited in its aftermath. Directed by the masterful Kinji Fukasaku, it is a harsh, bleak work that uses monochrome flashbacks with occasional explosions of color, war photographs, and grim narration to tell a terrible tale.

Sachiko Hidari, a war widow, has spent twenty-six years searching for the truth about her husband's death. Was he executed? Was he a deserter? Was he a hero? As the government adheres to an official, flawed version of events, the stubborn woman seeks her own answers by speaking to the men who served with her husband. The stories told by these damaged soldiers comprise the bulk of the movie and accounts are complicated by each man's "truth".

Exceptionally well acted and directed with a savage determination to depict the insanity of war in its rawest state, this is surely one of Fukasaku's greatest achievements and certainly one of the most honest portraits of homosapien behavior ever branded to celluloid.


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