After the mysterious death of her niece and other three teenagers on the same hour and with the symptoms of heart attack, the journalist Sun-ju decides to investigate their last moments. ... See full summary »
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A TV station employee takes a camera crew out to an abandoned factory to investigate a purported snuff film that was made there, only to end up running for her life when a small, fetus-like creature murders her crew.
After the mysterious death of her niece and other three teenagers on the same hour and with the symptoms of heart attack, the journalist Sun-ju decides to investigate their last moments. She discloses that the four friends had just watched a videotape exactly one week before their death in a resort. She travels to the place and finds the deadly video and after watching the weird footage, her telephone rings. When she takes a picture of herself, she sees her image blurred the same way that happened with the teenagers. She makes a copy of the cursed tape to her acquaintance, the skeptical coroner Choi Yeol. Together they seek for a hint, and find that it was taped thorough telekinesis by Eun-suh, a psychic girl that had disappeared years ago. When Sun-ju's little daughter watches the movie, Sun-ju has a stronger reason to unravel the mystery to save her daughter and her own lives. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
RING is most famous Japanese horror film of all time, so this South Korean version of the same story has its work cut out. The narrative framework and scope of the storyline is almost exactly the same as in the Japanese movie, although there are a few differences, some of them crucial. One of the most notable things about this movie is that it sits more in the mystery/thriller genre, only hinting at horror in the occasional scene rather than dwelling on it as in the other movie.
Sadly, it turns out to be a disappointing watch, doubly so if you know the Japanese version off by heart. Where Hideo Nakata excelled in creating protracted sequences of drawn-out dread, THE RING VIRUS feels stately and slightly dull in comparison. Yes, there's a moment involving a television but it's nowhere near as petrifying as when Nakata did it. The cast and crew go through the motions of the story in a linear fashion without it ever fully engaging the senses; scary this isn't. Director Kim Dong-bin lacks the technical flourishes and sense of style that other Korean directors have brought to their work; the resultant film is passable rather than effective.
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