Two men meet up, while travelling north on separate missions. Charlie wants to catch up with the man who has stolen his wife, while Vicente is trying to escape a contract castration. After ... See full summary »
Hallam's talent for spying on people reveals his darkest fears-and his most peculiar desires. Driven to expose the true cause of his mother's death, he instead finds himself searching the rooftops of the city for love.
As a young girl in Japan, Nagiko's father paints characters on her face, and her aunt reads to her from "The Pillow Book", the diary of a 10th-century lady-in-waiting. Nagiko grows up, ... See full summary »
Young Dutch landscape architect Meneer Chrome comes to a remote English estate where Thomas Smithers lives with his wife, Juliana. Smithers is determined to leave as his legacy a fabulous ... See full summary »
In 1904, in Dublin, James Joyce chats up Nora Barnacle, a hotel maid recently come from Galway. She enchants him with her frank, direct and uninhibited manner, and before long, he's ... See full summary »
Sex and love. Some seek it, some need it, some spurn it and some pay for it, but we're all involved in it. Set on one afternoon on Hampstead Heath, London, the film investigates the minutiae of seven couples. What makes us tick?
Joe, a rootless young drifter, finds work on a barge travelling between Glasgow and Edinburgh, owned by Les and his wife Ella. One afternoon they discover the corpse of a young woman floating in the water. Accident? Suicide? Murder? As the police investigate and suspect is arrested, we discover that Joe knows more than he is letting on. Gradually we learn of Joe's past relationship with the dead woman. Meanwhile an unspoken attraction develops between Joe and Ella, heightening the claustrophobic tensions in the confined space of the barge. Written by
After finding the body, Joe is sitting on a bucket at the dockside, a famous pose of that Dundonian cartoon rascal Oor Wullie, whose own father used to work on the docks. See more »
The position of the arms, and also the rag covering the body, change. See more »
I think she went to a bridge fully dressed and stood there breathing the warm night air. And she took off her jacket and folded it neatly on the ground. And then she unbuttoned her blouse and undid her brassiere and let it drop down on top of the other clothes. And she'd unbutton her skirt and let it slip down over her hips. And then she'd unroll her stockings and hold them out so that they blew in the breeze like penance before she let them float off into the night. And she'd shiver and ask ...
[...] See more »
A thoughtful, unapologetic and non judgmental character study of Joe, one man, one distinctly unique yet common man. It is presented in the context of a mystery, but this is no mystery thriller. Thrill seekers, go elsewhere.
If you crave action, dialog, explanations and clear resolutions to a plot, I suggest you avoid this film. If you are fascinated by human complexity, admire beautifully crafted film-making, and can think and observe for yourself, this may be a rewarding experience for you. If you love and understand great acting you must see this film.
It is exquisitely filmed, in an understated and confident manner, using hue and tint as artfully as any great painter. Joe lives in a drab and uninspiring world, mostly of interiors; tight, constricted places, where the inhabitants are caged too closely, too much ever present in each other's spaces. When we are occasionally brought out into the world at large, this tight confining world is often seen to be surrounded by a distant, unreachable beauty. There are subtly beautiful panoramas of the lush greenness of Scotland off in the distance, out of reach of Joe, of all the people of his world.
The structure, the editing, the weaving of time present and time past is without conceit. There is no "look at how cleverly I did that transition" cutting. It is a perfect representation of editing unseen, unnoticed, the mark of brilliant editing. Everything comes together, simply and without explanation. Characters are presented simply, without prelude. Events occur, without justification. You must think and observe for yourself. If there are conclusions to be made, they must be yours.
If for no other reason, see this film to experience Ewan McGregor: He has been a reasonably attractive and adequate performer, in mostly rather forgettable productions, until now. Here he suddenly emerges as an actor of astounding depth and complexity, inhabiting, living, revealing another soul. Without any reservation this is a great performance. His subtlety, his inner directed creation of a complete individual, is simply remarkable. It is a complete, compelling, always true performance. You cannot look away from Joe. You must follow him, know him. Do you know him? Can you ever really know him?
The plot, what little of it there is, unfolds through character and behavior, with a minimum of dialog. There is much complete silence in this film. The score is understated, never telegraphing what you are supposed to feel or think. Indeed, I doubt that there is an answer to any question here. Who is Joe? What is Joe? That is not the point.
Here is Joe. This is what he is, this is what he has done. What will he do now? There is a quiet suspense, never quite gratified, which begins with the very first frame,a corpse, gently floating, photographed darkly, from below, so dark there is no face. A deceased, faceless female human being.
Joe's is the first face we see. That first glimpse of his eyes, told me that nothing would be what it seemed in this film. Joe sees something we do not see. So begins the mystery.
Nothing is jarring, nothing is false. Life is simply never quite what we think it is. Make no mistake. There is a real mystery here to be revealed. Not a contrived, plot dependent series of revelations. It is the unpeeling of the layers of a human being.
Much has been mentioned in this forum about the frequent sex scenes. They are achingly non-erotic, distanced and cold, and ultimately only functional. It is a passionless, desperate, mutually using and abusing kind of sex. Only one scene has heat. And that scene is not really sex. It is frustration, anger, vengeance, humiliation and desperation. This scene is truly horrible, truly frightening and truly revelatory.
I haven't told you much about the plot. That is deliberate. The plot works. It reveals the character. The progression of events is true, often surprising, but never false, never contrived. If you need to be told what is happening and why, this is not for you.
If you love great acting, by all involved, and appreciate the crafts and arts of film construction, I highly recommend "Young Adam".
(I have one question for anyone out there who might have a feasible answer: the title confounds me. There is no Adam. Nor is there any reference to an Adam. I could draw no path to or from Genesis. So why is this called "Young Adam"?)
93 of 109 people found this review helpful.
Was this review helpful to you?