| Yasumi Hara | |||
| Renji Ishibashi | ... | Leading Man in Play | |
| Seiran Li | ... | Count's Wife | |
| Kimiaki Makino | |||
| Kôji Shimizu | ... | Count Who Produces Plays | |
| Kumiko Tachibana | |||
| Minori Terada | |||
| Miwako Yonezawa |
Directed by | |||
| Akio Jissoji | |||
Writing credits(in alphabetical order) | ||
| Marquis de Sade | story | |
| Rio Kishida | screenplay | |
Produced by | |||
| Hidehiro Ito | .... | producer (as Hidehiro Itô) | |
Original Music by | |||
| Takeshi Matsushita | |||
Cinematography by | |||
| Masao Nakabori | |||
Film Editing by | |||
| Osamu Inoue | |||
Production Design by | |||
| Noriyoshi Ikeya | |||
Second Unit Director or Assistant Director | |||
| Tsugumi Kitaura | .... | assistant director | |
Camera and Electrical Department | |||
| Kenji Ushiba | .... | gaffer | |
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| Ra varusu | Fruits of Passion | Ijmete kudasai Henrietta | Dan Oniroku nawazeme | Hentai byôtô: SM shinryo-shitsu |
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| Full cast and crew | Company credits | External reviews |
| IMDb Japan section |
This is well enough made with stylish cinematography and bold dialogue but struck me as a bit too pretentious and repetitive. There was much more talk than action and the action, although occasionally surprisingly nasty, also at times rather coy. There is plenty of semi nudity but little interaction. I was reminded of Café Flesh with its over emphasis on the wacky and clever and also Terayama's Fruits of Passion, which like this had great sets but a tendency not to deliver. Clearly a very difficult enterprise and if this didn't quite succeed it is certainly interesting enough. Maybe if I hadn't gone into this expecting a rip roaring extravaganza, I may have got more from it. Another time perhaps, when I'm not feeling quite so tired?