After the mysterious death of her niece and other three teenagers on the same hour and with the symptoms of heart attack, the journalist Sun-ju decides to investigate their last moments. ... See full summary »
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Director:
Toshiharu Ikeda
Stars:
Miyuki Ono,
Aya Katsuragi,
Hitomi Kobayashi
Se-jin, a young woman who lives in an old apartment in a Seoul suburb, amuses herself by observing the windows of the apartments on the other side. One day, she notices that the lights of ... See full summary »
After the mysterious death of her niece and other three teenagers on the same hour and with the symptoms of heart attack, the journalist Sun-ju decides to investigate their last moments. She discloses that the four friends had just watched a videotape exactly one week before their death in a resort. She travels to the place and finds the deadly video and after watching the weird footage, her telephone rings. When she takes a picture of herself, she sees her image blurred the same way that happened with the teenagers. She makes a copy of the cursed tape to her acquaintance, the skeptical coroner Choi Yeol. Together they seek for a hint, and find that it was taped thorough telekinesis by Eun-suh, a psychic girl that had disappeared years ago. When Sun-ju's little daughter watches the movie, Sun-ju has a stronger reason to unravel the mystery to save her daughter and her own lives. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
I was lucky enough to catch this on TV the other night and it's left a huge impression on me. Until then, I had only been truly scared by two films - The Haunting (1963) and The Woman In Black. This one makes it three. There's very little violence, no gore that I can remember, and no sex - because this is a film that doesn't need to rely on cheap shocks and titillation to be frightening. The build-up of suspense is masterfully handled, helped enormously by the likeable main characters who you really do feel sympathy for. The use of sound is the most effective since Suspiria, and to top it all there's the joint-scariest ending that I have ever witnessed.
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I was lucky enough to catch this on TV the other night and it's left a huge impression on me. Until then, I had only been truly scared by two films - The Haunting (1963) and The Woman In Black. This one makes it three. There's very little violence, no gore that I can remember, and no sex - because this is a film that doesn't need to rely on cheap shocks and titillation to be frightening. The build-up of suspense is masterfully handled, helped enormously by the likeable main characters who you really do feel sympathy for. The use of sound is the most effective since Suspiria, and to top it all there's the joint-scariest ending that I have ever witnessed.