| Photos (See all 41 | slideshow) | Videos (see all 10) |
Directed by | |||
| Brett Ratner | |||
Writing credits(WGA) | ||
| Thomas Harris | (novel "Red Dragon") | |
| Ted Tally | (screenplay) | |
Produced by | |||
| Andrew Z. Davis | .... | executive producer | |
| Dino De Laurentiis | .... | producer | |
| Martha De Laurentiis | .... | producer | |
| James M. Freitag | .... | associate producer | |
| Terry Needham | .... | associate producer (uncredited) | |
Original Music by | |||
| Danny Elfman | |||
Cinematography by | |||
| Dante Spinotti | (director of photography) | ||
Film Editing by | |||
| Mark Helfrich | |||
Casting by | |||
| Francine Maisler | |||
Production Design by | |||
| Kristi Zea | |||
Art Direction by | |||
| Steve Saklad | |||
Set Decoration by | |||
| Karen O'Hara | |||
Costume Design by | |||
| Betsy Heimann | |||
Makeup Department | |||
| Trish Almeida | .... | key hair stylist | |
| Fríða Aradóttir | .... | hair stylist: Mr. Norton (as Frida S. Aradottir) | |
| Gary Archer | .... | dental prosthetics: G.A. Enterprises | |
| Tom Berg | .... | tattoo designer | |
| Chris Burgoyne | .... | lab makeup effects | |
| Ken Diaz | .... | tattoo application | |
| Teressa Hill | .... | hair stylist | |
| Kris Kobzina | .... | lab makeup effects | |
| Ryan McDowell | .... | lab makeup effects | |
| Matthew W. Mungle | .... | special makeup effects artist | |
| Julie Pearce | .... | makeup artist: Mr. Norton | |
| Julie Pearce | .... | makeup department head | |
| Kelvin R. Trahan | .... | hair department head | |
| Eddie Vargas | .... | lab makeup effects | |
| Randy Westgate | .... | key makeup artist (as Randy S. Westgate) | |
| Tom Devlin | .... | lab makeup effects (uncredited) | |
| Kelcey Fry | .... | assistant tattoo artist (uncredited) | |
| Eric Leal | .... | assistant makeup artist (uncredited) | |
| Rita Troy | .... | hair stylist (uncredited) | |
| Nacoma Whobrey | .... | makeup artist (uncredited) | |
Production Management | |||
| JoAnn Perritano | .... | unit production manager (as Joann Perritano) | |
| Lisa Rodgers | .... | post-production supervisor | |
| Melanie Miller | .... | production supervisor: re-shoots (uncredited) | |
Second Unit Director or Assistant Director | |||
| Bac DeLorme | .... | second second assistant director (as Bac Delorme) | |
| James M. Freitag | .... | first assistant director | |
| Jonathan McGarry | .... | second assistant director | |
| Conrad E. Palmisano | .... | second unit director (uncredited) | |
| Kristi Zea | .... | second unit director (uncredited) | |
Art Department | |||
| Mark Balda | .... | shop foreman | |
| Thomas E. Brown | .... | paint supervisor | |
| Nelson Bush | .... | gang boss (as Nelson Lee Bush) | |
| Nelson Bush | .... | set dresser (as Nelson Lee Bush) | |
| John Campana | .... | art department assistant | |
| Anne Clements | .... | set decorating coordinator | |
| Michael Davis | .... | construction coordinator: Baltimore (as Michael E. Davis) | |
| Nancy Deren | .... | set designer | |
| Brad Einhorn | .... | property master | |
| Janette Evans | .... | construction accountant | |
| Andrea Mae Fenton | .... | assistant set decorator (as Andrea Fenton) | |
| Chela Fiorini | .... | assistant property master | |
| Tim Galvin | .... | art director: Baltimore (as Tim Glavin) | |
| Thomas Gibson | .... | gang boss | |
| Trevor Goring | .... | storyboard artist | |
| Linda Griffis | .... | art department coordinator: Baltimore | |
| Lupe Guitierrez | .... | labor foreman (as Guadalupe Gutierrez) | |
| Michael A. Heath | .... | art department assistant (as Michael Heath) | |
| Bill Holmquist | .... | construction coordinator | |
