| Lior Ashkenazi | ... | Zaza (as Lior Louie Ashkenazi) | |
| Ronit Elkabetz | ... | Judith | |
| Moni Moshonov | ... | Yasha | |
| Lili Koshashvili | ... | Lili | |
| Aya Steinovitz | ... | Ilana | |
| Rosina Kambus | ... | Magouly (as Rozina Cambus) | |
| Simon Chen | ... | Simon | |
| Sapir Kugman | ... | Madona | |
| Dina Doron | ... | Luba | |
| Leonid Kanevsky | ... | Otary | |
| Libia Hakmon | ... | Margalita (as Libia Hakmon-Ayali) | |
| Eli Turi | ... | Bessik | |
| Maria Ovanov | ... | Lali | |
| Orit Buchnik Sher | |||
| Rivka Gur | |||
| Ana Feinstein | |||
| Zuri Botrashvilli | |||
| Nana Dvir | |||
| Bachur Gene | |||
| Michael Moshonov | |||
| Rotem Zoler | |||
| Liza Turikashvilli | |||
| Nethanel Bitan | |||
| rest of cast listed alphabetically: | |||
| Reuven Dayan | |||
Directed by | |||
| Dover Koshashvili | |||
Writing credits(in alphabetical order) | ||
| Dover Koshashvili | ||
Produced by | |||
| Marek Rozenbaum | .... | producer | |
| Edgard Tenenbaum | .... | producer | |
| Udi Yerushalmy | .... | executive producer | |
| Udi Yerushalmy | .... | line producer | |
Original Music by | |||
| Iosif Bardanashvili | (as Joseph Bardanashvili) | ||
Cinematography by | |||
| Daniel Schneor | (as Dani Schneor) | ||
Film Editing by | |||
| Yael Perlov | |||
Production Design by | |||
| Avi Fahima | |||
Set Decoration by | |||
| Evelyn Terdiman | |||
Costume Design by | |||
| Maya Barsky | |||
Makeup Department | |||
| Meirav Bouchoucha | .... | makeup supervisor | |
| Gadi Omer | .... | hair stylist | |
Production Management | |||
| Patrick Dumont | .... | production manager | |
| Uzi Karin | .... | unit manager | |
| Eyal Sadan | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Yochanan Kredo | .... | assistant director | |
| Alona Lichter | .... | assistant director | |
Sound Department | |||
| Alex Claude | .... | supervising sound editor | |
| Oleg Kaiserman | .... | sound | |
| Jonathan Liebling | .... | sound effects editor | |
| Misha Spektor | .... | boom operator | |
| Nathalie Vidal | .... | sound | |
Camera and Electrical Department | |||
| Ehab Assal | .... | assistant camera | |
| Ari Haas | .... | electrician | |
| Ari Haas | .... | grip | |
| Udi Rimer | .... | gaffer | |
Editorial Department | |||
| Doron Suliman | .... | negative cut verifier | |
Music Department | |||
| Daniel Alcheh | .... | music score mixer (uncredited) | |
Other crew | |||
| Sascha Franklin | .... | preparation: Film Lab | |
| Sophie Onteniente | .... | production assistant | |
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| Russian Dolls | The Kids Are All Right | Garden State | Blue Valentine | Saving Face |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb Israel section |
This film opened last night in Los Angeles, and seemed to draw a pretty good crowd -- I assume they'd all heard the same positive buzz I'd heard...
Interesting look at a very old fashioned culture (Georgians who emigrated to Israel), and the demands they make on a grown son. From an American perspective, the parents' objections to the son's choice in girlfriend (or potential wife) seem trivial: she's slightly older, and divorced.
But here are my issues with the film: The character Zaza is a very weak-willed man who bends too easily to his parents' demands. Now, it's interesting to see someone who's not a traditional Hollywood "strong" hero -- but it was hard to be sympathetic with this guy, since he didn't really seem to disagree with his parents. There's a pretty long sex scene(which has been justifiably lauded as much more realistic than anything you'll see in a Hollywood film), but later in the film, he treats his girlfriend pretty badly. There's a pivotal scene in which he sides with his parents vs. the girlfriend, and I just lost all respect for the character at that point.
Also, the movie drags on a bit...Could have benefited from quite a bit of editing. Couple other criticisms: Characters are introduced, but it's not clear who they are, or how they are related (maybe it loses something in the subtitles). More importantly, I read a review in a newspaper here that said a key plot point was the different ethnic backgrounds of Zaza and his girlfriend: But that did not come across at all! Maybe in Israel that is a big deal, and if so, that should have been made clear to American audiences, as well. Again, I suspect something got left out in the subtitle translations...
Still, it's interesting to see an Israeli film, and maybe this director will have something better up his sleeve next time...