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Deathwatch (2002) More at IMDbPro »

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Deathwatch -- In the middle of World War I, nine British soldiers caught behind enemy lines seek refuge in a complex network of German trenches. What they soon discover is that they aren't alone...and it isn't a German soldier that's hunting
Deathwatch -- HV-post


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6.0/10   8,723 votes »
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Down 11% in popularity this week. See why on IMDbPro.
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Release Date:
7 November 2002 (Hong Kong) See more »
Deliver them from evil
In the middle of World War I, nine British soldiers caught behind enemy lines seek refuge in a complex network of German trenches. What they soon discover is that they aren't alone - and it isn't a German soldier that's hunting them down. Full summary » | Full synopsis »
1 win & 5 nominations See more »
User Reviews:
Worthwatch See more (123 total) »


  (in credits order) (complete, awaiting verification)

Jamie Bell ... Pfc. Charlie Shakespeare
Rúaidhrí Conroy ... Pvt. Colin Chevasse (as Ruaidhri Conroy)
Mike Downey ... Martin Plummer

Laurence Fox ... Capt. Bramwell Jennings
Roman Horák ... German soldier (as Roman Horak)
Dean Lennox Kelly ... Pvt. Willie McNess

Torben Liebrecht ... Friedrich

Kris Marshall ... Pvt. Barry Starinski

Hans Matheson ... Pvt. Jack Hawkstone

Hugh O'Conor ... Anthony Bradford

Matthew Rhys ... Cpl. Doc Fairweather

Andy Serkis ... Pvt. Thomas Quinn

Hugo Speer ... Sgt. David Tate
Pavel Tesar ... Mudman

Directed by
Michael J. Bassett 
Writing credits
(in alphabetical order)
Michael J. Bassett 

Produced by
Michael Bischoff .... associate producer
Mike Downey .... producer
Jan Fantl .... co-executive producer
Caroline Hewitt .... executive producer
Frank Hübner .... producer
Ralph Kamp .... associate producer
Sam Lavender .... executive producer
Dan Maag .... executive producer
Sam Taylor .... producer
Original Music by
Curt Cress 
Chris Weller 
Cinematography by
Hubert Taczanowski 
Film Editing by
Anne Sopel 
Casting by
Liora Reich 
Production Design by
Aleksandar Denic 
Art Direction by
Martin Martinec 
Costume Design by
Lucinda Wright 
Production Management
Simon Borecki .... unit manager
Reinhild Gräber .... production supervisor: ApolloMedia
Rudolf Kurz .... production supervisor: ApolloMedia
Patty Saffeels .... unit production manager
Second Unit Director or Assistant Director
Jude Campbell .... first assistant director: second unit
Hendrik Holler .... first assistant director (as Hendrick 'The Machine' Holler)
Art Department
Pavel Hemmy .... assistant property master
Dennis Todorovic .... art department interpreter
Sound Department
Nick Adams .... sound designer
Max Bauer .... foley artist
Gordon Brown .... dialogue adr editor
Normann Büttner .... foley recordist
Paul Carr .... sound
Daniel Dietenberger .... foley editor
Samir Foco .... sound effects editor
Samir Foco .... sound re-recording mixer
Ivana Jeftic .... sound editor
Jirí Kríz .... production sound mixer
Jirí Kríz .... sound
Srdjan Kurpjel .... sound mixer
Andy Thompson .... sound
Paul Wrightson .... sound effects editor
Daniel Goganian .... production sound mixer (uncredited)
Special Effects by
Pavel Sagner .... special effects coordinator
Jirí Vater .... special effects technician
Visual Effects by
Ales Dlabac .... digital effects artist
Maros Kesjar .... digital effects artist
David Vána .... visual effects supervisor
Pavel Cajzl .... stunt double
Petr Drozda .... stunt coordinator
Jindrich Klaus .... utility stunts
Rudolf Vrba .... stunts
Camera and Electrical Department
Kriz David .... electrician
Chad Davidson .... camera operator
Milan Jirsa .... gaffer
Frantisek Novák .... first assistant camera
Petr Svoboda .... electrician
Costume and Wardrobe Department
Dita Valentinova .... costume interpreter
Editorial Department
Trevor Brown .... colorist
Steve Farman .... negative cutter
Louisa Harding .... assistant editor
Martin Hubacek .... assistant editor
Music Department
Rob Lane .... composer: additional music
Steve Parr .... music mixer
Steve Parr .... music recordist
Alexander Saal .... music recording mixer
Other crew
Kate Barry .... production coordinator
Daniel Jewel .... development executive
Stephen Daldry .... thanks
Alexander Stevens .... special thanks

Production CompaniesDistributorsOther Companies
  • Fatts  post-production script services
  • Film Finances  completion guarantor
  • Kodak  motion picture film supplied by
  • Zound  sound post-production

Additional Details

Also Known As:
"Death Front" - Japan (English title)
See more »
Rated R for strong violence, language and brief sexuality
94 min
Color (Technicolor)
Aspect Ratio:
2.35 : 1 See more »
Sound Mix:
Filming Locations:

Did You Know?

Jamie Bell originally whistled "It's a Long Way to Tipperary," but the rights to this particular song proved to be too expansive so it was changed to "Silent Night, Holy Night" in post-production.See more »
Anachronisms: Near the end of the movie, the German prisoner is pointing what appears to be a Yugoslavian Model 24/47 rifle at Private Shakespeare. However, that model did not enter production until well after World War I. The proper weapon for this scene would be the longer Mauser Model 1898 Gewehr, the standard rifle of the German army in WWI.See more »
Cpl. Doc Fairweather:McNess, what are you doing?
Pvt. Willie McNess:Leaving!
Pvt. Thomas Quinn:Well that's the best idea I've heard all day.
See more »


Im confused at the end, were the soldiers in the real world after the battle?
See more »
30 out of 40 people found the following review useful.
Worthwatch, 8 November 2004
Author: ghoulieguru from The Movie Crypt

Another in the recent wave of War-Horror movies like Dog Soldiers and The Bunker, this one actually has a couple of stand out moments. I don't want to spoil anything for anyone, but there are some interesting moments with barbed wire. The acting was good overall, with most of the actors showing some nice restraint. Typically, you give an actor a period military uniform, a gun, and some exclamation points in the dialogue and you have a recipe for disaster. Points go to the director for keeping a lid on the overly dramatic yelling and screaming. Still, the pacing can be a little tedious at times, and tends to get a little repetitious. Succeeds where The Bunker fell down in that it actually delivers some chills and delivers an ending that isn't too reminiscent of a Twilight Zone episode. 6 out of 10.

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Good Film harro002
Awful Script bapeman-1
Similar [war] films? noirist88
Appalling southcoast2002
Ok what the hell? frizzeh
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