| Terry Kempf | .... | propmaker foreman | |
| Jay Klein | .... | leadman: Baltimore | |
| James Kroning | .... | assistant property master | |
| Jack Laspada | .... | labor foreman | |
| Larry Laurent | .... | set paint foreman | |
| Mario Leone | .... | labor foreman | |
| Jason Mahakian | .... | model maker | |
| Kevin Mangan | .... | greens foreman | |
| Jeff Markwith | .... | set designer | |
| Edward J. McCarthy | .... | gang boss (as Ed J. McCarthy) | |
| Patti McNulty | .... | art department coordinator (as Patricia McNulty) | |
| William Moore | .... | journal designer | |
| Dan Ondrejko | .... | greens coordinator (as Danny Ondrejko) | |
| Grant Osborn | .... | set paint foreman | |
| David Peck | .... | general foreman | |
| Jennie Hill Robinson | .... | key greens: Baltimore | |
| Greg Rocco | .... | on-set dresser (as Gregory N. Rocco) | |
| Lee Ross | .... | stand-by painter | |
| Lori Rowbotham | .... | assistant art director | |
| Steven Samanen | .... | graphic designer | |
| Robert Shaklett | .... | propmaker foreman (as Robert D. Shacklett) | |
| Andrew M. Siegel | .... | assistant property master | |
| Bob Skemp | .... | greens foreman | |
| Paul Sonski | .... | assistant art director | |
| Leslie Stevens | .... | art department assistant | |
| Jeffrey Thomas | .... | stand-by greensman | |
| James F. Truesdale | .... | set designer | |
| Kenneth Turek | .... | leadman (as Ken Turek) | |
| Manuel Valenzuela | .... | labor foreman | |
| Salvador Anaya | .... | plaster gangboss (uncredited) | |
| Julie Aquino | .... | buyer (uncredited) | |
| Carlo Basail | .... | greensman (uncredited) | |
| Richard J. Bell | .... | greens foreman (uncredited) | |
| Erik Boring | .... | set dresser (uncredited) | |
| Max Bozeman | .... | set dresser (uncredited) | |
| Marco A. Campos | .... | propmaker foreman (uncredited) | |
| Marco A. Campos | .... | propmaker (uncredited) | |
| William Catania | .... | propmaker (uncredited) | |
| Susanna Glattly | .... | scenic charge: Washington DC and Maryland (uncredited) | |
| Collin Grant | .... | storyboard artist (uncredited) | |
| Kon Iliov | .... | propmaker (uncredited) | |
| Ted Lubonovich II | .... | construction gang boss: Baltimore (uncredited) | |
| Gary Metzen | .... | painter (uncredited) | |
| Silvija L. Moess | .... | scenic artist (uncredited) | |
| Aaron Newton | .... | gangboss (uncredited) | |
| Ted Nolan | .... | prop maker (uncredited) | |
| Jeremy Alan Read | .... | set dresser (uncredited) | |
| Lee Ross | .... | on-set scenic (uncredited) | |
| Bruce G. Smith | .... | paint foreman (uncredited) | |
| Sarah Vinson | .... | art production assistant (uncredited) | |
| Michael Vojvoda | .... | set dresser (uncredited) | |
| Jeff Zook | .... | carpenter (uncredited) | |
Sound Department | |||
| Kyle Alexander | .... | sound production assistant | |
| Yann Delpuech | .... | co-supervising sound editor | |
| Kim Drummond | .... | dialogue editor | |
| Thom 'Coach' Ehle | .... | stereo sound consultant: Dolby (as Thom Ehle) | |
| Christopher Emerson | .... | dialogue editor | |
| Frank Fleming | .... | dubbing recordist | |
| Jeff Gomillion | .... | adr mixer | |
| Shaughnessy Hare | .... | second assistant sound editor | |
| Craig Henighan | .... | sound effects designer | |
| Craig Henighan | .... | sound effects editor | |
| Darren King | .... | supervising sound editor | |
| Gregory King | .... | supervising sound editor (as Greg King) | |
| Fumiko Koyama | .... | foley mixer assistant | |
| Goro Koyama | .... | foley artist | |
| Gregg Landaker | .... | sound mixer | |
| Andy Malcolm | .... | foley artist | |
