May-Alice Culhane was a successful soap opera star, but a car accident has left her bound to a wheelchair. She returns to her now-empty family home in the bayous of Louisiana which she had ... See full summary »
Humberto Fuentes is a wealthy doctor whose wife has recently died. In spite of the advice of his children, he takes a trip to visit his former students who now work in impoverished villages... See full summary »
Dan Rivera González
Real estate developers descend upon a sleepy coastal Florida community with the promise of big money and bigger changes. Torn between honoring family obligations and the lure of quick cash, the locals greet the outsiders with a wildly mixed reception. Marly Temple is eager to give in and sell the family business to start over. As caretaker of her father's motel and restaurant, she's grown resentful of missed opportunities. However, she finds a glimmer of hope in a tentative romance with a visiting landscape architect. Desiree Perry left town years ago to escape a scandal and make a name for herself as an actress. Reluctantly returning home, she finds her strong-willed mother unwilling to let go of the past. Written by
Sony Pictures Home Entertainment
On shooting location, a road was being blocked and a couple of patrons could not get to a bar across the street until the crew was done shooting that particular scene. While in the middle of filming a scene, one man furious with waiting runs across the scene and moons the camera, eventually making it to the bar safely. See more »
When the bulldozer is about to tear down the trees, there are tracks in the dirt from previous takes. See more »
I understand that people have different expectations of low-budget, arthouse movies. I also know that John Sayles has a sort of glow about him, that earthy, intellectual anti-hollywood vibe, a la Tim Robbins, the Coen brothers and Atom Egoyan, that makes him a darling with the critics from the get-go.
But this is not a good movie. I'm sorry, it just isn't.
It meanders. It has too many characters. Its tone is uneven, its point of view is muddled, the acting is all over the board, from naturalistic to over the top. It lingers for long moments with minor characters we don't care about and cuts away from tense scenes just when things are getting good.
It misses the mark.
The worst flaw in the movie is that the two closest things to a protagonist, Edie Falco's Marly and Angela Bassett's Desiree, are straight-jacketed in characters that have no drive. Marly is an apathetic drunk, steeped in her life's own inertia. Desiree is a woman trapped in her own repressed pain. When your two main characters' world-views can be summed up with the phrases "I don't care" and "I want to leave here," why should the audience give a rat's patootie?
I'll be plain: Sayles writes funny dialogue. He's very adept at crafting a scene. The problem is, these scenes don't go anywhere. There's no spine to the movie. No drive. The movie doesn't create rooting interest in any of the characters. In my opinion, he's also too preachy about big bad corporate America gobbling up the little guy.
If you want to see a quality "small" movie, see David Lynch's "Straight Story." Pass this one up.
4 of 5 people found this review helpful.
Was this review helpful to you?