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Directed by | |||
| Emanuele Crialese | |||
Writing credits(in alphabetical order) | ||
| Emanuele Crialese | ||
Produced by | |||
| Raphael Berdugo | .... | associate producer | |
| Domenico Procacci | .... | producer | |
| Anne-Dominique Toussaint | .... | co-producer | |
Original Music by | |||
| Andrea Guerra | |||
| John Surman | |||
Cinematography by | |||
| Fabio Zamarion | |||
Film Editing by | |||
| Didier Ranz | |||
Casting by | |||
| Stéphane Zito | (casting director) | ||
Art Direction by | |||
| Beatrice Scarpato | |||
Costume Design by | |||
| Eva Coen | |||
Makeup Department | |||
| Simona Castaldi | .... | makeup artist | |
| Sabrina Romanelli | .... | key hair stylist | |
| Ermanno Spera | .... | makeup artist | |
Production Management | |||
| Gianluca Chiaretti | .... | production manager | |
| Luigi Lagrasta | .... | production supervisor | |
| Michela Rossi | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Peppino Del Volgo | .... | assistant director | |
| Federico Nuti | .... | assistant director | |
| Leopoldo Pescatore | .... | first assistant director | |
Sound Department | |||
| Emmanuel Croset | .... | sound re-recording mixer | |
| Patrick Egreteau | .... | foley artist | |
| Steven Ghouti | .... | foley mixer | |
| Hervé Guyader | .... | chief sound editor | |
| Pierre-Yves Lavoué | .... | sound mixer | |
| Nicolas Lefebvre | .... | dialogue editor | |
| Marco Streccioni | .... | sound engineer | |
Camera and Electrical Department | |||
| Humberto Contini | .... | lighting assistant | |
| Claudio Frollano | .... | gaffer | |
| Sascia Ippoliti | .... | assistant camera | |
| Ermanno Lubich | .... | focus puller: underwater unit | |
| Roberto Luzi | .... | camera operator | |
| Marco Santarelli | .... | key grip | |
Editorial Department | |||
| Franck Nakache | .... | assistant editor | |
| Annie Pierre | .... | second assistant editor | |
| Andrea Gargano | .... | final colorist (uncredited) | |
Music Department | |||
| Goffredo Gibellini | .... | additional score mixing engineer | |
| Angelo Giovagnoli | .... | orchestra coordinator | |
| Marco Streccioni | .... | score mix engineer | |
Other crew | |||
| Paola Sangiovanni | .... | script supervisor | |
| Tiziano Tomei | .... | production assistant | |
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| Little Ashes | My Own Private Idaho | Malèna | La terra trema | 1900 |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Italy section |
This movie is a good example of showing that it is possible to produce high quality films without spending too much. The scenario is very well written and characters are well chosen. Every single person fits their role very well that I couldn't help thinking that such a village really exists. Especially Grazia and her younger son are acting very well. The younger son is so natural and has great talent. As for the Grazia, she is showing the character of a caring and sometimes crazy mother with her gestures and talks. The landscape in the film makes you feel like going holiday in the Mediterranean. The sea, sky and the landscape are absolutely beautiful. After seeing this film, I have realized that the rural lives by the sea in many countries are similar, the differences are in the languages, but the feelings are same.