Bruce Banner, a scientist on the run from the U.S. Government, must find a cure for the monster he emerges whenever he loses his temper. However, Banner then must fight a soldier who unleashes himself as a threat stronger than he.
When bitten by a genetically modified spider, a nerdy, shy, and awkward high school student gains spider-like abilities that he eventually must use to fight evil as a superhero after tragedy befalls his family.
Bruce Banner, a brilliant scientist with a cloudy past about his family, is involved in an accident in his laboratory causing him to become exposed to gamma radiation and Nanomeds (A tiny life-form that is supposed to heal wounds but has killed everything with which they have made contact). Confused and curious about his survival, Banner discovers that since the accident, whenever he becomes angry he transforms into a giant green monster destroying everything in sight in an act of fury. Bruce's mysterious past and the answer to why the radiation had this effect becomes revealed to him as his Birth Father David Banner intervenes with hopes to continue experimenting on him. Written by
(at around 43 mins) During Banner's first transformation as the Hulk, he destroys most of the laboratory that he works in. When he lifts the gamma sphere onto his back/shoulders, the Hulk poses for a brief moment like the Greek mythological figure Atlas; who holds the sphere of the earth on his back/shoulders. This is a nod towards the name of the location of the actual gamma sphere, which exists in real life, in ATLAS (Argonne Tandem Linear Accelerator) at Argonne National Laboratory in Argonne, Illinois. See more »
The two men operating the top-mounted machine guns on the (fake) Abrams tanks would have been the tank commander and the loader. The loader, however, never drops back into the tank to load the main gun, yet the main guns on the tanks fire at the Hulk several times when they encounter each other. In addition to that, as tankers are running away from one tank after losing the turret, only two of them are seen, instead of the 4 men in the crew of an Abrams tank. See more »
[after witnessing Bruce transform, and then transform back]
Oh, God. It must be the nanomeds. It must be the gamma exposure. But we've never seen any effect like this before.
No. Deeper. The gamma just unleashed what was already there.
[He begins to writhe and growl]
It's okay. It's okay. What were those animals?
My father sent them. He is my father. He wanted me to change. He wanted me to change into that mindless hulk. Why would he want that?
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The closing credits are contained in comic book panels and speech bubbles. See more »
Perusing the negative reviews of the film collected at the Rotten Tomatoes site, I'm stricken by the degree to which the negativity directed at it by allegedly professional film critics is based upon the fact that it dashed (rather than living up to) their rather low expectations for it. The assumptions underlying so many of the criticisms are that the film is supposed to be a brainless "summer blockbuster," but isn't. Another variation: that it's a film based upon a comic book, and that all such projects are supposed to be mindless rubbish for dazzling bumpkins (To those of us with some genuine knowledge of the field, this variant is particularly entertaining in that it's inevitably accompanied by a string of authoritative assertions regarding comics which demonstrate only the offended critics' abysmal ignorance of the medium). "Hulk," it seems, doesn't know its place; it commits the sin of aiming for something more than mediocrity. In a sense, this is a testament to the film's quality. It clearly doesn't cater to such low expectations.
Criticism of the film's CGI--a more common one at places like IMDb where there's far less pretense that a poster actually has anything of value to say--can be set aside as the superficial whining it is. In spite of what so many "summer blockbuster" fans seem to think, special effects aren't a story; they're just a means of telling one. The CGI in "Hulk" is competent. Beyond that, it doesn't matter.
Likewise the vacuous "it's boring" complaint. Modern viewers with no attention span be advised up front that you will find "Hulk" challenging, and would be better served by spending your "entertainment" budget on trash like "The Phantom Menace" and "The Day After Tomorrow," and leaving the real movies to the adults.
I don't insist that a fan of typical Hollywood summer fare actually offer some rational critique of the picture--I'm not a cruel man. I do, however, insist that, for anyone who expects to be taken seriously, "Hulk" must be accepted or rejected for what it really is. For my part, I think it's a misunderstood minor masterpiece, a film in the vein of "Blade Runner", "Excalibur," and "Once Upon A Time In The West"--all generally snubbed in their day, all now just as generally hailed as classics. I'd like to think I live in a society where this is the fate that one day awaits "Hulk"; it certainly deserves it. Time will tell, I suppose.
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