While camping in France, Dutch friends Eric and Eddy fall in with two women. Eric talks to Silke, a Ugandan studying medicine in Holland. She tells him about her life and asks about the ... See full summary »
Ruud van Hemert
Beau van Erven Dorens
After realizing that his wife has been cheating on him, mild-mannered stamp maker Tae-han leaves his small seaside town of Naksan determined to track down his wife's lover, a taxicab driver from Seoul named Joong-sik.
Two young women find themselves struggling to survive in Paris, street-wise Nathalie, a stripper, and naïve Sandrine, a barmaid. Together, they discover that sex can be used to their ... See full summary »
René and his lover Patric live in an old ballroom on the coast in Northern France. When Patric goes away for work, René begins to obsess on a picture of two brothers in dresses that hangs ... See full summary »
Jan loves Jasmin, but she has been promised to a Pakistani nephew who will shortly arrive in Norway in order to marry her. Under cover of writing a thesis on immigrant stores, Jan gets a ... See full summary »
Knut Erik Grorud,
A young writer becomes intrigued with a mysterious dark-haired woman who claims to be his long-lost sister and he begin an unusual relationship with her prompting a downward spiral involving his domineering mother and lovely fiancée
Jacques Laurent made pornographic films in the 1970's and '80's, but had put that aside for 20 years. His artistic ideas, born of the '60's counter-culture, had elevated the entire genre. ... See full summary »
Beautiful student Lisa Morrison explores voyeurism, but the more she delves into the study of his dirty threads, the more excited. Thanks to research, Lisa becomes aware that an obsessive ... See full summary »
Paul and Charlotte are in love. Charlotte discovers she has a grave malady and Paul supports her. But Paul is also attracted to Ninon, another girl. Charlotte accepts Paul to have an affair... See full summary »
Mateo is a lighthouse caretaker dating a teacher Suzette. The small town they are in is trying to increase tourism. Jerome stumbles across Mateo and Suzette having sex, whilst he is on ... See full summary »
A tale set in a decaying Parisian porn theatre, where within its dark confines, male patrons--soldiers, transvestites, married men--regularly engage in anonymous sex acts. In the ticket booth of the theatre, a wise Italian woman serves as benevolent gatekeeper, observing--but never judging--the proceedings occurring under her watchful eyes. One day, one of her regulars engages her in a conversation that leads to an unusual friendship, as these two worldly souls share their common experiences. Written by
Sujit R. Varma
A Sector the Kinsey Report Missed: The World of Genet and Gide
'La Chatte à deux têtes' (PORN THEATER) is a somber study of a sector of life few know, an aspect of human sexuality that didn't make it into the Kinsey Report, a part of the underbelly of city life most would rather not accept existed. Does that mean it should not be examined, should not provide the impetus for an art film? Writer/director and actor Jacques Nolot thinks otherwise. In this dark little film we are invited into the inner sanctum of a dirty old movie house in Paris that shows only straight pornography for a clientele of men of various types: military men, straight men look for gay sex, married men in need of exploration of their senses, transvestites, old men for whom such places provide the only sexual outlet, and the regulars who spend their evenings in the dingy darkened atmosphere for anonymous sex.
The theater is a theater of life for these people, and the 'stage manager' is the sole female Italian ticket cashier (Vittoria Scognamiglio) who has seen every aspect of sexuality, embraced it, and therefore is wholly non-judgmental. She converses with her straight projectionist (Sébastien Viala) who is attracted to her on several levels, and with one of her regulars (Jacques Nolot), a man of fifty who is living with AIDS in a responsible way, but finds his only sexual outlet to be this theater scene. During the course of the film the cashier manages to discuss her open views of sexuality with these two men and the three of them seem headed for a communal experience.
This open view of human behavior is set with the background of the various acts within the theater. We watch transsexuals ply their wares, group encounters in bathrooms, and various odd approaches and rejections for gratification that in the end represent a group of men who find connection to each other as human beings far more difficult (?impossible?) than quick satisfaction in the dark. There is considerable frank acting out of encounters that are usually not seen on film and that may be more than the regular viewer can tolerate. But at least one director has the courage of Genet and Gide and Burroughs et al to tackle this subject matter in a wholly realistic way. The result is a film of social significance, even though it may not be for everyone. It is an art film, very well made, with a brave cast and an even braver writer and director. To not see it is to miss some important messages about human sexuality and about human needs too frequently dismissed as non-existent. In French with English subtitles. Grady Harp
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