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A salvage crew that discovers a long-lost 1962 passenger ship floating lifeless in a remote region of the Bering Sea soon notices, as they prepare to tow it back to land, that "strange things" happen...

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(story), (screenplay) | 1 more credit »
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2,491 ( 227)
1 nomination. See more awards »

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Cast

Complete credited cast:
...
...
...
...
Ferriman
...
...
...
...
...
Boris Brkic ...
Chief Steward
Bob Ruggiero ...
Captain (as Robert Ruggiero)
Iain Gardiner ...
Purser
Adam Bieshaar ...
First Officer
Cameron Watt ...
Second Officer
...
Friendly Officer
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Storyline

After discovering a passenger ship missing since 1962 floating adrift on the Bering Sea, salvagers claim the vessel as their own. Once they begin towing the ghost ship towards harbor, a series of bizarre ocurrences happen and the group becomes trapped inside the ship, which they soon learn is inhabited by a demonic creature. Written by EliMai

Plot Summary | Plot Synopsis

Taglines:

Sea Evil

Genres:

Horror | Mystery

Motion Picture Rating (MPAA)

Rated R for strong violence/gore, language and sexuality | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

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Country:

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Language:

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Release Date:

25 October 2002 (USA)  »

Also Known As:

Chimera  »

Box Office

Budget:

$35,000,000 (estimated)

Opening Weekend:

$11,503,423 (USA) (25 October 2002)

Gross:

$1,057,934 (Brazil) (7 March 2003)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The design for the "Antonia Graza" was modeled after the "Andrea Doria" (a man's name), a real-life Italian cruise ship that also met a tragic fate: it sank in the 1950s after colliding with another liner. Contrary to this fact, the "Antonia Graza" actually shows a stronger resemblance to the 'Leonardo Da Vinci', a slightly altered and larger design which replaced the Doria after she sank. See more »

Goofs

When Francesca drops her dress to entice Greer, she puts her hand on the elevator shaft with her arm bent. But her arm is straight when Greer falls through her. See more »

Quotes

[first lines]
Greer: I can't hold her much longer, Murph. Port bow is heeling. She's taking on way too much water.
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Crazy Credits

The opening logos are tinted brown, and the typical Warner Bros. logo is instead an intentionally chintzy 60s style logo. All this ties into the infamous cruise ship opening. See more »

Connections

Featured in Phelous & the Movies: Top 10 Phelous Moments 2012 (2013) See more »

Soundtracks

Slippin' Into Darkness
Written by Thomas Allen (as Sylvester Allen), Harold R. Brown, Morris D. Dickerson,
Lonnie Jordan (as Leroy Jordan), Lee Oskar, Charles Miller and Howard E. Scott (as Howard Scott)
See more »

Frequently Asked Questions

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User Reviews

 
Half and half
4 April 2003 | by (Saint Paul, MN) – See all my reviews

Now this I would call exactly an average film. For me, it landed precisely at the very center of imdb's 10 point scale, right at 5.5. This means that I found exactly as much to like as I did to dislike. There is a bit of inspiration here, but just as much that's stolen from other better horror movies. If it had opted for tone and real fear instead of cheap shocks, the movie could have been great. The story is good enough that it could have been great if handled well. But we do live in these times, and, although there are scholars of the modern era who would try to have us believe that the current generation consists of a bunch of kids who get everything instantly and process it on a billion levels at once, the truth is indeed the exact opposite. No, there is no subtlety here. It would go over your average teenager's head in a heartbeat. Nope, better play it safe and provide us with a gruesome scene up front where a couple of dozen people are sliced in half by a loose cable during a ball. Gore is not scary. I did however produce a dry heave during this sequence, which is more than I can say for any other gore scene that I've viewed lately. As the gore accumulates, I began to appreciate the artistry that was put into the enormous number of deaths. These are some sickeningly creative people, let me tell you. Unfortunately, the director (or screenwriters or whoever) ruins any real potential by revealing every detail about what happened on the titular boat in a fast-motion sequence accompanied by techno music! It's the kind of moment where you just slap your head for the lack of talent involved. And then there was more stuff I liked. For example, the art direction is very impressive. The revelation of one character's identity, while not particularly surprising, is at least somewhat new. I give this film a 5/10, rounding down because I felt the final moment was a bit groan-inducing.


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