| Carlos Roffé | ... | Alberto | |
| Cristina Banegas | ... | Natalie | |
| Carolina Fal | ... | Paula | |
| Walter Quiroz | ... | Gaston | |
| José María Monje | ... | Miranda | |
| rest of cast listed alphabetically: | |||
| Federico Martin Barros | ... | Bailarin 1 | |
| Hilda Bernard | ... | Aristocrat Lady | |
| Sergio Boris | ... | Médico 2 | |
| Silvina Bosco | ... | Empleada Agncia de Turismo | |
| Osvaldo Burgos | ... | Jorge | |
| Horacio Embón | ... | Conductor | |
| Vilma Ferrán | ... | Mamá Familia | |
| Alejandro Fornasari | ... | Enfermero 1 | |
| Facundo Galván | ... | Silveyra | |
| Alfredo Iglesias | ... | Director Psiquiátrico | |
| Roberto Jacoby | ... | Efermero 2 | |
| Carlos Lanari | ... | Papa Familia | |
| Julio Marticorena | ... | Médico 1 | |
| Julieta Ortega | |||
| Francisco Peterson | ... | Bailarin 3 | |
| Mariano Rey | ... | Bailarin 2 | |
| Guillermo Soffiantini | ... | Policia 2 | |
| Rafael Spregelburd | ... | Ramiro | |
| Paolo Taramasco | ... | Joven 1 | |
| Antonio Ugo | ... | Policia 1 | |
Directed by | |||
| Sergio Bizzio | |||
Writing credits(in alphabetical order) | ||
| Sergio Bizzio | ||
Produced by | |||
| Rolo Azpeitia | .... | producer | |
| Sergio Bizzio | .... | producer | |
Original Music by | |||
| Sergio Pangaro | |||
Cinematography by | |||
| Hernán Bouza | |||
Film Editing by | |||
| Lorenzo Bombicci | |||
Casting by | |||
| Lila Romero | |||
Art Direction by | |||
| Annette Charreau | |||
Set Decoration by | |||
| Valeria Ebel | |||
Costume Design by | |||
| Karina Kreth | |||
Makeup Department | |||
| Sebastián Molchasky | .... | special makeup effects artist | |
| Marisa Wehit | .... | key makeup artist | |
Production Management | |||
| Pablo Morgavi | .... | administrative manager | |
| Diego Yaker | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Eduardo Raspo | .... | assistant director | |
| Lila Romero | .... | second assistant director | |
| Maria Alejandra Uz | .... | first assistant director | |
Art Department | |||
| Martín Libert | .... | property master | |
Sound Department | |||
| Federico Billordo | .... | foley artist | |
| José Caldararo | .... | sound recordist | |
| Leandro de Loredo | .... | foley recordist | |
| Martín Grignaschi | .... | supervising sound editor | |
| Andres Plat | .... | sound | |
| Marcelo Rodríguez | .... | sound recordist | |
| Fernando Soldevila | .... | sound recordist | |
Special Effects by | |||
| Karina Fernandez | .... | special effects assistant | |
Camera and Electrical Department | |||
| Pablo Jamardo | .... | electrician | |
| Laura Vidal | .... | assistant camera | |
Editorial Department | |||
| Cristina González Fernández | .... | negative cutter | |
| David Block | .... | colorist (uncredited) | |
Other crew | |||
| Mariana Barassi | .... | production secretary | |
| Marcela Coria | .... | production assistant | |
| Fabian Gabelli | .... | animal wrangler | |
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| Giant | Babe | The Ballad of Josie | Amarcord | Seven Brides for Seven Brothers |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb Argentina section |
An Argentinian rancher falls in love with a sheep named Fanny. This love becomes overwhelming and takes precedence over his family and work. What starts off as relatively harmless -- though disturbing -- gets increasingly troublesome to the point where the man must defend himself at any cost.
If you think the only sheep film in the horror genre is "Black Sheep", you're dead wrong. As great as that film is, this one is probably better. In my opinion, this film really treads the ground that make horror films memorable and fun. Remember, the first goal of a movie is to be entertaining... and if you're the sort who likes sick humor, this film is going to hit the spot. (I acquired it around the same time as "Sick Girl", and I think they make a nice pair.) This film had to be a foreign film. American sensibilities would not have been able to present such a portrayal. I mean, you could do it if it was independent, but still not in this sense. There's a "feel" that American films can't reach, and this one can... which brings me to a final point.
"Animalada" has a similar visual style to Peter Jackson's "Dead Alive". If someone had told me this was an early Jackson film, I wouldn't doubt them. And that's a good thing... for as great as Jackson has become, his strength was -- for me -- his work on "Bad Taste" and "Meet the Feebles". Even "The Frighteners" was too polished. So, for the director of this film, you succeeded in emulating a master, even if that wasn't your pan.
Buy this film. Buy it. Do not rent, do not borrow, do not download. Buy it.