| Anna Malkin | .... | foley mixer assistant | |
| Ron Malligers | .... | foley mixer (as Ron Mellegers) | |
| Steve Maslow | .... | sound mixer | |
| Kim H. Ornitz | .... | production sound mixer | |
| Brion Paccassi | .... | dubbing recordist | |
| Bud Raymond | .... | cable person | |
| Philip Rogers | .... | adr recordist (as Phillip Rogers) | |
| Joseph Schultz | .... | sound production assistant (as Joe Schultz) | |
| Mychal Smith | .... | boom operator (as Mychal D. Smith) | |
| Meg Taylor | .... | first assistant sound editor | |
| Don White | .... | foley mixer | |
| Dan Yale | .... | foley supervisor | |
| Mark Yardas | .... | dialogue editor | |
| Peter Gleaves | .... | adr mixer (uncredited) | |
| Mark Kenna | .... | sound consultant: Dolby (uncredited) | |
Special Effects by | |||
| Steve Austin | .... | special effects technician | |
| Kyle Ross Collinsworth | .... | special effects technician (as Kyle Ross Collingsworth) | |
| Al Di Sarro | .... | mechanical effects foreman (as Al Disarro) | |
| Bob Graham | .... | special effects technician (as Robert Graham) | |
| David Greene | .... | special effects technician | |
| Joe Klein | .... | special effects technician (as Joe W. Klein) | |
| Jane E. Pepiot | .... | mechanical effects coordinator | |
| Jeff Pepiot | .... | special effects technician | |
| Ken Pepiot | .... | special effects coordinator (as Kenneth D. Pepiot) | |
| Elia P. Popov | .... | special effects technician | |
| Gintar Repecka | .... | mechanical effects | |
| Frank Ceglia | .... | special effects technician (uncredited) | |
| Richard Redlefsen | .... | lab technician: W.M.Creations (uncredited) | |
| Richard Redlefsen | .... | sculptor: W.M.Creations (uncredited) | |
| Dan Smith | .... | special effects electrician (uncredited) | |
Visual Effects by | |||
| Ted Andre | .... | digital compositor: Cinesite | |
| Kevin Elam | .... | visual effects producer: Cinesite | |
| Paul Howarth | .... | visual effects editor: Cinesite | |
| Lubo Hristov | .... | visual effects art director: Cinesite | |
| Bridgitte Krupke | .... | visual effects coordinator: Cinesite (as Bridgitte Nance Krupke) | |
| David Lingenfelser | .... | visual effects supervisor: Cinesite | |
| Kama Moiha | .... | digital compositor: Cinesite | |
| Serena Rainbow Naramore | .... | digital compositor: Cinesite (as Serena Naramore) | |
| Jerry Pooler | .... | visual effects supervisor: Cinesite | |
| Dan Wanket | .... | CG artist: Cinesite | |
| Matthew Adams | .... | rotoscope supervisor: Cinesite (uncredited) | |
| Jeffrey Edward Baksinski | .... | motion tracking supervisor: Cinesite (uncredited) | |
| Scott Dougherty | .... | executive producer: Cinesite (uncredited) | |
| Kevin LaNeave | .... | Avid editor (uncredited) | |
| Vincent Lavares | .... | digital asset manager (uncredited) | |
| Corinne Pooler | .... | digital paint supervisor (uncredited) | |
| Toby Wilkins | .... | Inferno artist: main title sequence, New Wave Entertainment (uncredited) | |
Stunts | |||
| Keii Johnston | .... | stunts | |
| Barbara Anne Klein | .... | stunts (as Barbara Klein) | |
| Kurt D. Lott | .... | stunts (as Kurt Lott) | |
| Brad Martin | .... | stunts | |
| Conrad E. Palmisano | .... | stunt coordinator | |
| J.P. Romano | .... | stunts | |
| Monica Staggs | .... | stunts | |
| Harry Wowchuk | .... | stunts | |
| Don Abbatiello | .... | marine department (uncredited) | |
| Mary Albee | .... | stunts (uncredited) | |
| Tom Bahr | .... | utility stunts (uncredited) | |
| Bruce Paul Barbour | .... | stunts (uncredited) | |
| Gary Baxley | .... | stunts (uncredited) | |
| Joey Box | .... | stunts (uncredited) | |
