Six months after the rage virus was inflicted on the population of Great Britain, the US Army helps to secure a small area of London for the survivors to repopulate and start again. But not everything goes to plan.
Animal activists invade a laboratory with the intention of releasing chimpanzees that are undergoing experimentation, infected by a virus -a virus that causes rage. The naive activists ignore the pleas of a scientist to keep the cages locked, with disastrous results. Twenty-eight days later, our protagonist, Jim, wakes up from a coma, alone, in an abandoned hospital. He begins to seek out anyone else to find London is deserted, apparently without a living soul. After finding a church, which had become inhabited by zombie like humans intent on his demise, he runs for his life. Selena and Mark rescue him from the horde and bring him up to date on the mass carnage and horror as all of London tore itself apart. This is a tale of survival and ultimately, heroics, with nice subtext about mankind's savage nature. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The film includes heavy product placement for Britain's National Lottery, which funds the British Film Council. See more »
About eleven minutes in, someone walks up a distant sidewalk. Since Jim is calling out for someone, that person would've heard Jim, or Jim would've seen him. Clearly, the person is not part of the movie. See more »
Whatever Will Be, Will Be (Que Sera Sera)
Written by Jay Livingston and Ray Evans
Published by Jay Livingston Music, Inc. and St. Angelo Music
Admin. by Universal-MCA Publishing, a division of Universal Studios, Inc. See more »
I'm amazed there are so many negative reviews of this film; I thought it succeeded on every level. It's artistic and atmospheric, with a great pace, sympathetic characters, and a fantastic climax. The music is very nicely done, and, to me, the eerie opening scenes of the empty London streets are worth the price of admission all on their own. I'm a stubborn viewer, and, normally, when a film benefits from early critical buzz in the manner that this one did, I find some excuse not to like it. But not this time; I'm completely impressed. (Incidentally, I think it's interesting that while most horror films these days seem to have been inspired by knockoffs of knockoffs, "28 Days Later" apparently owes more to John Wyndham's classic disaster novel "The Day of the Triffids" than to anything else. And that's a good thing.) HIGHLY recommended.
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