A detective investigates a series of murders. A possible serial killer might be on a rampage, since they all are in the same vicinity and by the same method, but as the evidence points ... See full summary »
Shane and June Brown are an American couple honeymooning in Paris in an effort to nurture their new life together, a life complicated by Shane''s mysterious and frequent visits to a medical... See full summary »
Two young guys work in a plant that manufactures oshibori (those moist hand-towels found in some Japanese restaurants). Their weird bond is based on uncontrollable rage--something neither ... See full summary »
A seasoned detective is called in to rescue a politician held hostage by a lunatic. In a brief moment of uncertainty, he misses the chance for action. Leaving his job and family without ... See full summary »
Suffering from writer's block and some curious ailments, Reiko (Nakatani Miki) moves to a countryside villa at her editor's (Nishijima Hidetoshi) beckoning to quietly work on her next novel... See full synopsis »
After one of their friends commits suicide, strange things begin happening to a group of young Tokyo residents. One of them sees visions of his dead friend in the shadows on the wall, while another's computer keeps showing strange, ghostly images. Is their friend trying to contact them from beyond the grave, or is there something much more sinister going on? Written by
Jean-Marc Rocher <firstname.lastname@example.org>
The shot of a woman leaping off the side of a building is a relatively simple combination of careful editing, computer graphics, and stunt work. As director Kiyoshi Kurosawa explains it, a stunt-woman was filmed bungee jumping off the rooftop, followed by a dummy dressed in the same clothes; the two shots were edited together and the bungee cord digitally erased. See more »
Death was... eternal loneliness.
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Kario (Pulse) is unlike any Japanese horror I have seen. As much as I love the Ju-On series, the scares come from creepy ghosts that pop-up from unseen places. They are good movies, but those scares wear off after awhile. However, in Kairo the ghosts don't pop up suddenly and they aren't accompanied by loud music. They are just there and boy are they creepy. Sometimes they do nothing, they just stand there, staring. It creates a feeling of unease and constantly keeps the viewer on edge.
It's not just the ghosts that are unique, the story is incredibly interesting and intelligent. But it is not linear, logical and it doesn't explain everything (it doesn't have to, though). It really leaves it up to us what to decide. This is what is so good about this movie, it's much unlike most horror films. Forget all the recent American horror films, although some are excellent they really aren't like this. This film is almost like a dream in some ways. It goes at a very slow pace (clocking in just under 2 hours) and there aren't a lot of scares. At times the story may seem illogical but I beg to differ.
Kairo is really an apocalyptic horror much like the 2002 British horror film 28 Days Later (just replace zombies with ghosts). Also like 28 Days Later, this film carries a very profound social message but unlike 28 Days Later this one is about loneliness and how people become distant through the use of technology. There's also a heavy emphasis on the evils of suicide.
Kiyoshi Kurosawa has created an intelligent, unique horror film that doesn't quite get the attention it deserves. If your willing to experience movie that will leave your unsettled and weired out afterwards, look no further than Kairo.
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