Rachel flees NYC after another traumatic breakup and arrives at her parents' home in San Diego. They are adamant to see their wayward daughter settle down with a nice girl. Rachel goes on ... See full summary »
Rachel flees NYC after another traumatic breakup and arrives at her parents' home in San Diego. They are adamant to see their wayward daughter settle down with a nice girl. Rachel goes on several blind dates that misfire badly. She finally lets her mother set her up with Christine, a typical Californian girl. Much to Rachel's chagrin, mom is right! Meanwhile, Rachel's friends wait for her to screw up the relationship. They know, even if she won't admit it, that she still carries a torch for her ex-girlfriend and they're not sure what would happen if she reappeared to reclaim Rachel. Written by
This appallingly contrived and humorless film about a Jewish lesbian who has two attractive women battling over her contains only one intriguing aspect: how Helen Lesnick (who wrote, directed and stars - all ineptly) managed to raise the funds to make this nonsense. Lesnick's heavy-handed, witless screenplay would have us believe that her obnoxious, self-absorbed and physically unappealing character would have two strikingly beautiful women battling over her without any indication of what each sees in this tiresome woman.
The sole bright spot is the radiant presence of Erica Shaffer, whose iridescent smile and warm personality brightens an otherwise pointless film. But casting such an attractive actress as the woman who would not only put up with having to duke it out with another woman to keep the relationship going, but is willing to convert to Judaisim for her love makes the situation all the more implausible. Lesnick is not only an untalented actress, but lacks the physical attractiveness to explain why such a beautiful woman would give her a second glance, much less make her her life-mate. Casting an actress more in Lesnick's league would have given the film a little more plausibility, but it also would have robbed it of the only reason to watch it in the first place. It also would have denied Lesnick the ego trip of playing love scenes with such a beautiful woman, which seems to have been the only reason for her to have made the film at all.
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