A woman's lover leaves her, and she tries to contact him to find out why he's left. She confronts his wife and son, who are as clueless as she. Meanwhile her girlfriend is afraid the police... See full summary »
A brilliant plastic surgeon, haunted by past tragedies, creates a type of synthetic skin that withstands any kind of damage. His guinea pig: a mysterious and volatile woman who holds the key to his obsession.
A girl's mother returns after 15 years to find her daughter has married one of her (the mother's) old boyfriends. They try to mend their broken mother/daughter relationship and deal with ... See full summary »
After a chance encounter at a theater, two men, Benigno and Marco, meet at a private clinic where Benigno works. Lydia, Marco's girlfriend and a bullfighter by profession, has been gored and is in a coma. It so happens that Benigno is looking after another woman in a coma, Alicia, a young ballet student. The lives of the four characters will flow in all directions, past, present and future, dragging all of them towards an unsuspected destiny. Written by
The bulls' bloodiness in the film is real. An ecological group in Madrid tried to sue Pedro Almodóvar for ill treatment of animals, not attacking him, as such, but society for accepting it. Almodóvar said that he had the permission of the bulls' owners to kill them and that the ecological group was just trying to gain some publicity. See more »
The end credits contain the following text: "El 7 de agosto, durante el rodaje de esta película nació Pablo hijo de Cova y de Juan y niño de todos.". This translates to: "On August 7th, while shooting this movie, Pablo, son of Cova and Juan and child of all of us, was born." See more »
Cucurrucucú Paloma Tomás Méndez (as Tomás Méndez Sosa)
Performed by Caetano Veloso
(c) Editorial Mexicana de Música Internacional
Courtesy of Peermusic Española, S.A.
By Arrangement with Universal Music Brazil See more »
There are many who say that "Todo Sobre Mi Madre" is his best film, but now that I've seen both these movies, I give the nod - by a long way - to "Hable con Ella". This is a masterpiece, and not just because of the poignancy of the characters, or the story in general, or the way the scenes are shot - watching the matador get dressed was quite engrossing
but EVERYTHING comes together so wonderfully. The brilliance of
Spanish-language films never fails to amaze me, and this is another one in that long line of greatness. There will be times where the viewer may feel somewhat uncomfortable with the characters and their actions, but that does not stop Almodovar from exploring such emotions; indeed, one sometimes gets the impression that Almodovar's entire purpose is to make you analyze your own feelings - and simply does it better than anyone else. Recommended for anyone who can read subtitles.
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