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Signs (2002)

PG-13 | | Drama, Mystery, Sci-Fi | 2 August 2002 (USA)
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ON DISC
A family living on a farm finds mysterious crop circles in their fields which suggests something more frightening to come.

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1,281 ( 339)
3 wins & 30 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Lanny Flaherty ...
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Mrs. Nathan
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Lionel Prichard
Kevin Pires ...
Brazilian Birthday Boy
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Columbia University Professor
Rhonda Overby ...
Sarah Hughes
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Storyline

Preacher Graham Hess, played by Mel Gibson, has lost his faith in God after his wife dies in a brutal car accident. He along with his son and daughter and his brother Merrill lives in a farmhouse. Crop circles begin to appear in their corn fields which Graham dismisses as mischief by miscreants. After hearing strange noises and watching news coverage on crop circles appearing all over the world, the family grows suspicious of alien activities. Now they must stick together and believe, as a family to survive the ordeal and find a way to escape. Written by Radhakrishnan

Plot Summary | Plot Synopsis

Taglines:

A message. A warning. A sign...of things to come. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for some frightening moments | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

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Release Date:

2 August 2002 (USA)  »

Also Known As:

M. Night Shyamalan's Signs  »

Box Office

Budget:

$72,000,000 (estimated)

Opening Weekend:

$60,117,080 (USA) (2 August 2002)

Gross:

$227,965,690 (USA) (31 January 2003)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Color:

(DuArt)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The "Brazilian Video" was shot with a household camcorder by M. Night Shyamalan himself. See more »

Goofs

The basement door is green in every shot except the very last one when Merrill is opening the door to go up and check for the "all clear" - it is a close-up of the handle and the door is painted brown. See more »

Quotes

Graham Hess: You're wasting your time here. I'm not going to report this or anything you do to my crops to the police or news or anybody. You're not going to get famous.
See more »

Crazy Credits

The end credits are black text that rolls over a black screen with a illuminated blue circle in the middle, instead of the traditional white text on a flat black background. See more »

Connections

Featured in Nostalgia Critic: Signs (2012) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Riveting and clever scarefest reinvents the modern horror film
6 August 2002 | by (Charlotte, North Carolina) – See all my reviews

I have been a horror film fan for 30 years. While I remember a few films actually scaring me as a kid (Jaws, Psycho), I have failed to encounter many in my adult life. I like to be scared, but Hollywood has seen fit to retread every tired formulaic convention in just about everything it throws at the local multiplex. Even the independent filmmakers, free of the "system", seem to forget what FEAR is. Mostly I sit solemnly staring in disbelief at the screen, waiting and hoping to get those goosebumps. Then, finally, we were given Signs. Most will say, including the director, that this is not a horror film; I genuinely disagree. If this is not a horror flick, then it is time for this film to start a branch of its own and begin a new genre. I admired every little aspect of this picture, from the use of everyday objects: baby monitor, a blank television screen and a half empty glass of water, to convey and act as a vehicle to extract fear from the ordinary. Most of all, Shyamalan is an expert craftsman and knows how to get the most out of space, actors and sound. It is the lingering shot on a basement staircase when you are desperately hoping he moves his camera to show us more, or the screeching sound in the next room whose source he won't reveal . This director knows just how long to hold the shot, to increase the tension and build the suspense, long enough for our mind to begin forming pictures. And those pictures can be the most frightening of all. Stay the course Shyamalan.


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