Il professor Ianniello sostiene che il bradisismo che da secoli interessa la zona di Pozzuoli è prodotto dalla grande madre, la terra. Ma le grandi madri si trovano anche fra la gente ... See full summary »
Luca De Filippo,
Luciano De Crescenzo
Maria and Jeffrey are a married couple in their seventies. Their marriage is in crisis. However, Maria tries to get their two sons and one daughter, Francesco, Marco and Miriam, their ... See full summary »
F. Murray Abraham,
Vittorio Innocente, a young man, estranged from the tragedies of his Italian immigrant family, has spent his adult life denying his past. When his estranged father starts to stalk ... See full summary »
'Human Voice' is based on Jean Cocteau's iconic one woman play of the same name. Set against the backdrop of Naples, Italy, in 1950, this romantic drama tells the story of Angela, (played ... See full summary »
Enrico Lo Verso,
At the beginning of the century, in Italy, a wealthy woman Francesca (Loren), adopts a poor little girl named Nunziata. The years pass, Nunziata falls in love Federico (Bova), her adoptive brother, son of Francesca.
Angel celebrates the birth of his daughter by taking his first hit of crack cocaine. With the hesitant support of his wife, Monika, he joins a friend of his to deal drugs for a short time--... See full summary »
Toronto, 2001. Three women in spiritual crisis. In secret from her dismissive husband, Olivia draws what she sees in dreams. Catherine, a world-class cellist, has abandoned her husband and daughter to hunt down her father. Photojournalist Natalia, in her famous father's footsteps, scores her first Time Magazine cover, but realizes she has paid an incalculable price for the photo. Olivia has another secret besides her art; Catherine makes discoveries about her father; Natalia receives a gift that's undeserved: these complications push each woman in a new and unexpected direction. Written by
When the gardener Max after twenty minutes recites a poem, it is the second stanza of the poem "La vie idéale" by Charles Cros (1842-1888). See more »
When John first looks at Olivia's charcoal drawings, the light reflecting off the paper shows it to be a smooth, semi-gloss surface. Neither the drawing paper for charcoal nor the medium itself reflects light in this way; these appear to be photographs of charcoal drawings. See more »
Everything about this movie was perfect - the three lead characters were played with such depth and restraint! Although I have never been in the position of any of these women (luckily), I feel like I could relate to their emotions, their ambivalence, their sadness and their ultimate strength. If ever there was a movie that showed the power of living through adversity, this is it! Gerard Depardieu was lovely as an intuitive friend - he was in it just a little, but his presence always moved the movie forward. Sophia Loren's husband was a perfectly human foil - both had shattered dreams and took two different paths in dealing with it, but both paths were completely understandable. Although his character could have been horribly despicable (and, boy!, some of his dialog was shockingly mean), he didn't seem like a monster. Not even the hoodlums were one-dimensional. Miro Sorvino took my breath away, Deborah Unger's restraint was outstanding and Sophia Loren - well, her best role, ever. This is a movie for the down-hearted, for those at impossible crossroads, and for those who like hopeful - not happy - endings.
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