Critic Reviews



Based on 39 critic reviews provided by
At once an old-fashioned freakout and an environmental cautionary tale (mess with Mother Nature and she'll mess with you right back), the film combines two genre standbys -- lethal contagion and the undead -- and gives them a wicked, contemporary spin.
Wall Street Journal
Rarely has so scary a thriller been so well made, and never has digital video -- by the English cinematographer Anthony Dod Mantle -- been put to grittier use.
Boyle and screenwriter Alex Garland plumb the violence of the mind with slashing wit and shocking gravity. Happy nightmares.
Philadelphia Inquirer
It's "The Wizard of Oz" with a viral infection.
Miami Herald
But this smart, genuinely creepy movie also feels <I>real</I>, which is why its horrors hit so hard. Fans of the scary stuff, run, don't walk.
New York Post
In place of elaborate sets, clever filmmaking gives the impression of a central London emptied of people and cars, to eerie effect - and this opening reel is nothing short of magnificent.
The genuine article, a hard-core horror picture from start to finish... Prepare to get seriously stresed.
It's a zombie flick that moves -- no stumbling, staggering living dead here -- in an atmosphere that feels like a Gothic docudrama, and it's freaky beyond all reason.
Entertainment Weekly
A swankily austere piece of jeepers-creepers sci-fi.
San Francisco Chronicle
By the finish, the movie is getting by on little but adrenaline and audience goodwill. Still, that goodwill runs fairly deep, because, taken all in all, 28 Days Later is a superior motion picture.
The look of the film, shot on digital video, is haunting and gritty. The cleaner, prettier look of 35mm would have detracted from the immediacy and sense of foreboding created in this artful blend of sci-fi and pseudo-realism.
New York Daily News
[Boyle] shrugs off any intellectual pretense to rollick in a dead-on scare fest. On that level, 28 Days Later is indeed a frightfully good time.

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