| Photos (See all 39 | slideshow) | Videos (see all 6) |
| Gabriel Byrne | ... | Murphy | |
| Julianna Margulies | ... | Epps | |
| Ron Eldard | ... | Dodge | |
| Desmond Harrington | ... | Ferriman | |
| Isaiah Washington | ... | Greer | |
| Alex Dimitriades | ... | Santos | |
| Karl Urban | ... | Munder | |
| Emily Browning | ... | Katie Harwood | |
| Francesca Rettondini | ... | Francesca | |
| Boris Brkic | ... | Chief Steward | |
| Bob Ruggiero | ... | Captain (as Robert Ruggiero) | |
| Iain Gardiner | ... | Purser | |
| Adam Bieshaar | ... | First Officer | |
| Cameron Watt | ... | Second Officer | |
| Jamie Giddens | ... | Friendly Officer | |
| rest of cast listed alphabetically: | |||
| Matthew Wollaston | ... | Steward Number 3 (uncredited) | |
Directed by | |||
| Steve Beck | |||
Writing credits(WGA) | ||
| Mark Hanlon | (story) | |
| Mark Hanlon | (screenplay) and | |
| John Pogue | (screenplay) | |
Produced by | |||
| Gilbert Adler | .... | producer | |
| Bruce Berman | .... | executive producer | |
| Susan Downey | .... | co-producer (as Susan Levin) | |
| Stephen Jones | .... | associate producer | |
| Richard Mirisch | .... | co-producer | |
| Steve Richards | .... | executive producer | |
| Joel Silver | .... | producer | |
| Robert Zemeckis | .... | producer | |
Original Music by | |||
| John Frizzell | |||
Cinematography by | |||
| Gale Tattersall | (director of photography) | ||
Film Editing by | |||
| Roger Barton | |||
Casting by | |||
| Lora Kennedy | |||
| Fiona McMaster | |||
| Tom McSweeney | |||
Production Design by | |||
| Graham 'Grace' Walker | |||
Art Direction by | |||
| Richard Hobbs | |||
Set Decoration by | |||
| Beverley Dunn | |||
Costume Design by | |||
| Margot Wilson | |||
Makeup Department | |||
| Paige Badenoch | .... | additional makeup artist | |
| Jason Baird | .... | special makeup effects supervisor | |
| Nikki Gooley | .... | makeup supervisor | |
| Sue Laidlaw | .... | additional makeup artist | |
| Antony McMullen | .... | prosthetics workshop technician | |
| Anita Morgan | .... | makeup artist | |
| Christopher Allen Nelson | .... | special makeup effects artist | |
| Scott Patton | .... | special makeup effects artist | |
| Nadine Wilkie | .... | makeup artist | |
Production Management | |||
| Craig Forrest | .... | production manager: Canada | |
| Stephen Jones | .... | unit production manager | |
| Bill Draper | .... | executive in charge of production (uncredited) | |
| Barbara Russo | .... | post-production executive (uncredited) | |
Art Department | |||
| Joshua Black | .... | set finisher | |
| Julian Borbidge | .... | steelworker | |
| Lisa Brennan | .... | property master | |
| Wendy Buick | .... | graphic artist | |
| Graeme Callander | .... | storyboard artist | |
| Jac Charlton | .... | set dresser | |
| Claudine Clark | .... | set designer | |
| Garth Croft | .... | set builder | |
| Peter Exton | .... | steelwork foreman | |
| Craig Fison | .... | props | |
| Christian Huband | .... | set designer | |
| Miriam Johnson | .... | research/clearances | |
| Kate Lovejoy | .... | set designer | |
| Tim Lyall | .... | art department coordinator | |
| Dale Mackie | .... | concept artist | |
| Charles McGuinness | .... | assistant art director | |
| Jim Millett | .... | assistant art director | |
| Ross Murdoch | .... | set builder | |
| David Nimmo | .... | set designer | |
| John Rann | .... | construction manager | |
| Darrin Smith | .... | carpenter | |
| Marcus Smith | .... | welding supervisor | |
| Natalie Taylor | .... | art department accountant (uncredited) | |
Sound Department | |||
| Richard Adrian | .... | supervising sound editor | |
| Christopher Alba | .... | first assistant sound editor | |
