The Driver now carries an arrogant rock star who is visiting a major city (not Pittsburgh as earlier believed). Played by Madonna, this title character wants to get away from her bodyguards...
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The Driver is carrying an East Asian child who has been chosen for a strange rite. He must drive him through a dark night in the city to get to a monk's house, while eluding several U.S. ... See full summary »
January 13, 2001. Times war photographer Harvey Jacobs is wounded while witnessing a massacre at Nuevo Colon by terrorists. In a desperate effort, the United Nations sends a vehicle to get ... See full summary »
The Driver finds himself in a dangerous, yet highly political situation; this time being pursued by a helicopter gunship while carrying a passenger with a suitcase... the contents of which ... See full summary »
The driver races to locate a kidnapped victim locked in the trunk of an abandoned car somewhere on the water's edge. Linked to her only by cell phone, the driver narrows in on her location in a desperate race against time and tide.
Decades ago, the legendary James Brown sold his soul to the devil for fame and fortune. Now he wishes to renegotiate. Hired to take Mr. Brown to a rendezvous with the devil (Gary Oldman), ... See full summary »
The Driver now carries an arrogant rock star who is visiting a major city (not Pittsburgh as earlier believed). Played by Madonna, this title character wants to get away from her bodyguards in the Driver's BMW. He soon gets tired of her and decides to have a bit of fun. Written by
After the introspective FOLLOW, Guy Ritchie's STAR is a complete 180-degree turn away in terms of style, mood and subject. Fortunately, it's a roaring success.
Clive Owen showcases a previously unseen facility for comedic timing. From his mock innocence as the Star berates him to a later moment when he says with tongue firmly planted in cheek, "I've think we've lost them.", Owen is a delight in this charming little revenge fantasy for those who have had to put up with rude, insolent customers in their line of profession.
Ritchie directs the film pretty much as an extension of the style he used in SNATCH and LOCK, STOCK, & 2 SMOKING BARRELS. All his trademarks are here; Freeze frames, voice overs, and gratuitous use of English pop songs. Combined with the fact that yes, as everyone now knows, that's his wife Madonna as the Star who gets her fateful comeuppance, and the film ends up being the most crowd-pleasing of the series. Highly recommended.
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