Six months after the rage virus was inflicted on the population of Great Britain, the US Army helps to secure a small area of London for the survivors to repopulate and start again. But not everything goes to plan.
A man decides to turn his moribund life around by winning back his ex-girlfriend, reconciling his relationship with his mother, and dealing with an entire community that has returned from the dead to eat the living.
A shy student trying to reach his family in Ohio, a gun-toting tough guy trying to find the last Twinkie, and a pair of sisters trying to get to an amusement park join forces to travel across a zombie-filled America.
Animal activists invade a laboratory with the intention of releasing chimpanzees that are undergoing experimentation, infected by a virus -a virus that causes rage. The naive activists ignore the pleas of a scientist to keep the cages locked, with disastrous results. Twenty-eight days later, our protagonist, Jim, wakes up from a coma, alone, in an abandoned hospital. He begins to seek out anyone else to find London is deserted, apparently without a living soul. After finding a church, which had become inhabited by zombie like humans intent on his demise, he runs for his life. Selena and Mark rescue him from the horde and bring him up to date on the mass carnage and horror as all of London tore itself apart. This is a tale of survival and ultimately, heroics, with nice subtext about mankind's savage nature. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Alex Garland and Danny Boyle did a great deal of research into social unrest, drawing ideas from things that had happened in Rwanda and Sierra Leone (such as the piling of bodies inside churches), but drew the line at using any actual footage from such incidents in the opening montage. All footage featuring dead bodies/desecration of bodies was faked. See more »
When Jim and the 3 others go into the Budgens grocery store to pick up supplies before they leave London, after 28 days, the smell of the inside of the grocery store would have been so repulsive, if not on the verge of a bio-hazard in itself, due to all the rotting, fermenting and decomposing milk, dairy, fish, poultry and meats, that as soon as they walked into the store would have, at the very least, make their faces wince at the stench and at the very most would have made them turn around and leave the store immediately due to the intolerable and unventilated pungent odor. See more »
[the three animal activists arrive to the laboratory]
[when seeing all of the caged apes]
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Other than the Fox Searchlight logo, there are no opening credits whatsoever. The title of the movie, 28 Days Later, only appears as a descriptive subtitle. See more »
The one thing that made this movie effective... well, let me back up. Ever have a nightmare where you're being stalked, or otherwise threatened, and you could die, and it's scary as hell? I mean, the absolute worst? Now, think: have you ever had a nightmare where someone you love was already dead, and you knew it, you saw it?
It's infinitely worse.
This movie recognizes that. There is some action, yes, mostly towards the end, but what makes this movie one of the scariest I've seen is its method of accessing the deepest fears in all of us -- not fear for ourselves, of our own deaths, but for others, our families and loved ones, and the utter, complete loneliness if they were to simply be gone forever. This is a post-apocalyptic movie that really drives in the impact of the idea, to devastating effect. It makes everything more engaging: the characters feel more real (though this is also due to the excellent script), the danger more immediate. But this is not a things-pop-out-and-scare-you horror movie. It's a film that will haunt you.
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