Damien and Leito return to District 13 on a mission to bring peace to the troubled sector that is controlled by five different gang bosses, before the city's secret services take drastic measures to solve the problem.
Ten years after conquering the Earth, ape leader Caesar wants the ruling apes and enslaved humans to live in peace. But warring factions of apes led by a militant gorilla general as well as various human groups threaten the stability.
J. Lee Thompson
In 2074, when the mob wants to get rid of someone, the target is sent into the past, where a hired gun awaits - someone like Joe - who one day learns the mob wants to 'close the loop' by sending back Joe's future self for assassination.
A futuristic prison movie. Protagonist and wife are nabbed at a future US emigration point with an illegal baby during population control. The resulting prison experience is the subject of ... See full summary »
Bruce Banner, a brilliant scientist with a cloudy past about his family, is involved in an accident in his laboratory causing him to become exposed to gamma radiation and Nanomeds (A tiny life-form that is supposed to heal wounds but has killed everything with which they have made contact). Confused and curious about his survival, Banner discovers that since the accident, whenever he becomes angry he transforms into a giant green monster destroying everything in sight in an act of fury. Bruce's mysterious past and the answer to why the radiation had this effect becomes revealed to him as his Birth Father David Banner intervenes with hopes to continue experimenting on him. Written by
The breast pockets on Betty Ross's denim jacket switch from buttoned to unbuttoned between shots when she is confronted by David Banner in her house at night, and again, later, when she approaches the Hulk in downtown San Francisco. See more »
[They have Bruce sedated at a secret army base]
Suppose he gets out? Has one of his little mood swings in a populated area?
Yes. I'm aware of the potential danger. I'm also aware that he saved my life.
Yeah, from a mutant French poodle. I'm indebted to him for that! He also put three men in a hospital, and Talbot's barely walking!
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The Marvel logo features comic-book images of the Hulk in its pages; it's shaded green, the Hulk's traditional colour; and after it fully forms it bubbles out of the frame, reflecting the biological experiments carried out. See more »
Ang Lee's "Hulk" is a singular masterpiece of the super-hero genre
I know the current "Avengers" movies are popular right now, and everybody digs Mark Ruffalo's version of the Hulk (myself included), I still consider Ang Lee's 2003 "Hulk" to be one of the finest comic book based movies ever, and contrary to popular belief, one of the most faithful. Being a true fan of the Hulk comic stories from the 60's to the 80's, I think I can say this with credibility. I'm also coming from the angle that the 70's TV show is not the real Hulk.
First, Ang Lee's film is extremely faithful to the comics. Watching the movie, it was as if some scenes were lifted right out of the Stan Lee stories. Hulk fighting army tanks in the desert, Hulk leaping over canyon cliffs, Hulk touching the reaches of space, and yes, even Hulk dogs are from the comics. Hulk's father in the movie is directly based on Bruce's father in the comics, Brian Banner, who was abusive and allegedly had a hand in Hulk's origin. The many villain incarnations that David Banner takes on at the end of the film are not just the Absorbing Man, but are an amalgam of many of Hulk villains including Zzax.
Second, Ang Lee's film was less about simply "Hulk Smash" and more about the idea of the Hulk. The idea of evolution, the idea of repression and subsequent freedom from that repression. It's interesting that every Ang Lee film is similarly about this idea of repression. Repressed gay cowboys, repressed women in China, a repressed slave finding freedom after the Civil War, etc. The evolution idea is expressed in the food chain of "Hulk" creatures we see in the movie. First a frog, then dogs, Hulk himself, and then a near "Hulk god" in David Banner. Evolution is also cinematically expressed in the morph edits seen throughout the film. Contrary to popular belief, the multi-frame editing was not just about mimicking a a comic book, it was about expressing the idea of freedom from repression, of seeing something from different angles, different points of view, different sides, much like Bruce has a "different side" to him. If you notice, the multi-angles many times show us the same subject but from a different camera angle. The idea of the Hulk is also metaphorically visually expressed through the imagery of atomic mushroom clouds and jellyfish, two visually similar objects. It expresses the idea that this Hulk was born of two of the greatest known forces in the universe, genetic and atomic force.
It's Ang Lee's masterful filmmaking, strong use of visual metaphor, and faithfulness to the original comics that really sets his Hulk film apart for me. Perhaps the one scene that really spells out what Ang Lee is doing and also brought me back to the old comics was that first close-up we see of Hulk free and jumping through the desert to the haunting Danny Elfman music. Classic.
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