In the 1980s, college student Samantha Hughes takes a strange babysitting job that coincides with a full lunar eclipse. She slowly realizes her clients harbor a terrifying secret; they plan to use her in a satanic ritual.
Four interwoven stories that occur on Halloween: An everyday high school principal has a secret life as a serial killer; a college virgin might have just met the one guy for her; a group of teenagers pull a mean prank; a woman who loathes the night has to contend with her holiday-obsessed husband.
Six months after the rage virus was inflicted on the population of Great Britain, the US Army helps to secure a small area of London for the survivors to repopulate and start again. But not everything goes to plan.
After one of their friends commits suicide, strange things begin happening to a group of young Tokyo residents. One of them sees visions of his dead friend in the shadows on the wall, while another's computer keeps showing strange, ghostly images. Is their friend trying to contact them from beyond the grave, or is there something much more sinister going on? Written by
Jean-Marc Rocher <email@example.com>
The shot of a woman leaping off the side of a building is a relatively simple combination of careful editing, computer graphics, and stunt work. As director Kiyoshi Kurosawa explains it, a stunt-woman was filmed bungee jumping off the rooftop, followed by a dummy dressed in the same clothes; the two shots were edited together and the bungee cord digitally erased. See more »
Death was... eternal loneliness.
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This film works on many levels. What's odd is that one place it is weak in is the plot - it does somewhat tie it all up and make sense but my main point is it doesnt really matter - the director set out to make a scary ghost story and that it is! I see horror films from all over the world so I am pretty jaded when it comes to something "scaring" me but this film has many sequences that truly are frightening and disturbing. Some of the images have stayed with me for weeks. The lighting, the art direction and the use of muted colors (aside from reds used effectively)all make up for a creepy, eerie visual. I have to laugh at the arrogance of some of the comments on this and other "horror" films that claim since it didnt scare them the film is NOT SCARY. That is b.s. What scares one person may not scare another. You can say the piece didn't scare you but to make such a sweeping statement is vain. I personally didn't like any of the Friday of 13th movies, but obviously those films work on some level for millions of people. This film is so non-American in it's pace and core that that is what might turn off some viewers, but that's what I loved about it. The director just sets up the camera and keeps it on a space and then has things slowly emerge from the sides - he has you start to look and scope and wonder if you are REALLY seeing something as opposed to the lazy, bloated SHOCK moment of most US horror films. There are moments when people are confronted by visions/images of ghosts that move and terrorize just like real dreams - slow movements, awkward movements as the ghost approaches you. Terrifying. The film definitely doesn't know how to wrap it all up but in many ways, I found this film even scarier than the original RING. Well made ghost story. Seek it out, fans.
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