In an overpopulated futuristic Earth, a New York police detective finds himself marked for murder by government agents when he gets too close to a bizarre state secret involving the origins of a revolutionary and needed new foodstuff.
In Bucks County, Pennsylvania, a five-hundred-foot crop circle is found on the farm of Graham Hess, the town's reverend. The circles cause a media frenzy and test Hess's faith as he journeys to find out the truth behind the crop circles. Written by
At the end of the movie when the Uncle is swinging the bat, the bat breaks. It shows the break being a somewhat clean break in the middle of the bat. Baseball bats do not break that way since they are made with the grain of the wood. This causes them to splinter when they break, and they break at the weakest part of the bat - the handle. See more »
There are a lot of things I can take, and some things I can't. But what I can't take is when my older brother, who's everything that I want to be, starts losing faith in things. I saw that look in your eyes last night. I don't ever want to see that look in your eyes again.
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The end credits are black text that rolls over a black screen with a illuminated blue circle in the middle, instead of the traditional white text on a flat black background. See more »
Riveting and clever scarefest reinvents the modern horror film
I have been a horror film fan for 30 years. While I remember a few films actually scaring me as a kid (Jaws, Psycho), I have failed to encounter many in my adult life. I like to be scared, but Hollywood has seen fit to retread every tired formulaic convention in just about everything it throws at the local multiplex. Even the independent filmmakers, free of the "system", seem to forget what FEAR is. Mostly I sit solemnly staring in disbelief at the screen, waiting and hoping to get those goosebumps. Then, finally, we were given Signs. Most will say, including the director, that this is not a horror film; I genuinely disagree. If this is not a horror flick, then it is time for this film to start a branch of its own and begin a new genre. I admired every little aspect of this picture, from the use of everyday objects: baby monitor, a blank television screen and a half empty glass of water, to convey and act as a vehicle to extract fear from the ordinary. Most of all, Shyamalan is an expert craftsman and knows how to get the most out of space, actors and sound. It is the lingering shot on a basement staircase when you are desperately hoping he moves his camera to show us more, or the screeching sound in the next room whose source he won't reveal . This director knows just how long to hold the shot, to increase the tension and build the suspense, long enough for our mind to begin forming pictures. And those pictures can be the most frightening of all. Stay the course Shyamalan.
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