6.7/10
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Bend It Like Beckham (2002)

PG-13 | | Comedy, Drama, Romance | 1 August 2003 (USA)
The daughter of orthodox Sikh rebels against her parents' traditionalism and joins a football team.

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2,085 ( 78)

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ON DISC
Nominated for 1 Golden Globe. Another 17 wins & 19 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Joe
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Pinky Bhamra
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Mel
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Shaheen Khan ...
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Meena (as Poojah Shah)
Paven Virk ...
Bubbly
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Monica
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Taz
Saraj Chaudhry ...
Sonny (as Saraj Chaudry)
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Storyline

A comedy about bending the rules to reach your goal, Bend It Like Beckham explores the world of women's football, from kick-abouts in the park to freekicks in the Final. Set in Hounslow, West London and Hamburg, the film follows two 18 year olds with their hearts set on a future in professional soccer. Heart-stopping talent doesn't seem to be enough when your parents want you to hang up your football boots, find a nice boyfriend and learn to cook the perfect chapatti. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

Don't call Them Chicks! See more »

Genres:

Comedy | Drama | Romance | Sport

Motion Picture Rating (MPAA)

Rated PG-13 for language and sexual content | See all certifications »

Parents Guide:

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Details

Country:

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Language:

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Release Date:

1 August 2003 (USA)  »

Also Known As:

Joue-la comme Beckham  »

Box Office

Budget:

£3,500,159 (estimated)

Opening Weekend:

£2,001,795 (UK) (12 April 2002)

Gross:

$32,541,719 (USA) (17 October 2003)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Although football star David Beckham and the term "bend" are well-known in the U.K., they were virtually unknown in the U.S. As such, when the time came for the film's U.S. release, 20th Century Fox marketing execs suggested changing the title to "Move it like Mia," alluding to U.S. football (soccer) star Mia Hamm. Director Gurinder Chadha objected to the name change and the film was released with its original title. See more »

Goofs

When Jules is in her bed depressed, she takes the picture of her and Joe and crumples it. But when it is seen in the trash, it only has a few creases in it and it looks pretty intact. See more »

Quotes

Jules: We need you come to the Grand Final.
Jess: I can't.
Jules: [thinking it's about seeing Joe] You have to come!
Jess: No, I can't!
[sighs]
Jess: It's the same day as my sister's wedding.
Jules: [moaning quietly] Aw, shit.
Jess: [later, to Joe] Jess can't come on the 25th. It's the same day as her sister's wedding.
Joe: [angrily] *Shit!*
See more »

Crazy Credits

The closing credits feature cast and crew singing "Hot Hot Hot", with many of the lyrics in Punjabi. One group can be seen holding a "cheat sheet" index card, presumably with the lyrics on. See more »

Connections

Referenced in Sports Jeopardy!: Episode #1.42 (2015) See more »

Soundtracks

Red Alert
(1999)
Written by Felix Buxton and Simon Ratcliffe
Used by kind permission of Universal/MCA Music Ltd.
Performed by Basement Jaxx
Licensed courtesy of XL Recordings Ltd.
Contains a sample from "Far Beyond" by Locksmith
Licensed courtesy of Arista Records Inc./BMG Entertainment International UK & Ireland Ltd.
See more »

Frequently Asked Questions

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User Reviews

 
No pact with the devil here
22 March 2005 | by See all my reviews

My scalp still smarts from the burning coals heaped on it when I vowed I love this film. Bring on the coals; I'll walk over them as well to say again that I love "Bend it Like Beckham." Granted, there's a lot of "in spite of" in that confession. It's a bit movie-of-the-week; the screenplay is on the paint-by-numbers side. And, most troublingly, the director's commentary implies that in this film beauty can be found primarily amongst the white of skin.

The film's genius is not in what's obvious to the Syd Field-doctored eye: character arcs, themes, construction. It's in both the surface and what lurks deep beneath, but not in those layers of artistic topsoil that reviewers seem most often to scratch at. Powerful, sometimes semi-clad female bodies not simply on display but kicking the crap out of a football do a better job of naturalizing female strength and agility than Lara Croft or Zhang Ziyi will ever do. These are real bodies (Keira Knightley's excepted) whose work is not to look great first and kick butt later. They are working bodies whose beauty is in their movement and self-determination. And, in my book, lead actress Parminder Nagra is one of the most gorgeous creatures ever captured on screen – not only because she can lay claim to that hackneyed adjective, "luminous," but because her performance has an honesty and un-bookish intelligence that's utterly compelling.

The result is a film women can enjoy without feeling like they're making a pact with the devil to do so. As in Chadha's "Bride and Prejudice," the relationships amongst women sizzle with a chemistry that can't be neatly slotted into the stodgy, Sweet Valley High categories of "best friends" or "sisters." Perhaps Chadha is even right in her commentary to disavow the film's flirtation with lesbianism. "Bend it Like Beckham" has an electricity that can't be reduced to the simple hetero/homosexual love triangle its conventionally structured script would suggest. The precise nature of its pleasure is, ultimately, a bit of a mystery – and is all the more seductive for it.

Oh yes, and did I mention that it's hilarious?


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