| Thom Brennan | .... | supervising foley editor | |
| Paul 'Salty' Brincat | .... | production sound mixer | |
| Stephanie Brown | .... | dialogue editor | |
| Rod Conder | .... | boom operator | |
| Dane A. Davis | .... | supervising sound editor | |
| William R. Dean | .... | assistant sound editor | |
| Christopher Eakins | .... | sound effects mastering | |
| Julia Evershade | .... | supervising adr editor | |
| Eddie Kim | .... | assistant sound editor | |
| Andrew Lackey | .... | sound editor | |
| John Marquis | .... | sound effects mastering | |
| Nicole Miller | .... | sound assistant | |
| Alyson Dee Moore | .... | foley artist | |
| Ken S. Polk | .... | sound re-recording mixer | |
| Troy Porter | .... | adr mixer | |
| John Roesch | .... | foley artist | |
| Tom Trafalski | .... | analog/digital audio engineer | |
| Donna G. Walker | .... | sound effects coordinator | |
| Linda Lew | .... | foley recordist (uncredited) | |
Special Effects by | |||
| Steven Boyle | .... | special makeup effects technician | |
| Aaron Cox | .... | special effects technician | |
| Brian Cox | .... | special effects coordinator | |
| Angelo Sahin | .... | special effects onset supervisor | |
| Julian Summers | .... | special effects technician | |
| Richard Miranda | .... | special effects (uncredited) | |
Visual Effects by | |||
| Lindsay Adams | .... | digital compositor | |
| Pippa Anderson | .... | post production manager | |
| Michael Bain | .... | 3D digital artist | |
| Andy Barrios | .... | Inferno artist: Photon VFX, Australia | |
| Patrick Bergeron | .... | senior digital compositor | |
| Jason Billington | .... | digital compositor | |
| Nick Booth | .... | scanning and recording technician: Weta Digital | |
| Kent Boswell | .... | digital effects production manager: Photon | |
| Kirsty Bruce | .... | visual effects assistant | |
| Andy Cadzow | .... | animation supervisor | |
| Angus Cameron | .... | senior compositor | |
| Steve Cronin | .... | senior compositor | |
| Ken Dackermann | .... | digital compositor | |
| Ben De Luca | .... | senior system administrator | |
| Gareth Dinneen | .... | digital compositor | |
| Christina Drahos | .... | digital compositor | |
| Dale Duguid | .... | visual effects supervisor | |
| Simon Dye | .... | compositor | |
| Edwin Erdmanis | .... | roto & cleanup | |
| Eyal Erez | .... | effects animation supervisor | |
| Joe Farrell | .... | digital compositor | |
| Bryn Farrelly | .... | digital compositor | |
| Kirsten Fazio | .... | visual effects production manager | |
| Patrick Felgueras | .... | digital artist | |
| Keith Foston | .... | visual effects coordinator: Photon VFX | |
| Alex Fry | .... | senior 2-D artist | |
| Caroline Grubb | .... | visual effects associate producer | |
| Mark Harmon | .... | digital grading | |
| Scott Harper | .... | senior compositor | |
| Mark Harrison | .... | first assistant director: visual unit | |
| Daniel Harvey | .... | executive visual effects producer | |
| Sean Heuston | .... | motion control assistant operator | |
| Chris Holmes | .... | digital compositor | |
| Aruna Inversin | .... | digital compositor | |
| Mike Jamieson | .... | digital artist | |
| Rimas Juchnevicius | .... | digital compositor | |
| Brad Kalinoski | .... | digital artist: comp and paint | |
| Mike Kelly | .... | motion control operator | |
| Steven Anthony Khoury | .... | 3D visual effects | |
| Steven Anthony Khoury | .... | lighting technical director | |
| Andrew Kunzel | .... | digital artist | |
| Nicky Ladas | .... | IT manager | |
| Nicky Ladas | .... | system administrator | |
| Jennifer Law-Stump | .... | digital effects artist: Pacific Title Digital | |