| Eddie Braun | .... | stunts (uncredited) | |
| George B. Colucci Jr. | .... | stunt driver (uncredited) | |
| Blaise Corrigan | .... | stunt driver (uncredited) | |
| Ned Corrigan | .... | stunts (uncredited) | |
| Douglas Crosby | .... | stunt driver (uncredited) | |
| Phil Culotta | .... | stunts (uncredited) | |
| Alex Daniels | .... | stunts (uncredited) | |
| Jeffrey Lee Gibson | .... | stunt driver (uncredited) | |
| Tanner Gill | .... | stunts (uncredited) | |
| Keii Johnston | .... | stunts: Burning man (uncredited) | |
| Steve Kelso | .... | stunts (uncredited) | |
| Barbara Anne Klein | .... | stunt double: Mary Louise Parker (uncredited) | |
| Steven Lambert | .... | stunts (uncredited) | |
| Brad Martin | .... | stunt double: Ralph Fiennes (uncredited) | |
| Ted Moser | .... | stunt driver (uncredited) | |
| Peewee Piemonte | .... | stunts (uncredited) | |
| Denney Pierce | .... | stunts (uncredited) | |
| J.P. Romano | .... | stunt double: Anthony Hopkins (uncredited) | |
| Rick Sawaya | .... | stunts (uncredited) | |
| Monica Staggs | .... | stunt double: Emily Watson (uncredited) | |
| Dick Ziker | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Wayne Arnold | .... | second assistant camera: Baltimore (as Wayne Richard Arnold) | |
| Ron Ash | .... | best boy: Universal (as Ronald Ash) | |
| Michael Barrere | .... | grip (as Michel Barrere) | |
| Art Bartels | .... | grip | |
| Don Bennett | .... | rigging grip | |
| Glenn Brown | .... | first assistant camera: "b" camera | |
| George Cacamise | .... | grip (as George F. Caccamise) | |
| Kenny Carceller | .... | rigging grip (as Ken Carceller) | |
| Alfred Castillo | .... | grip | |
| John Crimins | .... | electrician | |
| Daniel Duggan | .... | grip (as Danny Duggan) | |
| David Dunbar | .... | rigging electrician | |
| Pat Fitzpatrick | .... | best boy | |
| Mark Freeman | .... | electrician (as Mark P. Freeman) | |
| Claude Fullerton | .... | grip | |
| Earl Gayer | .... | rigging electrician (as Earl D. Gayer) | |
| Chris Gordon | .... | dolly grip | |
| Coleman L. Hart | .... | rigging grip | |
| Steve Hastings | .... | best boy rigger (as Steve R.B. Hastings) | |
| Michael Jenkins | .... | electrician (as Michael R. Jenkins) | |
| Richard Klompus | .... | video assist: Baltimore | |
| Steven J. Kovalesky | .... | electrician | |
| Craig Kvinsland | .... | electrician | |
| Kevin J. Lang | .... | rigging gaffer | |
| Giulio Magnolia | .... | camera loader | |
| Duane Manwiller | .... | camera operator: "b" camera | |
| Jerry Marshall | .... | video assist operator | |
| Pedro Martínez Garrido | .... | 24 frame video operator | |
| E.J. Misisco | .... | second assistant camera: "b" camera (as E.J. Misisco Jr.) | |
| Greg Mitchell | .... | 24 frame video operator | |
| J. Michael Muro | .... | Steadicam operator (as James Muro) | |
| J. Michael Muro | .... | camera operator (as James Muro) | |
| David H. Neale | .... | rigging electrician | |
| Jeffrey W. Petersen | .... | gaffer (as Jeffrey Petersen) | |
| Alberto S. Ramos | .... | dolly grip (as Alberto Ramos) | |
| Richard Redlin | .... | best boy grip | |
| Donald Reynolds Jr. | .... | key rigging grip | |
| Aaron Richards | .... | rigging electrician (as Arron Richards) | |
| Scott M. Robinson | .... | key grip | |
| Niles Roth | .... | camera production assistant | |
| Paul Santoni | .... | second assistant camera: "a" camera | |
| Sean Shinneman | .... | rigging grip | |
| Ted Shinneman | .... | best boy rigger (as Ted A. Shinneman) | |
| Monte Swann | .... | 24 frame video operator | |
| Kieran Waugh | .... | rigging electrician (as Kieran J. Waugh) | |
