Apartment building superintendent Cleveland Heep rescues what he thinks is a young woman from the pool he maintains. When he discovers that she is actually a character from a bedtime story who is trying to make the journey back to her home, he works with his tenants to protect his new friend from the creatures that are determined to keep her in our world.
M. Night Shyamalan
Bryce Dallas Howard,
A veteran cop, Murtaugh, is partnered with a young suicidal cop, Riggs. Both having one thing in common; hating working in pairs. Now they must learn to work with one another to stop a gang of drug smugglers.
Preacher Graham Hess, played by Mel Gibson, has lost his faith in God after his wife dies in a brutal car accident. He along with his son and daughter and his brother Merrill moves into a farmhouse. Crop circles begin to appear in their corn fields which Graham dismisses as mischief by miscreants. After hearing strange noises and watching news coverage on crop circles appearing all over the world, the family begins to suspect of extraterrestrial activities. Now they must stick together and believe, as a family to survive the ordeal and find a way to escape from the clutches of the alien invaders. Written by
The dramatic dinner table scene was filmed in only three hours. See more »
As Graham takes Bo inside, after Houdini has died, they meet Merrill on the way into the house. As Bo mutters "Houdini's sick", the shadow of a boom mic can be seen traveling across Merrill's shirt and face. See more »
[Morgan has an asthma attack]
We don't have his medicine. Don't be afraid, Morgan. We'll slow this down together. Feel my chest. Feel it moving in and out. Breathe like me. Breathe like me. Come on.
I dreamed this.
Stay with me. I know it hurts. Be strong baby. It'll pass. It'll pass.
[talking to God]
Don't do this to me again. Not again. I hate you. I hate you! The fear is feeding him. Don't be afraid of what's happening. Believe it's going to pass. Believe it. Just wait. Don't be afraid. The ...
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The end credits are black text that rolls over a black screen with a illuminated blue circle in the middle, instead of the traditional white text on a flat black background. See more »
M. Night Shyamalan has done it again, and this time, better. If 'Unbreakable' left skepticism about the young director, `Signs' will make you a believer again.
Mel Gibson and his family, one boy, one girl, and Gibson's younger brother (Joaquin Phoenix) take residence in the small town of Bucks County, Pennsylvania. Gibson's wife is not a member of this household (we find out why, later). Shot over and around a 'Walton's-style' house and surrounded by crops, we get the eerie feeling that we are to be entangled here for the next two hours. Immediately, the children notice gigantic perfect circular shapes or signs as we like to call them, appearing within the crops. Is this a hoax or War of the Worlds? And, that's all you need to know. The rest of film will dazzle you with style, suspense, and downright scariness.
The key ingredients to this recipe for storytelling is one half Close Encounters of the Third Kind, a dash of Stephen King, sprinkled with Orson Wells. Shyamalan also uses Hitchcock like close ups, wicked camera angles, and a blasting score. You are locked in as soon as the movie begins. You will tilt your head in wonder and confusion, as characters in the film do. There is a deep desire to figure this all out, while your stuck in the middle of nowhere, nowhere being Bucks County.
The picture gives us two ultimate dilemmas to wrestle with. Two basic questions we must ask ourselves. Are our daily occurrences and the paths we choose Coincidence? Or, are is it just plain Luck? Shyamalan weaves these posing questions into a subplot, with trickery until the end. From scene to scene, he leaves no fades to black. As one scene ends the other smartly begins. That's what keeps the audience watching as if we were tucked tightly into our beds and rapidly turning pages of a good book. Each page is significant. This movie isn't just about crops. That's what makes Shyamalan such a keen filmmaker. He has the talent and ability to fog up the film, and distract you with different propositions.
Shyamalan uses technique to peak his story, rather than dialogue. His masterful and favorite formula is the usage of flashbacks, which gives the audience a chance to catch up on what they might have missed. He emphasizes his points by re-occurring scenes and replaying them for the grand effect, the 11th hour, until he hits you with the finale. Whether you believe the outcome or not, you cannot deny his aptitude for storytelling.
This nervous and paranoid feature film with a heart-pounding ending is terrific. I was still thinking about it when I left the theater. You too, will enjoy the ride. But, when it's over, say your prayers, get into bed, pull the sheets over your head, breathe a sigh of relief, and close the book!
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