Elektra the warrior survives a near-death experience, becomes an assassin-for-hire, and tries to protect her two latest targets, a single father and his young daughter, from a group of supernatural assassins.
Will Yun Lee
Bruce Banner, a scientist on the run from the U.S. Government must find a cure for the monster he emerges whenever he loses his temper. However, Banner then must fight a soldier whom unleashes himself as a threat stronger than he.
Fate deals young orphan Matt Murdock a strange hand when he is doused with hazardous waste. The accident leaves Matt blind but also gives him a heightened "radar sense" that allows him to "see" far better than any man. Years later Murdock has grown into a man and becomes a respected criminal attorney. But after he's done his "day job" Matt takes on a secret identity as "The Man Without Fear," Daredevil, the masked avenger that patrols the neighborhood of Hell's Kitchen and New York City to combat the injustice that he cannot tackle in the courtroom. Written by
The character of "Turk" (mentioned by Coolio in the director's cut) is a reference to the comic book, where he is a re-appearing character (mostly during Frank Miller's run). See more »
In all her battles, Elektra uses her Sais in a very incorrect manner. She has her fingers in between the prongs which eliminate the sai's primary purpose, which is to trap an opponent's weapon. The way she holds her sais actually put her fingers in danger. Plus, the sais are blunt weapons, not sharp. See more »
Go get 'em, Matt.
Hell's Kitchen is my neighborhood. I prowl the rooftops and alleyways at night, watching from the darkness. Forever in darkness. A guardian devil.
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There is a scene in the closing credits: Bullseye is in a hospital ward with a full-body cast, but is able to use a syringe to take out a fly. See more »
As I titled this, I really enjoyed the movie since I am comic nerd, but I rated this as a 5 out of 10. I got the Directer's Cut for Christmas and OH MY GOD it made this movie so much better. The subplot with Coolio really rounds out the character's of Matt and Foggy and little scenes added back in here and there like Matt's rituals after patrol and in the morning, and the extended version of him and Elektra on the roof before the rain made part of the ending make more sense. One thing I really enjoyed was the additional time to developing the Kingpin and making him really seem like a bad guy helped a lot. All in all whoever made the call to cut all this stuff from the movie should be fired from the studio because the theatrical release was a butchery and a farce. I felt bad having to admit that I didn't like the movie too much at first, but now I can tell people how much it kicked a$$ (didn't know if curses were allowed).
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