| Brad Lindenmayer | .... | vfx editor | |
| Matt Linder | .... | visual effects | |
| Kimberley Liptrap | .... | 3D artist | |
| Chris Long | .... | animator | |
| Chris Long | .... | compositor | |
| Robert Malina | .... | visual effects editor | |
| Evans Mark | .... | 3D artist | |
| Naomi Mitchell | .... | visual effects producer | |
| Ivan Moran | .... | digital compositor | |
| Marc Morissette | .... | digital compositor | |
| Steve Newman | .... | miniatures visual effects director of Photography | |
| Tony O'Loughlan | .... | motion control camera assistant | |
| Jeff Olm | .... | Inferno artist: Photon VFX, Australia | |
| Matthew Ozerski | .... | assistant visual effects editor: Photon VFX | |
| Kim Pearce | .... | render wrangler | |
| Kim Pearce | .... | system administrator | |
| Eric Person | .... | film scanning supervisor: Photon VFX | |
| Gerard Benjamin Pierre | .... | digital effects supervisor | |
| Cheryl Potter | .... | visual effects assistant editor | |
| Andrew Quinn | .... | 3D artist: Photon VFX | |
| Mohan Ramachandran | .... | scanning and recording technician: Weta Digital | |
| Ron Roberts | .... | digital effects supervisor | |
| James Rogers | .... | senior digital effects supervisor | |
| Rick Sander | .... | compositor | |
| Michael Sarkis | .... | lead motion control operator | |
| Jörg Schulz-Gerchow | .... | digital compositor | |
| Andrew Schwartz | .... | digital compositor: Photon | |
| Jason Selfe | .... | digital compositor: sequence design | |
| Rasha Shalaby | .... | compositor: Photon | |
| Betty Shaw | .... | IT manager | |
| John Siczewicz | .... | Inferno artist: Photon VFX, Australia | |
| Matt Sloan | .... | visual effects assistant supervisor | |
| Murray Smallwood | .... | digital compositor | |
| Leon Stuparich | .... | visual effects assistant editor | |
| Tiare Tomaszewski | .... | post production manager | |
| Jensen Toms | .... | digital artist | |
| Linda Tremblay | .... | digital compositor | |
| Greg Tuckwell | .... | lead model maker | |
| Matthew Unwin | .... | visual effects artist | |
| Georgie Uppington | .... | visual effects coordinator | |
| Randy Vellacott | .... | digital compositor | |
| Donna Wallace | .... | visual effects production accountant | |
| Chris Young | .... | digital effects artist | |
| Papavramides Alexandra | .... | digital compositor: Photon, Australia (uncredited) | |
| Vaughn Arnup | .... | digital compositor (uncredited) | |
| Katrina Barker | .... | assistant visual effects editor (uncredited) | |
| Brad Blackbourn | .... | senior 3D artist (uncredited) | |
| Melany Bourgouin | .... | digital effects production assistant (uncredited) | |
| Michelle Bromham | .... | visual effects assistant editor (uncredited) | |
| David Cole | .... | lead digital colourist (uncredited) | |
| Jeanmarc Furio | .... | digital compositor (uncredited) | |
| Andy Garcia | .... | digital compositor (uncredited) | |
| Jonathan Hairman | .... | digital compositor (uncredited) | |
| Sean Heuston | .... | digital compositor (uncredited) | |
| Rosano Lepri | .... | digital compositor (uncredited) | |
| Kirsty Millar | .... | supervising compositor (uncredited) | |
| Ben O'Brien | .... | Inferno artist (uncredited) | |
| Benoit Pelchat | .... | digital matte artist (uncredited) | |
| Chris B. Schnitzer | .... | visual effects production supervisor: Warner Bros. (uncredited) | |
| Michele Stewart | .... | assistant to visual effects producer (uncredited) | |
| George Zwier | .... | digital compositor (uncredited) | |
Camera and Electrical Department | |||
| Stuart Bell | .... | grip | |
| Shaun Conway | .... | gaffer | |
| James Hopwood | .... | best boy grip | |
| Ben King | .... | second assistant camera | |