| Michael D. Weldon | .... | first assistant camera: "a" camera | |
| Glen Wilson | .... | still photographer | |
| Jeff Andrus | .... | rigging grip (uncredited) | |
| Rob Coughlin | .... | grip (uncredited) | |
| Andrew Dumas | .... | second assistant camera (uncredited) | |
| Richard Elias | .... | rigging grip (uncredited) | |
| Jennifer Evans | .... | rigging grip (uncredited) | |
| Jeff Gatesman | .... | gaffer: second unit (uncredited) | |
| Michael Gearhart | .... | grip (uncredited) | |
| Dana Gonzales | .... | additional camera operator (uncredited) | |
| Dylan Goss | .... | aerial camera operator (uncredited) | |
| Jason Griffiths | .... | rigging grip (uncredited) | |
| Craig Grossmueller | .... | additional first assistant camera (uncredited) | |
| Scott C. Keys | .... | rigging electrician (uncredited) | |
| Duane Manwiller | .... | director of photography: second unit (uncredited) | |
| Dale Myrand | .... | camera operator (uncredited) | |
| Donald Reynolds Jr. | .... | key grip: second unit (uncredited) | |
| Andrea Ruane | .... | rigging grip (uncredited) | |
| Chris Stanman | .... | electrician (uncredited) | |
| Robert Stillman | .... | rigging grip (uncredited) | |
| Rick Strodel | .... | grip (uncredited) | |
| Sean Sutphin | .... | additional film loader (uncredited) | |
| Christopher A. Thompson | .... | rigging electrician (uncredited) | |
Casting Department | |||
| Judy Cook | .... | extras casting coordinator | |
| Kathy Driscoll | .... | casting associate (as Kathleen Driscoll-Mohler) | |
| Barbara Harris | .... | adr voice casting | |
| Pat Moran | .... | local casting: Baltimore | |
| John Strawbridge | .... | casting associate: Baltimore | |
| Pamela Lynn Thomas | .... | casting assistant (as Pamela Thomas) | |
| Michele Short | .... | casting associate (uncredited) | |
Costume and Wardrobe Department | |||
| Suzanne Cranfill | .... | costume supervisor | |
| Deb Dalton | .... | costume supervisor: Baltimore (as Debb Dalton) | |
| Dodson Elliott | .... | cutter/fitter | |
| Sandi Figueroa | .... | costumer: Mr. Norton | |
| Catharine Fletcher Incaprera | .... | costumer: Baltimore (as Catherine Fletcher Incaprera) | |
| Jorge J. González | .... | costumer (as Jorge J. Gonzalez) | |
| Alexis Jacks | .... | key costumer | |
| Erin Lenk | .... | set costumer (as Erin C. Lenk) | |
| Brewer Leroy | .... | costumer: Baltimore | |
| Francisco Mares | .... | tailor | |
| Autumn Saville | .... | assistant costume designer | |
| Nick Scarano | .... | costume supervisor | |
| Kenny Sheehan | .... | key costumer: Baltimore | |
| Kanani Wolf | .... | set costumer | |
| Eva Prappas | .... | costumer (uncredited) | |
| Damien Quinn | .... | costumer (uncredited) | |
Editorial Department | |||
| Gary Burritt | .... | negative cutter | |
| Peggy Eghbalian | .... | assistant editor | |
| Meredith Gold | .... | assistant editor | |
| Chris Jackson | .... | assistant editor | |
| Jim Passon | .... | color timer | |
| Laura Steiger | .... | associate editor | |
| Oliver Streuli | .... | apprentice editor | |
| Elizabeth Dean | .... | post-production coordinator (uncredited) | |
Music Department | |||
| Pete Anthony | .... | conductor | |
| Steve Bartek | .... | orchestrator | |
| Julian Bratolyubov | .... | music preparation | |
| Elin Carlson | .... | chorus | |
| Debbi Datz-Pyle | .... | orchestra contractor (as Debbie Datz-Pyle) | |
| Danny Elfman | .... | score producer | |
| Bruce Fowler | .... | additional orchestrator | |
| Kathy Nelson | .... | executive in charge of film music: Universal Studios | |
| Dennis S. Sands | .... | music score mixer (as Dennis Sands) | |
| Dennis S. Sands | .... | score recordist (as Dennis Sands) | |
