A storyteller relates the creation of the world. A tall tale like all yarns. But this tall tale is a true tale - it is our very own story. The birth of the universe, the formation of the ... See full summary »
An all-enveloping darkness. Suddenly, a child's voice, frightened, questioning, pierces the darkness... The first flickering rays of light begin to sculpt mysterious shapes out of the ... See full summary »
A parable of man's exploitation of his fellow man. A weaver and a farmer live peacefully on the edge of a desert until, one day, a woman wanders into their world, and her presence slowly disrupts their routine existence.
Image and music are intertwined in this third collaboration between director Godfrey Reggio and composer Philip Glass. The film was produced to celebrate the World Wildlife Fund's ... See full summary »
"JOURNEY OF HANUMAN" Preserves moments still existing in India that have not been disturbed by globalization and are connected with the antique spiritual knowledge of India. I wanted to ... See full summary »
A storyteller relates the creation of the world. A tall tale like all yarns. But this tall tale is a true tale - it is our very own story. The birth of the universe, the formation of the Earth, the appearance of life, the emergence from the waters, the colonisation of earthly paradise...a tremendous, event-filled saga unfolds before our very eyes. This "flamboyant" Genesis, both modern and timeless, is "enacted" by the direct descendants of those who were part of it - the animals. Written by
Yes, the visuals are dazzling. The pacing and camera stance are almost Kubrickian, which alone reminds us that we are seeing a movie, and not a Discovery channel feature.
There are three narratives at work here, the visuals, our collective knowledge of science/nature that we have before experiencing these visuals, and the narration. Of these, the narration is the weakest link, nearly broken when we get to the conflation of biology with poetic 'love'. That is before...
...we get to Entropy. Movies themselves are a kind of struggle against entropy. Starting with a flood of chaotic images (elements), the movie's task is to go against the flow and try to impose a higher state of order -- a sort of life of its own in the viewer's mind. Through this device of self-reference, we are given the target criterion with which we judge the movie's quality: does the new order in your mind hold up against degradation?
I would say yes. Not only visually, but narratively -- by looking at ourselves from outside ourselves, the trap of melodrama is avoided.
Watch this and pay attention to the sight of a drop of milk dissolving in water, or the smoke rings...these are inherently cinematic notions: notions that belong with us among the tribe of the living.
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