| Kôji Yakusho | ... | Yosuke Sasano | |
| Misa Shimizu | ... | Saeko Aizawa | |
| Mitsuko Baishô | ... | Mitsu Aizawa | |
| Mansaku Fuwa | ... | Gen | |
| Isao Natsuyagi | ... | Masayuki Uomi | |
| Yukiya Kitamura | ... | Shintaro Uomi | |
| Hijiri Kojima | ... | Mika Tagami | |
| Toshie Negishi | ... | Tomoko Sasano | |
| Sumiko Sakamoto | ... | Masako Yamada | |
| Gadarukanaru Taka | ... | Taizo Tachibana | |
| Mickey Curtis | ... | Nobuyuki Ohnishi | |
| Takao Yamada | ... | Kazuo Namamura | |
| Katsuo Nakamura | ... | Takao Yamada | |
| Kazuo Kitamura | ... | Taro |
Directed by | |||
| Shôhei Imamura | |||
Writing credits(in alphabetical order) | ||
| Yo Henmi | novel | |
| Shôhei Imamura | ||
| Daisuke Tengan | ||
| Motofumi Tomikawa | screenplay | |
Produced by | |||
| Koji Matsuda | .... | line producer | |
| Masaya Nakamura | .... | executive producer | |
Original Music by | |||
| Shinichirô Ikebe | |||
Cinematography by | |||
| Shigeru Komatsubara | |||
Film Editing by | |||
| Hajime Okayasu | |||
Production Design by | |||
| Hisao Inagaki | |||
Second Unit Director or Assistant Director | |||
| Masahide Kuwabara | .... | assistant director | |
| Masayuki Taniguchi | .... | assistant director | |
Sound Department | |||
| Kenichi Benitani | .... | sound | |
Other crew | |||
| Katsumi Furuhashi | .... | production accountant | |
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| Kings & Queen | Personal Velocity: Three Portraits | Muriel's Wedding | Failan | My Own Private Idaho |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb Japan section |
I must admit to discovering Imamora only recently. He has all the vivid cinematic detail, the edginess of Oshima, and the humor of Itami; but he is a unique and original master of Japanese cinema. I am delighted that a film like this is even available in America. And, I am not surprised that there have been people here who proclaim it to be a 'silly film.' The film is a great surreal satire. It examines the ridiculous nature of male sexuality, and how we as men are motivated by our fears that one day well 'our little soldier won't be able to salute.' I loved the scene where the title character outruns an African long distance runner so he can meet up with the nymphomaniac shoplifter who he has started to have relations with even though he knows very little about her. I love the way birds and fish are used to symbolize fear and desire. This is an intoxicating film. I saw "The Pornogaphers" earlier this year, and it is a delight to see that a brilliant filmmaker has not lost his touch, not remotely!