| Ellen Segal | .... | music editor | |
| Edgardo Simone | .... | additional orchestrator | |
| David Slonaker | .... | additional orchestrator | |
| Tom Boyd | .... | musician: oboe soloist (uncredited) | |
| Rick Fleishman | .... | music coordinator (uncredited) | |
| Charles Martin Inouye | .... | preview music editor (uncredited) | |
| Shie Rozow | .... | assistant music editor (uncredited) | |
Transportation Department | |||
| Michael Luckeroth | .... | transportation captain: Baltimore | |
| Ted Moser | .... | transportation coordinator (as Ted D. Moser) | |
| Randy Musselman | .... | transportation captain | |
| Terry R. Owens | .... | production driver | |
| Alex Rodriguez | .... | driver: Mr. Ratner | |
| Ninous Sayad | .... | driver: DDLC | |
| Gene Ward | .... | transportation captain | |
| David W. Dale | .... | driver: Anthony Hopkins (uncredited) | |
| Mark Dobrogowski | .... | transportation office coordinator (uncredited) | |
| Joe Feeney | .... | transportation dispatcher (uncredited) | |
| Gerald Titus | .... | transportation co-captain: Baltimore (uncredited) | |
| Jay E. Vigil | .... | transportation co-captain (uncredited) | |
| Jeff Woodward | .... | driver (uncredited) | |
Other crew | |||
| Guy Adan | .... | unit publicist | |
| Tom Bahr | .... | marine coordinator | |
| Leane Blevins | .... | technical advisor: FBI | |
| Stuart Boros | .... | executive: DDLC | |
| William Bowling | .... | supervising location manager (as Bill Bowling) | |
| Douglas Calli | .... | electrical technician (as Doug Calli) | |
| Richard Castro | .... | payroll accountant (as Rick Castro) | |
| Al Cerullo | .... | pilot | |
| Anita S. Chang | .... | executive assistant: Mr. Ratner | |
| Donna Cline | .... | technical advisor | |
| Jennifer Conroy | .... | production coordinator | |
| Michele Cusick | .... | set production assistant: Baltimore | |
| Dino De Laurentiis | .... | presenter | |
| Lorenzo De Maio | .... | executive assistant: Dino De Laurentiis | |
| Judy Dickerson | .... | dialect coach (as Judith A. Dickerson) | |
| Yoshi Enoki Jr. | .... | assistant location manager | |
| Janette Evans | .... | construction accountant | |
| Luigi Ferraioli | .... | caterer | |
| Scott Fitzgerald | .... | artwork used by permission of | |
| Robb Foglia | .... | set production assistant: Baltimore | |
| Lisa Furia | .... | second assistant accountant | |
| Nicole Furia | .... | production accountant | |
| Josh Gallegos | .... | set production assistant (as Joshua Gallegos) | |
| Adam Grabarnick | .... | set production assistant | |
| Anne S. Greene | .... | production office assistant: Baltimore | |
| Al Guthery | .... | pilot | |
| Matthew Hirsch | .... | assistant production coordinator | |
| Dominique Jaramillo | .... | set medic | |
| Martin Kitrosser | .... | script supervisor | |
| Kevin Krakower | .... | video choreographer | |
| Ernest H. Lauterio | .... | craft service (as Ernest A. Lauterio) | |
| Eric Layne | .... | first assistant accountant | |
| James Lin | .... | location manager (as James R. Lin) | |
| Mahnaz Mary Mahdavi | .... | post-production accountant (as Mary Mahdavi) | |
| Steven Maines | .... | stand-in: Mr. Fiennes and Mr. Keitel (as Steve Maines) | |
| Marc Mann | .... | midi programmer | |
| Joseph Martin | .... | assistant location manager: Baltimore | |
| Brian R. Mason | .... | production secretary | |
| E. Scott Mayhugh | .... | universal best boy (as Scott Mayhugh) | |
| Paul McAuley | .... | fitness trainer | |
| Ryan Miningham | .... | production office assistant | |
| Melissa Morgan | .... | set production assistant: Baltimore | |
