'Human Voice' is based on Jean Cocteau's iconic one woman play of the same name. Set against the backdrop of Naples, Italy, in 1950, this romantic drama tells the story of Angela, (played ... See full summary »
Enrico Lo Verso,
Vittorio Innocente, a young man, estranged from the tragedies of his Italian immigrant family, has spent his adult life denying his past. When his estranged father starts to stalk ... See full summary »
Il professor Ianniello sostiene che il bradisismo che da secoli interessa la zona di Pozzuoli è prodotto dalla grande madre, la terra. Ma le grandi madri si trovano anche fra la gente ... See full summary »
Luca De Filippo,
Luciano De Crescenzo
At the beginning of the century, in Italy, a wealthy woman Francesca (Loren), adopts a poor little girl named Nunziata. The years pass, Nunziata falls in love Federico (Bova), her adoptive brother, son of Francesca.
When a fatal kidnapping ignites a firestorm of suspicion and rage in idyllic 1933 San Jose, California, a hard-nosed young reporter takes on the powers-that-be to prevent the lynching of two men he believes are innocent.
Adriana De Mauro loves Cesar Braggi, but Cesar, honoring his father's dying wish, allows his brother, Antonio, to marry Adriana. As fate wills, Antonio dies in an automobile accident. ... See full summary »
Algiers, 1940. MAMAN TITINE has lived alone with her five children ever since her husband JOSEPH, a Jewish post office employee, set off for Paris with forged papers to find work. Maman ... See full summary »
Maria and Jeffrey are a married couple in their seventies. Their marriage is in crisis. However, Maria tries to get their two sons and one daughter, Francesco, Marco and Miriam, their ... See full summary »
F. Murray Abraham,
Toronto, 2001. Three women in spiritual crisis. In secret from her dismissive husband, Olivia draws what she sees in dreams. Catherine, a world-class cellist, has abandoned her husband and daughter to hunt down her father. Photojournalist Natalia, in her famous father's footsteps, scores her first Time Magazine cover, but realizes she has paid an incalculable price for the photo. Olivia has another secret besides her art; Catherine makes discoveries about her father; Natalia receives a gift that's undeserved: these complications push each woman in a new and unexpected direction. Written by
When Natalia gets her "contact sheets" she views them on a lightbox. The contact sheets are positive proofs printed on paper. A lightbox, used for viewing negatives or transparencies, would be useless with a print. See more »
Everything about this movie was perfect - the three lead characters were played with such depth and restraint! Although I have never been in the position of any of these women (luckily), I feel like I could relate to their emotions, their ambivalence, their sadness and their ultimate strength. If ever there was a movie that showed the power of living through adversity, this is it! Gerard Depardieu was lovely as an intuitive friend - he was in it just a little, but his presence always moved the movie forward. Sophia Loren's husband was a perfectly human foil - both had shattered dreams and took two different paths in dealing with it, but both paths were completely understandable. Although his character could have been horribly despicable (and, boy!, some of his dialog was shockingly mean), he didn't seem like a monster. Not even the hoodlums were one-dimensional. Miro Sorvino took my breath away, Deborah Unger's restraint was outstanding and Sophia Loren - well, her best role, ever. This is a movie for the down-hearted, for those at impossible crossroads, and for those who like hopeful - not happy - endings.
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