Keep track of everything you watch; tell your friends.
If your account is linked with Facebook and you have turned on sharing, this will show up in your activity feed. If not, you can turn on sharing
here
.
A strange, horrible and unprecedented crisis begins in Central Park. A high school science teacher, his wife and a young girl do what they can to survive it.
Director:
M. Night Shyamalan
Stars:
Mark Wahlberg,
Zooey Deschanel,
John Leguizamo
A young man blocks out harmful memories of significant events of his life. As he grows up, he finds a way to remember these lost memories and a supernatural way to alter his life.
MIT professor John Koestler links a mysterious list of numbers from a time capsule to past and future disasters and sets out to prevent the ultimate catastrophe.
Director:
Alex Proyas
Stars:
Nicolas Cage,
Chandler Canterbury,
Rose Byrne
A small wooden box arrives on the doorstep of a married couple, who know that opening it will grant them a million dollars and kill someone they don't know.
Director:
Richard Kelly
Stars:
Cameron Diaz,
James Marsden,
Frank Langella
In an overpopulated futuristic Earth, a New York police detective finds himself marked for murder by government agents when he gets too close to a bizarre state secret involving the origins of a revolutionary and needed new foodstuff.
A man accidentally gets into a time machine and travels back in time nearly an hour. Finding himself will be the first of a series of disasters of unforeseeable consequences.
Director:
Nacho Vigalondo
Stars:
Karra Elejalde,
Candela Fernández,
Bárbara Goenaga
In 2027, in a chaotic world in which women have become somehow infertile, a former activist agrees to help transport a miraculously pregnant woman to a sanctuary at sea.
Director:
Alfonso Cuarón
Stars:
Clive Owen,
Michael Caine,
Chiwetel Ejiofor
In Bucks County, Pennsylvania, a five-hundred-foot crop circle is found on the farm of Graham Hess, the town's reverend. The circles cause a media frenzy and test Hess's faith as he journeys to find out the truth behind the crop circles. Written by
Tim Salazar
M. Night Shyamalan didn't want the trailers to make any reference to The Sixth Sense because he felt it didn't trust what was to come next. That it didn't give the film its own life, and audiences would assume Signs was exactly the same type of film as The Sixth Sense. See more »
Goofs
The basement door is green in every shot except the very last one when Merrill is opening the door to go up and check for the "all clear" - it is a close-up of the handle and the door is painted brown. See more »
The end credits are black text that rolls over a black screen with a illuminated blue circle in the middle, instead of the traditional white text on a flat black background. See more »
I have been a horror film fan for 30 years. While I remember a few films actually scaring me as a kid (Jaws, Psycho), I have failed to encounter many in my adult life. I like to be scared, but Hollywood has seen fit to retread every tired formulaic convention in just about everything it throws at the local multiplex. Even the independent filmmakers, free of the "system", seem to forget what FEAR is. Mostly I sit solemnly staring in disbelief at the screen, waiting and hoping to get those goosebumps. Then, finally, we were given Signs. Most will say, including the director, that this is not a horror film; I genuinely disagree. If this is not a horror flick, then it is time for this film to start a branch of its own and begin a new genre. I admired every little aspect of this picture, from the use of everyday objects: baby monitor, a blank television screen and a half empty glass of water, to convey and act as a vehicle to extract fear from the ordinary. Most of all, Shyamalan is an expert craftsman and knows how to get the most out of space, actors and sound. It is the lingering shot on a basement staircase when you are desperately hoping he moves his camera to show us more, or the screeching sound in the next room whose source he won't reveal . This director knows just how long to hold the shot, to increase the tension and build the suspense, long enough for our mind to begin forming pictures. And those pictures can be the most frightening of all. Stay the course Shyamalan.
137 of 249 people found this review helpful.
Was this review helpful to you?
I have been a horror film fan for 30 years. While I remember a few films actually scaring me as a kid (Jaws, Psycho), I have failed to encounter many in my adult life. I like to be scared, but Hollywood has seen fit to retread every tired formulaic convention in just about everything it throws at the local multiplex. Even the independent filmmakers, free of the "system", seem to forget what FEAR is. Mostly I sit solemnly staring in disbelief at the screen, waiting and hoping to get those goosebumps. Then, finally, we were given Signs. Most will say, including the director, that this is not a horror film; I genuinely disagree. If this is not a horror flick, then it is time for this film to start a branch of its own and begin a new genre. I admired every little aspect of this picture, from the use of everyday objects: baby monitor, a blank television screen and a half empty glass of water, to convey and act as a vehicle to extract fear from the ordinary. Most of all, Shyamalan is an expert craftsman and knows how to get the most out of space, actors and sound. It is the lingering shot on a basement staircase when you are desperately hoping he moves his camera to show us more, or the screeching sound in the next room whose source he won't reveal . This director knows just how long to hold the shot, to increase the tension and build the suspense, long enough for our mind to begin forming pictures. And those pictures can be the most frightening of all. Stay the course Shyamalan.