Rome, 1870. Opponents of the church power are being sent to prison. Some of the exhausted prisoners are asking for the mercy of Pope. Others, like Augusto Parenti, prefer to fight for their... See full summary »
On New Year's Eve, an insecure, struggling actress (Anna Magnani) has nothing to do. When a colleague invites her to a New Year's party, she jumps at the opportunity. Accidentally she runs ... See full summary »
An Italian-American neighborhood in Louisiana is disturbed when truck driver Rosario Delle Rose is killed by police while smuggling. His buxom widow Serafina miscarries, then over a period ... See full summary »
After many years working in the streets of Roma, the middle-age whore Mamma Roma (Anna Magnani) saves money to buy an upper class apartment, a fruit stand and retires from the prostitution.... See full summary »
Pier Paolo Pasolini
Valentine "Snakeskin" Xavier, a trouble-prone drifter trying to go straight, wanders into a small Mississippi town looking for a simple and honest life but finds himself embroiled with problem-filled women.
While awaiting Production Code seal approval in the USA this Italian-made production went through three American distributors in three years; first Motion Picture Sales Corporation that ... See full summary »
The story intertwines the actions of the underground movement in Rome in 1944 against the Germans by a group of opera performers who are part of the Italian resistance, with their ... See full summary »
La Sciantosa is part of a project created by writer/director Alfredo Gianetti for the Italian TV. The objective was to portrait a hundred years of Italian history through three movies, all of them with Anna Magnani. The other two are "1943: un incontro" and "L'autmobile".
In this first movie, La Magnani is Flora Torres, a "sciantosa" (kind of a small stage diva) who is forgotten during the WWI, living only to remember her past glory. One day she receives a letter to present herself to the high command. There, Flora is called to go to the front and entertain the troops.
Along with her maid Cristina, Flora goes to the front. There they are welcomed by the young private Tonino (Massimo Ranieri). Flora starts to act like a prima donna, making absurd demands to everyone. But when she is about to present herself, the vision of the wounded soldiers makes her change her way.
I must admit that, although I love the movie until it's climax, I didn't like the very last scene. But this is a case where the journey is better than the destine. Especially if the journey is beside la Magnani.
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