| Makiko Esumi | ... | Miyuki Minazuki | |
| Sayoko Yamaguchi | ... | Sayoko Uekyo | |
| Hanae Kan | ... | Sayoko Uekyo | |
| Masatoshi Nagase | ... | Man dressed in black | |
| Mikijiro Hira | ... | Goro Hanada | |
| Kirin Kiki | ... | Rin | |
| Kenji Sawada | ... | Man at Tokyo Station | |
| Haruko Kato | ... | Shizuka Orikuchi | |
| Tomio Aoki | |||
| Yôji Tanaka | ... | Koroshi-ya No. 7 | |
| rest of cast listed alphabetically: | |||
| Yoshiyuki Morishita | ... | Killer no.9 | |
| Kensaku Watanabe | (as Sakutarô Inui) | ||
| Jan Woudstra | ... | Painless Surgeon | |
Directed by | |||
| Seijun Suzuki | |||
Writing credits(in alphabetical order) | ||
| Kazunori Itô | (as Kazunori Itoh) | |
| Takeo Kimura | ||
Produced by | |||
| Ikki Katashima | .... | producer | |
| Tadayoshi Kubo | .... | executive producer | |
| Satoru Ogura | .... | producer | |
Original Music by | |||
| Kodama Kzufumi | |||
Cinematography by | |||
| Yonezô Maeda | |||
Film Editing by | |||
| Akira Suzuki | |||
Production Design by | |||
| Takeo Kimura | |||
Costume Design by | |||
| Masatomo Ota | |||
Special Effects by | |||
| Shinji Higuchi | .... | special effects | |
| Masami Kobayashi | .... | physical effects | |
Stunts | |||
| Misako Nagashima | .... | stunts | |
Camera and Electrical Department | |||
| Kazuo Yabe | .... | lighting designer | |
Editorial Department | |||
| Kenji Tanabe | .... | negative cutter | |
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| Branded to Kill | Metropolis | Rampo Noir | Gamera 3: Revenge of Iris | Terror of Mechagodzilla |
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| Full cast and crew | Company credits | External reviews |
| IMDb Crime section | IMDb Japan section |
Neither rules nor plots can be followed in Seijun SUZUKI's cult Pistol Opera. Each scene was imbued with the director's ornate and stunning visual styles. We can meet with whimsical professional killers speaking awkward dialogs or baffling monologues, and cartoonized gunfights represented through voluptuous choreography or Japanese theatricality. This visually coherent work has proved to us his cynicism as well as versatility in successfully combining both various aesthetic elements and anarchical themes that were prevalent in his masterpieces Branded to kill or Fighting elegy during the 1960s. It will be a bit difficult to enjoy such lushful art collection, but also a great challenge to observe how this interesting old man are toying with our mind with his audacious and maddening experimentation .