| Bruce Morin | .... | craft service | |
| Kelly E. Norris | .... | production office assistant | |
| Bill Owen | .... | painting "White House #3" ©2000 used by permission of | |
| Jennifer Payson | .... | accounting clerk (as Jennifer Tamez) | |
| Taylor Phillips | .... | set production assistant | |
| Heidi Pieh | .... | stand-in: Ms. Watson and Ms. Parker | |
| Greta S. Pittard | .... | production secretary: Baltimore | |
| Keith Potter | .... | key set production assistant | |
| Alan D. Purwin | .... | pilot (as Alan Purwin) | |
| Anthony Reynolds | .... | stand-in: Edward Norton (as Tony Reynolds) | |
| Christopher Roe | .... | location assistant: Baltimore | |
| Terence Rowley | .... | stand-in: Mr. Hopkins | |
| Roberta Y. Shintani | .... | executive assistant: Dino De Laurentiis | |
| Suzanne Shugarman | .... | assistant: Mr. Davis | |
| Talley Singer | .... | executive assistan: Martha De Laurentiis | |
| Josh Slates | .... | production office assistant: Baltimore | |
| Peter M. Starkman | .... | caterer | |
| David Steiman | .... | assistant: Mr. Ratner | |
| Laura Tiz | .... | second assistant accountant | |
| Eva Renee Witterstaetter | .... | set production assistant | |
| Sandra L. Yeary | .... | second assistant accountant (as Sandra Yeary) | |
| Annie Noel Applegarth | .... | location scout (uncredited) | |
| Luke Barnett | .... | photo double: Ed Norton (uncredited) | |
| Chick Bernhardt | .... | marine department (uncredited) | |
| Scott Brant | .... | office production assistant (uncredited) | |
| Cat Cacciatore | .... | consultant: St. Louis (uncredited) | |
| Brett Carleton | .... | production assistant (uncredited) | |
| George Cawood | .... | title designer: New Wave Entertainment (uncredited) | |
| Mark Chambers | .... | production safety (uncredited) | |
| Barbara Kerr Condon | .... | double: "Grandma Dolarhyde" in photographs (uncredited) | |
| André Devantier | .... | caterer (uncredited) | |
| Elizabeth Elwell | .... | location manager (uncredited) | |
| Maura Gannett | .... | studio teacher (uncredited) | |
| Antonio García | .... | head chef (uncredited) | |
| Peter Hansen | .... | caterer: pastry chef (uncredited) | |
| Jean Hodges | .... | food stylist (uncredited) | |
| David Honaker | .... | set production assistant (uncredited) | |
| Kenneth Hunter | .... | location scout (uncredited) | |
| Sharre Jacoby | .... | producer: main and end titles (uncredited) | |
| Trevor P. Jenkins | .... | personal assistant (uncredited) | |
| Marc H. Katz | .... | craft service: Florida (uncredited) | |
| Joseph Martin | .... | location manager: Washington D.C., second unit (uncredited) | |
| Brian McMillan | .... | animal supplier (uncredited) | |
| Kelly Messias | .... | assistant: Ralph Fiennes (uncredited) | |
| Gianluca Nardulli | .... | press officer: Italy (uncredited) | |
| Denis O'Sullivan | .... | assistant: Harvey Keitel (uncredited) | |
| Brandon Schiffman | .... | set production assistant (uncredited) | |
| Arron Turnbull | .... | production secretary (uncredited) | |
| Drew Vandervelde | .... | production assistant: Baltimore (uncredited) | |
Thanks | |||
| Rita Brown | .... | thanks: Florida Keys and Key West Film Commission | |
| Carol Gamble | .... | thanks | |
| Jack Gerbes | .... | thanks: Maryland Film Office | |
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| Manhunter | The Professional: Golgo 13 | The Cat o' Nine Tails | So Sweet, So Dead | The Departed |
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This was a fantastic film, but it slipped under many people's radar for three reasons:
