When her brother decides to ditch for a couple weeks in London, Viola heads over to his elite boarding school, disguises herself as him, and proceeds to fall for one of her soccer teammates. Little does she realize she's not the only one with romantic troubles, as she, as he, gets in the middle of a series of intermingled love affairs.
A guy who danced with what could be the girl of his dreams at a costume ball only has one hint at her identity: the Zune she left behind as she rushed home in order to make her curfew. And ... See full summary »
On a Caribbean cruise, Jenny is marooned on a beach with her rock and roll idol. Deliriously in love with the idea of time alone with him, she manages to hide the fact that they're a stone's throw away from their resort.
At college Paige meets Eddie, a fellow student from Denmark, whom she first dislikes but later accepts, likes, and loves; he proves to be Crown Prince Edvard. Paige follows him to Copenhagen, and he follows her back to school with a plan.
Anna Foster has never had an ordinary life. At eighteen years old, she is the most protected girl in America; she is the First Daughter. Frustrated with her overprotective father, the ... See full summary »
Daphne, a seventeen-year-old girl from New York goes to England in search of her father, who does not know he had a child with an American girlfriend he met while working in Morocco, and whose aristocratic family did not approve of the woman. Written by
When Henry calls Libby to tell her Daphne has been out all day with a boy in a band (Ian), Libby says, Lemme guess, he's a drummer? In reality, Oliver James, who plays Ian, is a drummer. See more »
in the last scene when she is dancing with her dad and having conversations her left cheek is touching his left shoulder and cheek but as the conversation progresses the camera shots keep changing and her right cheek is touching his right cheek, back and forth and back and forth again and again. See more »
Written by Sezen Aksu (as Sezen Oksu), Juliette Jaimes, and Steve Welton-Jaimes
Performed by Holly Valance
Courtesy of Warner Music U.K. / Engineroom Music
By Arrangement with Warner Strategic Marketing See more »
I went into the theater today expecting a good movie. I was wrong. Why was I wrong? Because this was a GREAT movie!!!
The trailers made this film look INSANELY cheesy. Since I know from experience that trailers are highly inaccurate, I was expecting a PARTIALLY cheesy flick. But what I saw had almost no cheese to it at all. What A Girl Wants, despite its unfortunate title, is what a LOT of people want, combining drama, comedy, romance, and self-discovery in an hour and 45 minutes of enjoyment.
I didn't say insight, mind you, I said self-discovery. This is purely a narrative, not a deep thought movie, and it wouldn't have worked any other way. Kudos to Dennie Gordon for not trying to accent a theme that we're already familiar with, rather, she just throws it into the story, almost casually, so that we see the message of individuality but aren't repulsed by an overly blatant moral.
Many of this film's detractors say that it's a rip of The Princess Diaries. Not true. Yes, it's an adaptation, but it's based on "The Reluctant Debutante", which was around for DECADES before Diaries was even conceived. Besides, while it is a little formulaic, there are a few twists.
Many say it portrays inaccurate American/British stereotypes. Not true. Daphne and her mother are CLEARLY presented to be NOTHING like the average American, and Lord Dashwood only behaves so properly because of his political position.
Amanda Bynes as Daphne Reynolds finally gets a chance to show of her incredible dramatic skills. (Moody's Point had too much of a satirical tone to properly show this.) Bynes has her glory moments of comedy alongside her touching moments as the girl who wants to understand who she is.
Colin Firth as Henry Dashwood. Come on, who didn't already know Firth kicks butt? He is the center of every scene Bynes isn't in, and he carries that weight well.
Eileen Atkins as Lady Dashwood does a tremendous job with her supporting role, who is far more crucial to the plot than anyone expected.
Oliver James handles his theatrical debut well, showing much more emotion than the previews indicated. Libby Reynolds isn't a fully round character, but that's the script's fault, not Kelly Preston's. Both are capable singers, and considering that Bynes's one major performance flaw is lack of musical ability, I'm glad these two sang instead of her.
In fact, basically the entire cast here was superb.
See it, you'll be glad you did. Fine entertainment for almost everybody.
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