| Colin Larsen | .... | grip | |
| Peter McDougall | .... | underwater camera operator | |
| Jason McPhee | .... | best boy grip | |
| David Nichols | .... | key grip | |
| Paul Reddin | .... | grip | |
| Ricky Schamburg | .... | first assistant camera | |
| Ian 'Thistle' Thorburn | .... | director of photography: second unit | |
| John Trapman | .... | camera operator: Wescam camera | |
| Vince Valitutti | .... | still photographer | |
| Simon Werry | .... | aerial camera operator | |
Casting Department | |||
| Tom McSweeney | .... | casting: Australia | |
| Jade Tam | .... | extras casting | |
Costume and Wardrobe Department | |||
| Janice MacIsaac | .... | costume designer: Vancouver | |
| Melissa Montague | .... | costume buyer | |
| Samantha Walker | .... | set costumer | |
Editorial Department | |||
| Adam Avery | .... | post-production coordinator | |
| Trish Cahill | .... | telecine dailies colorist | |
| Elana Joy Livneh | .... | assistant editor | |
| Robert Malina | .... | first assistant editor | |
| Jeff Smithwick | .... | color timer | |
| Rebecca Weigold | .... | assistant editor | |
Music Department | |||
| Frank Bennett | .... | orchestrator | |
| Pablo Duchovny | .... | composer: additional music | |
| Steve Durkee | .... | music mixer | |
| Steve Durkee | .... | score mixer | |
| Chad Gray | .... | composer: song "Not Falling" | |
| Isobel Griffiths | .... | orchestra contractor | |
| Nick Ingman | .... | conductor | |
| Andrew Kinney | .... | orchestrator | |
| Micha Liberman | .... | composer: song "My Little Box" | |
| Tommy Lockett | .... | music editor | |
| Herwig Maurer | .... | additional score production | |
| John McBride | .... | music scoring coordinator | |
| Tom Trafalski | .... | soundtrack co-producer | |
| Mark Tucker | .... | assistant scoring engineer | |
| Alec Wilder | .... | composer: song "Senza Fine" | |
| Rick Winquest | .... | score mixer | |
| Gavyn Wright | .... | orchestra leader | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
I'm rather pleasantly surprised after seeing Ghost Ship I expected it to be a lot sillier, more dumb and inferior than it actually is. Still a long way from being a good horror film but a step in the right direction, to say the least. Cast and crew paid attention to building up a horrifying atmosphere instead of attacking the audience with lame and violent killing scenes. That's an effort that gets my appreciation. The vicious opening sequence is professional horror a scene that grabs you by the throat and demands your complete attention and curiosity for the rest of the movie. The high quality level is held up a little while longer but unfortunately it loses his grip during the second half. For as long as the mysterious, deserted ship is portrayed as a complete riddle, the film is fascinating, interesting and beautifully shot. As soon as a few plot-aspects are clarified, Ghost Ship turns into a mediocre and predictable thriller I'm convinced that, with a slightly more intelligent script, this could have become one of the better horror-thrillers since the new Millennium. Now, it's only regarded as a reasonable and decent effort that lacks a bit of talent. Nonetheless, the settings and decors make it worth watching. The graphic decorations aren't overused, so it remains a beautiful experience to observe at least once. Gabriel Byrne is acting far below his normal standards and yet he's still great! All the other cast-members are pretty uninspired and forgettable. I'd describe Ghost Ship as a nice waste of time. If you have the opportunity, I advise you to search for an 80's horror title called `Death Ship' a terrific piece of trash of which Ghost Ship borrowed a lot of ideas.