Fritz Haarmann, who has killed at least 27 boys, is questioned by a psychology professor in order to find out whether he is sane and can be held responsible for his crimes. During this ... See full summary »
Mario and his pregnant girlfriend Clara are trying to find in a short period a new apartment to live since they have sold their apartment and they need to move in fifteen days. When Mario ... See full summary »
A pair of hard-boiled Tokyo cops are investigating a gruesome murder: after killing the victim, the murderer cut his skull open and cooked his brain in a stew. As they try to track down the... See full summary »
Three apparently unrelated suicides occur on the same day in Tokyo. One involves a young athlete, one a groom at his wedding reception, and the third an elderly man celebrating his wife's ... See full summary »
Three people in Tokyo take a surreal voyage of self-discovery through memory and nightmares. "O" intends suicide while talking on a cell-phone with a stranger he meets on line who plans a ... See full summary »
The mutilated body of a six year old girl is found in a water hole. The girl is identified as the missing daughter of Claudia. However, only two peices of evidence could be used to identify... See full summary »
The tattoos in the "tattoo exhibition room" were produced on actual goat skin. See more »
When Marc chases the suspect, who just heard a message on the walkie-talkie and saw him on the balcony, in one shot you can see Marc just turning left the corner and in the subsequent shot he's turning right the same looking corner. See more »
I had the pleasure of seeing the directorial debut of Robert Schwentke, TATTOO, over the weekend at the American Film Market in Santa Monica. And what a pleasure it was. Imagine the most gruesome horror film you can, conceived and shot with the eye and soul of an artist, and you begin to get the picture of this twisted tale of two cops investigating the trade in tattoo-adorned human skins. While the script occasionally slips into standard genre territory (it is, after all, essentially a "two cops after a killer movie"), the film itself is so riveting, shocking, and massively entertaining that any small flaws can be easily overlooked. I understand it comes out in Europe this spring - let's hope a North American release isn't far behind, because Schwentke is a director to watch, and if his debut is any indication, he is well on his way to becoming a world-class filmmaker.
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