1) The critics said (and rightly so) that it is not as good as the Silence of the Lambs. However, I find it difficult to compare the films, largely because Will Graham (Norton) is completely different to Clarice Starling (Foster). The different dimension they bring to the investigation is enough, by itself, to distinguish them beyond comparison.
2) This was the third film in the series. The problem with the Hollywood pumping out an absurd number of sequels and prequels (even when the original film was terrible to begin with) is that it alters the public's attitude towards them. People are usually happy to see the "part 2" but beyond that, you're usually down to loyalists. In fact, this situation has been made worse due to the fact that many of the sequels made are shockingly bad (eg, the American Pie sequels, the Highlander sequels). Some are so terrible that they can actually tarnish the memory of the original (eg... Matrix Revolutions). So a third Hannibal film was always going to be an uphill battle.
3) This followed an awful sequel: Hannibal. People who thought Hannibal was terrible (and there's no shortage of them) are likely to turn their nose up at any further sequels or prequels. That's what Hollywood always overlooks - once you pump out one bad sequel (eg, Ocean's Twelve 2004), fewer people will even consider seeing the next sequel, unless it receives almost unanimous critical acclaim.
I did not like Hannibal either and I think that many stars in Hollywood would have turned it down after reading the script. Jodie Foster, with the offer of reprising her academy awarding winning role, and Jon Demme (director of Silence of the lambs) walked away from the Hannibal after disagreements with author (Harris) over the character directions. Hopkins nearly left when Foster and Demme walked, but was persuaded to stay (probably with a nice salary increase!). In any case, key elements were gone and in my view, they ultimately failed to attract a strong supporting cast.
By contrast, I think many actors would have been falling over themselves to land one of the roles in Red Dragon after reading the script. Accordingly, we ended up with Hopkins (reprising his academy award winning role to absolute perfection), Norton (who is the rightful winner of the academy award for American History X in my view, even though the academy went to someone else that year), Harvey Keitel, Ralph Finnes and the brilliant, but under-rated, Phillip Seymore Hoffman. They combine to breath tremendous life into this investigative/thriller. And the opening 5 minutes is magnificent.
However, I have two criticisms that cost it a star. First, it wasn't quite dark enough. Perhaps that masterpiece, the Silence of the Lambs, used up all the visceral attributes that were so pathetically contrived in Hannibal and present, but not powerfully present, in Red Dragon. There certainly was a dark edge, but it just didn't get under my skin the way Silence of the Lambs did (if you'll forgive the pun).
Second, I felt that there were a few off-shoots to the main plot that could have been worked around or seemed to play no real role in the film whatsoever. For example, the tense relationship between Norton and the reporter (Hoffman), Finnes taking the blind girl to listen to the sedated tiger (or lion or whatever it was), Norton teaching his wife to shoot ... and many others. Most of the time, I felt that they should have been left on the cutting room floor as they were of little interest, had little (if any) role in the context of the story and accordingly, unnecessarily bulked out the running time of the film.
Otherwise, terrific viewing. Don't be dissuaded by Hannibal - this sequel achieves where that one so dismally failed.