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Release Date:
October 1996 (Egypt) See more »
Plot Keywords:
New Century plans Décor with Abdalla
 (From ScreenDaily. 9 December 2013, 7:00 PM, PST)

User Reviews:
Most overt ideological film I've ever seen See more (2 total) »


  (in credits order)
Ahmed Zaki ... Gamal Abdul Nasser
Fardous Abdel Hamid ... Taheya
Hassan Hosny ... Hamed
Ahmed Maher ... Mahmoud Younes
Hani Ramzi ... Mahmoud Faheem
Mahmoud El-Bezzawy ... Anwar Sadat
Amina Rizk ... Old Woman
Abdula Farghali
Ahmed Khalil ... Dr. Mahmoud Fawzy
Mamdouh Wafi
Hasan Kami
rest of cast listed alphabetically:
Sean McBride ... Suez Office Clerk (uncredited)
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Directed by
Mohamed Fadel 
Writing credits
(in alphabetical order)
Mahfouz Abdel Rahman 

Original Music by
Yasser Abdel-Rahman 
Cinematography by
Abdel Latif Fahmi 
Essam Farid 
Ibrahim Saleh 
Film Editing by
Kamal Abul Ela  (as Kamal Aobut Al-Ela)
Art Direction by
Mamdouh El-Leyti 
Costume Design by
Samia Abdel Aziz 
Art Department
Nabil Saleem .... set designer

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Additional Details

USA:142 min


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3 out of 22 people found the following review useful.
Most overt ideological film I've ever seen, 23 February 2004
Author: kwhatever55 from Philadelphia PA

The obvious propaganda and overt use of mis en scene and cinematography is at work in this long film. Nasser, the Egyptian president during the 50's through the 70's, is shown as a brave, noble, selfless, perfect, without feeling, supernatural human being. The man who takes time out of important meetings to play with his children, who are all beautiful and perfectly obedient as the camera shows. A wife who never questions, always supports, and Nasser himself always depicted as thinking hard, never sleeping or drinking, smoking occasionally. "I share your feelings dear brothers", and constantly ingrained in Muslim support of their cause. While my Egyptian professor thinks that in real life, it was his actions who caused the downfall of Egypt, and the current state it is in today. Your classic low angle shots of the flag, high angle shots looking down on him, close ups, and intimacy with his facial expressions force the viewer into sympathy for him. Other parties, such as the old diplomats, are shown doing nothing but drinking again and again. The Israelis are given no characters or closeups, rather are only shown in tanks and legions of armies. The french, shown as drinking idiots, with funny nonsensical facial expressions. While the Egyptians, do everything through Non-violence in the film. Such as when they took over the Suez Canal, even the Generals are shown without any firearms.

Again, this is a long film, because a patriotic ideology is at work, attempting to show Egyptians, that its bad now, but this was the way things were. This was when things were good.

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