A salvage crew that discovers a long-lost 1962 passenger ship floating lifeless in a remote region of the Bering Sea soon notices, as they prepare to tow it back to land, that "strange things" happen...
A vengeful spirit has taken the form of the Tooth Fairy to exact vengeance on the town that lynched her 150 years earlier. Her only opposition is the only child, now grown up, who has survived her before.
Anna Rydell returns home to her sister (and best friend) Alex after a stint in a mental hospital, though her recovery is jeopardized thanks to her cruel stepmother, aloof father, and the presence of a ghost in their home.
After discovering a passenger ship missing since 1962 floating adrift on the Bering Sea, salvagers claim the vessel as their own. Once they begin towing the ghost ship towards harbor, a series of bizarre ocurrences happen and the group becomes trapped inside the ship, which they soon learn is inhabited by a demonic creature. Written by
The design for the "Antonia Graza" was modeled after the "Andrea Doria" (a man's name), a real-life Italian cruise ship that also met a tragic fate: it sank in the 1950s after colliding with another liner. Contrary to this fact, the "Antonia Graza" actually shows a stronger resemblance to the 'Leonardo Da Vinci', a slightly altered and larger design which replaced the Doria after she sank. See more »
When Epps is walking down the hall looking for Katie's room she is clearly wearing the heart necklace which she has not found yet. See more »
I can't hold her much longer, Murph. Port bow is heeling. She's taking on way too much water.
See more »
The opening logos are tinted brown, and the typical Warner Bros. logo is instead an intentionally chintzy 60s style logo. All this ties into the infamous cruise ship opening. See more »
Written by Edwin, Thomas Salter, Jeff Dalziel, Memphis, and Meher Steinberg
Performed by Edwin and The Pressure
Courtesy of Sony Music Entertainment (Canada) Inc.
By Arrangement with Sony Music Licensing See more »
A solid genre movie that builds a good atmosphere and tension across the 90 minutes even if it isn't anything that special
Sean Murphy and his crew are the top salvage experts in the land (well, sea). They have just completed one big job when a pilot, Jack Ferriman, comes tot them with a ship that he has spotted in remote, international waters. It hasn't responded to distress signals and it seems fair game if Murphy will give Jack a cut and let him come along. Murphy accepts and they set off. The fact that the ship doesn't show up on radar doesn't ring any alarm bells with the crew, who board the ship to find a deserted vessel ripe for the pickings. However she has sustained damage and has days before she will sink forever. Diver Maureen spotted a young girl on board is only the first of several strange things to occur and soon the crew find themselves in deeper than they planned.
Opening with a scene so brutal and gory (made all the worse for me knowing it was coming) that I literally couldn't watch, this film had me hooked at the same time as having me worried that this would just be a big gore fest with nothing else to it. Indeed this is what I had heard, having only read negative reviews for this film. However for the majority it avoids this by being spooky, atmospheric and engaging. The plot isn't anything amazing but it does the job. Many reviewers have said it turns rubbish in the final thirty minutes but to me it was still effective even if it did resort to genre by being gorier and more obvious. It will never win any awards for originality or anything else but it is an effective genre movie that avoids the b-movie schlock of stuff like Deep Rising.
Because it is mostly about atmosphere, the cast are only so-so as they are given little to do. Byrne is a good presence but is slumming it so obviously that he should probably have had a slot in his character's back with a studio exec feeding it every few minutes of screen time. Margulies is better as she has more to do and is a more interesting character; she can work at this level and does. Eldard has some terrible lines but does OK with Urban. Washington is better than this but is quite interesting and has a good screen presence. Harrington plays it so obviously that it is hard not to see him coming, which was a bit of a shame. The direction is good and the design/feel of the film is probably better than the material deserves nicely building up tension and atmosphere as it goes.
Overall then a good genre movie. Better than b-movie stuff, it uses the gore sparingly for the most part and builds up to things well. In the end it may go just where you expect it to and not do anything that special but I found it quite enjoyable for what it was and, in the words of the advert, does exactly what it says on the tin.
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