FBI Agent Will Graham has been called out of early retirement to catch a serial killer, known by authorities as "The Tooth Fairy". He asks for the help of his arch-nemesis, Dr. Hannibal "The Cannibal" Lecter, so that he can be able to catch "The Tooth Fairy" and bring him to justice. The only problem is that "The Tooth Fairy" is getting inside information about Graham and his family from none other than Dr. Lecter. Written by
When the lady at Hannibal's dinner party says, "Hannibal, confess. What is this divine-looking amuse-bouche?" she has a full plate of food in front of her. An amuse-bouche is a bite-sized morsel, or hors d'oeuvre, not enough to fill a plate. See more »
Think to yourself that every day is your last. The hour to which you do not look forward will come as a welcome surprise. As for me, when you want a good laugh, you will find me in fine state, fat and sleek, a true hog of Epicurus's herd.
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Thanks to the village of Islamorada, Florada See more »
On paper, it looked a bit uncertain. The long-awaited prequel to 'The Silence of the Lambs' and 'Hannibal' was to be directed by Brett Ratner, most famous for the two 'Rush Hour' movies (1998, 2001).
However, the final result is pleasantly surprising. 'Red Dragon' opens with a wonderfully suspenseful prologue detailing the infamous Dr. Hannibal Lecter's (Anthony Hopkins) capture, and the unbearable tension rarely lets up for the remainder of the film.
Lecter's capturer, Will Graham (Edward Norton), is coaxed out of retirement by Jack Crawford (Harvey Keitel) to help track down a ruthless serial killer nicknamed the Tooth Fairy (Ralph Fiennes), who is murdering seemingly-random families in their sleep. Graham believes that Lecter may hold the key to capturing this killer, and, in order to prevent any further murders, he must revisit his old demons.
The acting performances are first-rate. Hopkins is good (as always) as the cold, calculating serial killer Lecter. Norton handles a demanding role exceedingly well. Throughout his career, Fiennes has excelled at portraying loathsome villains (i.e. Amon Goeth in 'Schindler's List,' 1993), and here he turns in perhaps his greatest performance. The facially-disfigured, mentally-unstable Francis Dolarhyde is shown not to be an inherently evil killing machine, but an emotionally-troubled young man who is still battling the overwhelming demons of an abusive childhood.
Strong supporting performances from Emily Watson ('The Proposition,' 2005), Harvey Keitel ('Pulp Fiction,' 1994) and Philip Seymour Hoffman ('Capote,' 2005) round off a terrific thriller, and one for which widespread recognition is long overdue.
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