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Signs (2002)

PG-13  |   |  Drama, Sci-Fi, Thriller  |  2 August 2002 (USA)
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Ratings: 6.7/10 from 259,687 users   Metascore: 59/100
Reviews: 2,322 user | 208 critic | 36 from Metacritic.com

A family living on a farm finds mysterious crop circles in their fields which suggests something more frightening to come.


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2 wins & 20 nominations. See more awards »



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Cast overview, first billed only:
Lanny Flaherty ...
Mrs. Nathan
Lionel Prichard
Kevin Pires ...
Brazilian Birthday Boy
Columbia University Professor
Rhonda Overby ...
Sarah Hughes


Preacher Graham Hess, played by Mel Gibson, has lost his faith in God after his wife dies in a brutal car accident. He along with his son and daughter and his brother Merrill moves into a farmhouse. Crop circles begin to appear in their corn fields which Graham dismisses as mischief by miscreants. After hearing strange noises and watching news coverage on crop circles appearing all over the world, the family grows suspicious of demonic activities. Now they must stick together and believe, as a family to survive the ordeal and find a way to escape. Written by Radhakrishnan

Plot Summary | Plot Synopsis


Don't see it alone. See more »


Drama | Sci-Fi | Thriller

Motion Picture Rating (MPAA)

Rated PG-13 for some frightening moments | See all certifications »

Parents Guide:






Release Date:

2 August 2002 (USA)  »

Also Known As:

M. Night Shyamalan's Signs  »

Box Office


$72,000,000 (estimated)

Opening Weekend:

$60,117,080 (USA) (2 August 2002)


$227,965,690 (USA) (31 January 2003)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:

| |



Aspect Ratio:

1.85 : 1
See  »

Did You Know?


Including officer Caroline Paski, all the main characters (the Hess family) have blue eyes. See more »


Graham approaches the police roadblock in his car, yet when he exits the car, there are many flashing emergency-vehicle lights behind him as well. See more »


Morgan: They said there are one of two outcomes of an invasion. One: they fight, and are defeated, and have to return again with full forces hundreds or even thousands of years later.
Graham Hess: What's two?
Morgan: They win.
See more »

Crazy Credits

The end credits are black text that rolls over a black screen with a illuminated blue circle in the middle, instead of the traditional white text on a flat black background. See more »


Referenced in Jeff, Who Lives at Home (2011) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Now then, swing away Merill, again.
6 October 2012 | by (United Kingdom) – See all my reviews

Signs is written and directed by M. Night Shyamalan. It stars Mel Gibson, Joaquin Phoenix, Rory Culkin, Abigail Breslin and Cherry Jones. Music is scored by James Newton Howard and cinematography by Tak Fujimoto.

Still reeling from the death of his wife, former man of the cloth Graham Hess (Gibson) lives and works on his farm with his two young children and younger brother. When the family awakes one morning to find a huge crop circle in their plantation, it is asked if it's a prank or the sign of alien contact?

I don't know if M. Night Shyamalan discouraged the marketing of Signs? Where evidence very much pointed to it being an alien invasion movie for all the family to enjoy? But Signs is anything but a family alien invasion movie. The trailers were deliberately vague, there was a mystery element hanging over the picture and with the Shyamalan CV already boasting the phenomenally successful The Sixth Sense and the divisive, but very moody, Unbreakable, hopes were pitched somewhere between excited and intrigued. Gibson on board, and Phoenix as well, good selling points without a doubt. However, Signs is a grower, a film that pays better dividends on further viewings once armed with the knowledge of what sort of theme drives it on. Yet it still frustrates greatly and you can see why it proved so divisive.

Shyamalan's movie is primarily about faith, the loss of such, the alien visitors are merely a component of this theme, they act as the catalyst that takes Graham to the pinnacle of his voyage of discovery. The meditations on faith and grief are subtle initially but they drive the picture forward, but then Manoj Shyamalan slips into sermonising and his picture strives for a huge ending to justify it, which unfortunately never arrives, this after having been tickled and baited by the mystery of what the aliens want, friend or foe? Questions leap out such as will the Hess family come through this latest crisis in one piece? And will this "invasion" marry up with the director's thematics that he is so keen for us to open our hearts to? The answers to these questions are mixed, and take further viewings to digest fully. That is if you can forgive the downright idiocy of the alien visitors in the first place?

The last third has killed the film for many, which is a shame given the excellence on offer in the first hour. Shyamalan's camera is wonderfully fluid, his mise en scène is ace and he garners wonderfully low-key performances from his cast. While as much as his critics hate to acknowledge it, the director has a brilliant knack for building suspense, the ability to draw the viewer into his world, playing on our basic inquisitive nature. That he hasn't delivered on his promise, both here with the finale to the film and later in his overall directing career (though this writer personally loves The Village), is hard to argue against, but there is major talent there buried in his egocentric/confused make up. Elsewhere, James Newton Howard's score is channelling Herrmann and Fujimoto's photography is sublime, this really is a beautiful movie to look at.

Definitely not a family film, and not really an alien invasion film, with it showcasing both the good and bad aspects of its director. Yet still compelling and pretty enough to warrant a second viewing me thinks. 7/10

13 of 19 people found this review helpful.  Was this review helpful to you?

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No Point to all Water ?'s etc! jenpax
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