Using almost no dialogue, the film follows a number of residents (both human and animal) of a small rural community in Hungary - an old man with hiccups, a shepherdess and her sheep, an old... See full summary »
Having suffered as a boy under a brutal Communist-era coach, champion Hungarian gymnast Miklos moves to Canada years later in search of a new start - only to find himself unwittingly ... See full summary »
Zoltán Miklós Hajdu,
In order to regain custody of her daughter, whom she left in the care of her fortune-telling aunt, Mona must tell a social worker her story. The tale she spins---and the movie we watch---is... See full summary »
A handmade stop-motion fairy tale for adults that tells the tale of the struggle between the aristocratic White Mice and the rustic Creatures Who Dwell Under the Oak over the doll of their heart's desire.
Somewhere between a home-video and a postmodern documentary this film is composed entirely of user uploaded videos. Arte Povera, POV documentary, cinéma vérité, perhaps a portrait of a generation: Joe. Or, more accurately, what the hell is water?
The film applies an unconventional narrative. It presents a subjective world through 47 scenes. The small events, interlaced by associations, express the irrational coherence of our ... See full summary »
Using almost no dialogue, the film follows a number of residents (both human and animal) of a small rural community in Hungary - an old man with hiccups, a shepherdess and her sheep, an old woman who may or may not be up to no good, some folk-singers at a wedding, etc. While most of the film is a series of vignettes, there is a sinister and often barely perceptible subplot involving murder. Written by
This film challenges the idea that we need dialogue to define human interaction, or even interaction between humans, animals and the environment. There simply is no dialogue, just a bit of murmuring in the background and some singing near the end. It may sound boring, but isn't because you are constantly wondering what will happen next.
The movie covers the life of a small Hungarian village during the course of, more or less, one day. You see the people, the animals, underground, underwater, in the air, everything. Camera angles are exploited relentlessly to show every little thing, from a car door being unlocked to a fish striking at a swimming frog.
Because of the lack of dialoge, many things are up to the viewer's interpretation. One person may come up with a completely different view of what happened in the movie than another, even if they were watching it together. I watched this with my girlfriend, the red-haired queen of late night cinema, and we had a terrific argument over our differing opinions on what exactly had transpired in the movie. During the argument, she seized a burning stick from the fireplace and commenced beating me with it to emphasize her point, thereby proving the supremacy of a piece of wood over well-constructed film criticism.
This film should be seen by anyone who enjoys experimental film in any way, or simply wants to see something different but not boring. It is not over-repetitive, nor is it slow moving in any way. I applaud the director who can not only conceive of such a movie, but execute it in an interesting and watchable way.
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